His studies, also, have somewhat injured his style with technicology, making him in his own despite look at Nature through the old church and school windows, often when he should be with her in the rustic air. In some of his shorter poems, however, and in the snatches of Orphic Song prefixed to some of his essays (as Compensation, Art, History, Heroism), any one with ears to hear may catch pregnant hints of what poetry possessed by this inspiration can accomplish, and therefore will accomplish; for no pure inspiration having once come down among men ever withdraws its influence until it has attained (humanly) perfect embodiment.
In eighty years the influence of this spirit has swelled from the Songs of Innocence to the poems of Emerson—a rapid increase of the tide in literature. Other signs of its increase meet us everywhere in the best books of verse published during the last few years. And perchance the increase has been even more rapid than the most of us have opportunity to learn, for we are informed by Mr. Rossetti that James John Garth Wilkinson has not only edited a collection of Blake's Poems, but has himself produced a volume of poems entitled Improvisations of the Spirit, bearing a strong family likeness to those of Blake; and it may be that Wilkinson has the singing voice which Emerson has not. It would be a boon to the public, at any rate, to make these two volumes easily accessible.
Emerson and Garth Wilkinson, the former undoubtedly the supreme thinker of America, the latter as undoubtedly second to none in England, are surely in themselves sufficient attestation to the truth and depth of the genius of their forerunner, William Blake.
