Pippo. (See Mattei, F.)
Pirata Il, ii. 755b; iv. 749a; Bellini, i. 212b.
Pirates of Penzance, The, ii. 756a; Sullivan, iii. 762b.
Piron; Clé du Caveau, iv. 593b.
Pisari, P., ii. 756a; Jannaconi, ii. 31a; Sistine Chapel, iv. 794a.
Pisaroni, B. R., ii. 756a; Laporte, ii. 91b; Mendelssohn, ii. 263a; Singing, iii. 510b; Tamburini, iv. 56a.
Pischek, J. B., iii. 54a;
Jullien, ii. 45a, etc.;
Lindpaintner, ii. 143a;
Nachbaur, ii. 440a;
Philh. Soc., ii. 699b;
Schott (A.), iii. 314b;
Song, iii. 614b;
Stark, iii. 690b;
Staudigl, iii. 691b;
Kuhe (W.), iv. 693b.
Pisendel; Graun (J. G.), i. 620b; Veracini (F. M.), iv. 239a; Violin-playing, iv. 289
Pistocchi, F.;
Bass, i. 148b;
Bernacchi, i. 234a;
Bologna, i. 259b;
Fabri, i. 500b;
Morigi (P.), ii. 366a;
Negri, ii. 451a;
Nicolini, ii. 454a;
Opera, ii. 505a;
Oratorio, ii. 537b;
Burney, iv. 571a.
Piston, ii. 756b; Cornet, i. 403b; Sax (C. J.), iii. 232a, etc.; Valve, iv. 215a.
Pistrucci; Barcarolle, i. 139a.
Pitch, ii. 757b;
Bass, i. 148a;
Beats, i. 159a;
Clarinet, i. 364a;
Concert-pitch, i. 384b;
Conservatoire de Mus., i. 393a;
Diapason, i. 442b;
Griesbach, i. 631b;
Helmholtz, i. 726b;
Hoffmann (G.), i. 742a;
Horn, i. 750a;
Interval, ii. 11a;
Kneller Hall, ii. 67a;
Monochord, ii. 354a;
Organ, ii. 580b, note, etc.;
Partial Tones, ii. 653b;
Piston, ii. 756b;
Proportion, iii. 42a;
Scale, iii. 235b, etc.;
Scheibler, iii. 244a;
String, iii. 745a;
Temperament, iv. 70b, etc.;
Tuning, iv. 189a;
Tuning-fork, iv. 190a;
Chorton, iv. 591a;
Ellis (A. J.), iv. 627a.
Pitchpipe, ii. 758b; Tuning, iv. 189a.
Pitoni, G. O., ii. 759a;
Feo, i. 511b;
Leo, ii. 121a;
Mus. Divina, ii. 411a;
Palestrina, ii. 635b, note;
Requiem, iii. 109b;
Schools of Comp., iii. 287a;
Sketches, iii. 526b;
Dies Iræ, iv. 614a;
Rome iv. 774a.
Pitterlin; Fesca (F. E.), i. 514b.
Pittman, J., ii. 759a; iv. 749a; Rea, iii. 79a.
Piutti, M.; United States, iv. 204a.
Piva, G.; Steffani, iii. 697b.
Pixis, F., ii. 759b.
Pixis, F. W., ii. 759b; Bocklet, i. 252b; Kalliwoda (J. W.), ii. 47a; Violin-playing, iv. 298b.
Pizzicato, ii. 759b; iv. 749a; Instrument, ii. 6b; Opera, ii. 501b; Paganini, ii. 632a. Violin-playing, iv. 288a.
Plachy, W.; PF. Mus., ii. 727a; Vaterländische Künstlerverein, iv. 803a.
Plagal Cadence, ii. 760a; Cadence, i. 291a; Harmony, i. 676b; Imperfect, i. 768b; Subdominant, iii. 747b.
Plagal Modes, ii. 760a;
Æolian Mode, i. 40a;
Authentic, i. 105b;
Gregorian Modes, i. 626a;
Hyper-, i. 764b;
Modes Eccles., ii. 341b, etc.;
Participant, ii. 655b;
Plain Song, ii. 764a, etc.
Plaidy, L., ii. 763a;
Bache (E.), i. 120b;
Leipzig, ii. 115b;
O'Leary, ii. 496b;
Paul (O.), ii. 675b;
Riedel, iii. 129b;
Röntgen, iii. 144a;
Smith (Sydney), iii. 541b;
Studies, iii. 746b;
Sullivan, iii. 761b;
Taylor (F.), iv. 66b;
Bache (W.), iv. 529b;
Beringer, iv. 545a.
Plain Chaunt. (See Plain Song, ii. 763a.)
Plain Song, ii. 763a;
Accents, i. 18b, etc.;
Accidentals, i. 19a;
Ambrosian Chant, i. 60a, etc.;
Anthem, i. 71a;
Antiphon, i. 73b;
Bar, i. 136b;
Canto fermo, i. 306a, etc.;
Cathedral Mus., i. 324a;
Chant, i. 337b;
Counterpoint, i. 407b;
Discant, i. 448b;
Faux-bourdon, i. 509a;
Fétis, i. 517a;
Gradual, i. 615b;
Gregorian Modes, i. 627a;
Helmore, i. 727b;
Hymn, i. 760b, etc.;
Imperfect, i. 767a;
Improperia, ii. 1a;
Initials, Absolute, ii. 3a;
Intonation, i. 12a;
Introit, ii. 15a;
Ionian Mode, ii. 18a;
Kyrie, ii. 77b, etc.;
La Fage, ii. 83b, etc.;
Lamentations, ii. 86b;
Large, ii. 92a;
Lauda Sion, ii. 104a, etc.;
Lauds, ii. 105b;
Lesueur, ii. 124b;
Ligature, ii. 136b;
Litaniæ Lauretanæ, ii. 151b;
Litany, ii. 152a;
Long, ii. 165b;
Macicotaticum, ii. 186b, etc.;
Magnificat, ii. 195b, etc.;
Maneria, ii. 206a, etc.;
Mass, ii. 226a; etc.;
Medial Cadence, ii. 243a;
Mediant, ii. 244b;
Merbecke, ii. 312a;
Micrologus, ii. 327a;
Miserere, ii. 335b, etc.;
Mixed Modes, ii. 338b;
Modes Eccles., ii. 343a, etc.;
Modulations, ii. 351b;
Motet, ii. 372b;
Mus. Ficta, ii. 412b;
Mus. Mensurata, ii. 415b;
Mutation, ii. 439a;
Niedermeyer, ii. 455b;
Nisard, ii. 614a, note;
Notation, ii. 470a, etc;
Ochetto, ii. 491a;
Offertorium, ii. 494a;
Oratorio, ii. 533b, etc.;
Organ, ii. 581b, etc.;
Organum, ii. 608b, etc.;
Ortigue, ii. 614a;
O Salutaris Hostia, ii. 614b;
Participant, ii. 656a;
Passion Mus., ii. 663b;
Perielesis, ii. 691b;
Phrygian Mode, ii. 709a;
Plagal Modes, ii. 760a;
Pneuma, iii. 4b;
Podatus, iii. 5a;
Prick Song, iii. 30a;
Prime, iii. 30b;
Requiem, iii. 109a, etc.;
Response, iii. 116a;
Responsorium, iii. 118b;
Rhythm, iii. 123a;
Salve Regina, iii. 222a;
Sanctus, iii. 223b;
Schools of Comp., iii. 312a;
Score, iii. 427b;
Sequentia, iii. 466a;
Serpent, iii. 470a;
Singing, iii. 497b;
Sistine Choir, iii. 520a;
Stabat Mater, iii. 684a;
Stave, iii. 692b;
Subject, iii. 747b, etc.;
Tantum Ergo, iv. 58b;
Te Deum, iv. 68a;
Tenebræ, iv. 86a;
Tenor, iv. 86b;
Use, iv. 210b;
Variations, iv. 217a;
Veni Creator Spiritus, iv. 237a;
Vesperale, iv. 257a;
Vespers, iv. 257b;
Vroye, iv. 341a;
Westminster, iv. 449b;
Alfieri, iv. 520a;
Burney, iv. 570b;
Gregorian Tones, iv. 655b, etc.;
Missa de Angelis, iv. 719a;
Tractus, iv. 800a.
