376
SCHUBERT.
II. Catalogue of all Schubert's works, printed and unprinted, in the order of their composition, as far as is ascertainable.
This attempt is compiled from the dates given (1) in Mr. Nottebohm's Thematic Catalogue; (2) in the 'Chronological Catalogue of all the Songs composed by F. Schubert from 1811 to 1828' in the Witteczek Collection of the Musikverein at Vienna; (3) from my own notes taken in the Archives of the same Collection; (4) from the List given by Reissmann; (5) from occasional information in Letters; and (6) from all other sources available to the compiler. The date is most usually marked by Schubert himself upon the piece. Occasionally it has been supplied from a letter, as in the case of 'Einsamkeit' (No. 550); from inference, or some other source; but this is very rare. The compositions to which no date can be affixed are placed at the end of the Catalogue. Where two dates are given the left-hand one is that of beginning the piece, the right-hand one that of ending it. 'à 3,' 'à 4' etc. = for 3, or 4, voices. F. = female voices. M.= men's voices ('à 4 M. and Orch.' = for 4 men's voices with orchestra). N.B.—All instrumental works, and works with orchestral accompaniments, are in italics.
| Name. | Key | Opus No. or Publ. |
Date. | |
| 1810. [13 years old.] | ||||
| 1 | Phantasie PF., 4 hds. | . | MS. | 1810 |
| 1811. [14.] | ||||
| 2 | Hagars Klage, Sop. & PF. | . | MS. | Mar. 30 |
| 3 | Quintet-Overture | ? | MS. | June July |
| 4 | Der Vatermörder, Sop. & PF. | . | MS. | Dec. 26 |
| 5 | Eine Leichenfantasie, Sop. & PF. | . | MS. | 1811 (?) |
| 6 | Phantasie, PF., 4 hds. | ? | MS. | {{{1}}}„ |
| 7 | String quartet | ? | MS. | {{{1}}}„ |
| 1812. [15.] | ||||
| 8 | Overture, Orch. | D | MS. | June 26 |
| 9 | String quartet | ? | MS. | 1812 |
| 10 | Do. | ? | MS. | {{{1}}}„ |
| 11 | Quartet overture | ? | MS. | {{{1}}}„ |
| 12 | Sonata, PF., V. & Va. | ? | MS. | {{{1}}}„ |
| 13 | Variations. PF. | E | MS. | {{{1}}}„ |
| 14 | 7 do. | F | MS. | {{{1}}}„(?) |
| 21 | Klaglied | . | Op.131, 3 | {{{1}}}„ |
| 22 | Andante, PF. | ? | MS. | {{{1}}}„ |
| 1813. [16.] | ||||
| 23 | Todtengräberlied (Hölty) | . | MS. | Jan. 19 |
| 24 | Do.(Do.) à 3 | . | MS. | {{{1}}}„ |
| 25 | Die Schatten (Matthisson) | . | MS. | Ap. 12 |
| 26 | Sehnsucht (Schiller) | . | 6 L. 1 | Ap. 15 Ap. 17 |
| 27 | 'Unendliche,' Terzet (Schiller) | . | MS. | Ap. 15 |
| 28 | 'Vorüber,'{gap}}Do.(Do.) | . | MS. | Ap. 18 |
| 29 | 'Unendliche,' Canon,(Do.) | . | MS. | Ap. 19 |
| 30 | 'Hier strechet,' Terzet(Do.) | . | MS. | Ap. 29 |
| 31 | 'Dessen Fahne,' Do.(Do.) | . | MS. | May |
| 32 | Verklärung (Pope) | . | Lf. 17, 4 | May 4 |
| 33 | 'Ein Jugendlicher,' Canon. | . | MS. | May 8 |
| 34 | 'Hier umarmen.' Terzet (Schill.) | . | MS. | Do. |
| 35 | 'Thronend,'Do.(Do.) | . | MS. | May 9 |
| 36 | 'Majestätsche,'Do.(Do.) | . | MS. | May 10 |
| 37 | 'Frisch athmet,' Do.(Do.) | . | MS. | May 15 |
| 38 | 'Dreifach,' Canon | . | MS. | July 8 |
| 39 | Die 2 Tugendwegen, Terzet | . | MS. | July 15 |
| 40 | Thekla, e. Geisterstimme (Schill.) | . | 6 L, 2 | Aug. 22 Aug. 23 |
| 41 | Trinklied | . | Lf. 45, 2 | Aug. 29 |
| 42 | Der Taucher (Schiller) | . | Lf. 13 | Sept. 13 Aug. 1814 |
| 43 | Cantata, father's birthday (F.S.), à 3 M. and Guitar | . | MS. | Sept. 27 |
| 44 | Symphony no. 1; Orch. | D | MS. | Oct. 28 |
| 45 | 4 Menuets, PF. | . | MS. | Nov. 22 1813 |
| 49 | Gretchen im Dom (Goethe) | . | MS. | 1813 |
| 50 | Schwertlied (Körner) | . | Reissm. | {{{1}}}„ |
| 51 | Octet for wind | . | MS. | {{{1}}}„ |
| 52 | String quartet | C | MS. | {{{1}}}„ |
| 53 | Do. | B♭ | MS. | {{{1}}}„ |
| 54 | Do. | E♭ | MS. | {{{1}}}„ |
| 55 | Phantasie, PF., 4 hds. | ? | MS. | {{{1}}}„ |
| 56 | 30 Menuets | . | MS. | {{{1}}}„ |
| 86 | Auf den Sieg der Deutschen, Sop., 2 VV. & Cello | . | MS. | {{{1}}}„ |
| 87 | 6 Canons, 3 in 1 | . | MS. | {{{1}}}„ |
| 93 | 2 Do. 2 in 1 | . | MS. | {{{1}}}„ |
| 95 | 'Dreifach,' Terzet | . | MS. | {{{1}}}„ |
| 96 | 'Pensa che questo,' Canzone | . | 5 Can. 5 | {{{1}}}„(?) |
| 1814. [17.] | ||||
| 97 | Emma (Schiller) | . | Op. 58, 2 | Ap. 4 |
| 98 | Lied aus der Ferne (Matthisson) | . | MS. | {{{1}}}„ |
| 99 | Die Betende(Do.) | . | Lf.31, 1 | Ap. 14 |
| 100 | Todtenopfer(Do.) | . | MS. | April |
| 101 | Andenken(Do.) | . | MS. | {{{1}}}„ |
| 102 | Geisternähe(Do.) | . | MS. | {{{1}}}„ |
| 103 | Trost an Elisa(Do.) | . | MS. | {{{1}}}„ |
| 104 | Die Befreier Europas in Paris | . | MS. | May 16 |
| 105 | Mass no. 1; 4 Voices and Orch. | . | Glöggl | May 17 July 22 |
| 106 | Der Abend (Matthisson) | . | MS. | July |
| 107 | Lied der Liebe(Do.) | . | MS. | {{{1}}}„ |
| 108 | String quartet[1] | B♭ | Op. 168 | Sep. 5 Sep. 13 |
| 109 | Rosalia von Mortimer (Matthn.) | . | 6 L. 5 | Sep. 29 |
| 110 | An Laura(Do.) | . | Lf. 31, 3 | Oct. 7 |
| 111 | Der Geistertanz(Do.) | . | Lf. 31, 2 | Oct. 14 |
| 112 | D. Mädchen a. d. Fremde (Schill.) | A | MS. | Oct. 18 |
| 113 | Gretchen am Spinnrade (Goethe) | . | Op. 2 | Oct. 19 |
| 114 | Des Teufels Lustschloss, Operetta | . | MS. | Oct. 22 |
| 115 | Trost In Thränen | F | Lf. 25, 3 | Nov. 30 |
| 116 | Nachtgesang | A♭ | Lf. 47, 4 | {{{1}}}„ |
| 117 | Overture in Italian style. Orch. | C | Op. 170 | November |
| 118 | Am See (Mayrhofer) | . | MS. | Dec. 7 |
| 119 | Symphony no. 2. Orch. | B♭ | MS. | Dec. 10 Mar. 24 |
| 120 | Gretchen im Dom (Goethe) (2) | . | Lf. 20, 2 | Dec. 12 |
| 121 | Ammenlied (Lubl) | . | 40 L., 12 | December |
| 122 | Erinnerungen (Matthisson) | . | MS. | 1814 (?) |
| 123 | String quartet | D | Peters. 796 no.8 | {{{1}}}„(?) |
| 124 | Do. | D | MS. | {{{1}}}„(?) |
| 125 | Do. | Cm | MS. | {{{1}}}„ |
| 126 | Do. | B♭ | MS. | {{{1}}}„ |
| 127 | 5 Menuets—Strings & 2 Horns | . | MS. | {{{1}}}„ |
| 132 | 6 DeutscheDo. | . | MS. | {{{1}}}„ |
| 1815. [18.] | ||||
| 138 | Bardengesang, Terzet (Ossian) | . | MS. | Jan. 20 |
| 139 | Minona (Bertrand) | . | MS. | Feb. 8 |
| 140 | Die entfernte Geliebte | . | MS. | Feb. 10 |
| 141 | Als ich sie erröthen sah (Ehrlich) | . | Lf. 39, 1 | {{{1}}}„ |
| 142 | Das Bild | . | Op. 165, 3 | Feb. 11 |
| 143 | Sonata, PF. | E | MS. | {{{1}}}„ |
| 144 | Do. Do. | E | MS. | Feb. 18 |
| 145 | Nähe des Geliebten (Goethe) | . | Op. 5, 2 | Feb. 27 |
| 146 | An Mignon(Do.) | . | Op. 19, 2 | {{{1}}}„ |
| 147 | Die Erwartung (Schiller) | . | Op. 116 | {{{1}}}„ |
| 148 | Am Flusse (Goethe) | Dm | MS. | {{{1}}}„ |
| 149 | Sängers Morgenlied (Körner) | G | MS. | {{{1}}}„ |
| 150 | Trinklied (Castelli) | . | Op. 131, 2 | February |
| 151 | Der Sänger (Goethe) | . | Op. 117 | {{{1}}}„ |
| 152 | Lodas Gespenst (Ossian) | . | Lf. 3 | {{{1}}}„ |
| 153 | Amphiaraos (Körner) | . | MS. | Mar. 1 |
| 154 | Sängers Morgenlied (Do.) (2) | . | 40 L., 35 | {{{1}}}„ |
| 155 | Mass no. 2; Voices and Orch. | G | Berra | Mar. 2 Mar. 7 |
| 156 | String quartet | Gm | Peters, 7 | Mar. 25 Apr. 1 |
| 157 | Das war ich (Körner) | . | Lf. 39, 2 | Mar. 26 |
| 158 | Stabat mater (Lat.) 4 V. & Orch | Gm | MS. | Ap. 4 |
| 159 | Vergebliche Liebe (Bernard) | . | Op. 173, 3 | Ap. 6 |
| 160 | Die Sterne (Fellinger) | . | 40 L., 30 | {{{1}}}„ |
| 161 | Liebesrausch (Körner) | . | 40 L., 29 | Ap. 8 |
| 162 | Adagio, PF. | G | MS. | {{{1}}}„ |
| 163 | Freundschaft und Wein, Solo, Chor. & PF. | . | MS. | Ap.12 |
- ↑ On the autograph, at beginning of 1st movement, '5 Sept. 1814'; at end of do., 'Completed in 4½ hours'; at beginning and end of Anante, 'Sept. 6, 1814' and 'Sept. 10, 1814'; at end of Minuet, 'Sept. 11, 1814'; and at end of Finale, 'Sept. 13, 1814.'
