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190
A Lost Masterpiece

The freshness of the country still lurked in me, unconsciously influencing my attitude towards the city.

One forenoon business drove me citywards, and following an inclination that always impels me to water-ways rather than road-ways, I elected to go by river steamer.

I left home in a glad mood, disposed to view the whole world with kindly eyes. I was filled with a happy-go-lucky insouciance that made walking the pavements a loafing in Elysian fields. The coarser touches of street-life, the oddities of accent, the idiosyncrasies of that most eccentric of city-dwellers, the Londoner, did not jar as at other times—rather added a zest to enjoyment; impressions crowded in too quickly to admit of analysis, I was simply an interested spectator of a varied panorama.

I was conscious, too, of a peculiar dual action of brain and senses, for, though keenly alive to every unimportant detail of the life about me, I was yet able to follow a process by which delicate inner threads were being spun into a fanciful web that had nothing to do with my outer self.

At Chelsea I boarded a river steamer bound for London Bridge. The river was wrapped in a delicate grey haze with a golden sub-tone, like a beautiful bright thought struggling for utterance through a mist of obscure words. It glowed through the turbid waters under the arches, so that I feared to see a face or a hand wave through its dull amber—for I always think of drowned creatures washing wearily in its murky depths—it lit up the great warehouses, and warmed the brickwork of the monster chimneys in the background. No detail escaped my outer eyes—not the hideous green of the velveteen in the sleeves of the woman on my left, nor the supercilious giggle of the young ladies on my right, who made audible remarks about my personal appearance.

But what cared I? Was I not happy, absurdly happy?—

because