1911 Encyclopædia Britannica/Tibullus, Albius
TIBULLUS, ALBIUS (c. 54-19 B.C.), Latin elegiac poet. The information which we possess about him is extremely meagre. Besides the poems themselves—that is to say, the first and second books—we have only a few references in later writers and a short Life of doubtful authority. We do not know his praenomen; his gentile name has been questioned; nor is his birthplace ascertained. His station was not improbably that of a Roman knight (so the Life affirms); and he had inherited a very considerable estate. But, like Virgil, Horace and Propertius, he seems to have lost the greater part of it in 41 amongst the confiscations which Antony and Octavian found expedient to satisfy the rapacity of their victorious soldiery. Tibullus's chief friend and patron was M. Valerius Messalla Corvinus, himself an orator and poet as well as a statesman and a commander. Messalla, like Maecenas, was the centre of a literary circle in Rome; but the bond between its members was that of literature alone. They stood in no relations to the court; and the name of Augustus is not once to be found in the writings of Tibullus. About 30 B.C. Messalla was despatched by Augustus to Gaul to quell a rising in Aquitania and restore order in the country, and Tibullus may have been in his retinue. On a later occasion, probably in 28, he would have accompanied his friend who had been sent on a mission to the East, but he fell sick and had to stay behind in Corcyra. Tibullus had no liking for war, and though his life seems to have been divided between Rome and his country estate, his own preferences were wholly for the country life. His first love, the subject of book i., is called Delia in the poems, but we learn from Apuleius (A pol. 10) that her real name was Plania. Delia seems to have been a woman of middle station. It is impossible to give an exact account of the intimacy. The poems which refer to her are arranged in no chronological order. Now she appears as single, now as married; but we do not hear anything either of her marriage or of her husband's death. It is clear, however, that it was the absence of her husband on military service in Cilicia which gave Tibullus the opportunity of making or renewing the acquaintance. It was not dropped when he returned. It was not difficult to deceive the simple soldier; and Delia was an apt pupil in deception—too apt, as Tibullus saw with dismay when he found that he was not the only lover. His entreaties and appeals were of no avail; and after the first book we hear no more of Delia. In the second book the place of Delia is taken by Nemesis, which is also a fictitious name. Nemesis (like the Cynthia of Propertius) was a courtesan of the higher class; and she had other admirers besides Tibullus. He complains bitterly of his bondage, and of her rapacity and hardheartedness. In spite of all, however, she seems to have retained her hold on him until his death. Tibullus died prematurely, probably in 19, and almost immediately after Virgil. His death made a deep impression in Rome, as we learn from his contemporary Domitius Marsus and from the elegy in which Ovid (Amores, iii. 19) has enshrined the memory of his predecessor.
The character of Tibullus is reflected in his poems. Though not an admirable it is certainly an amiable one. He was a man of generous impulses and a gentle unselfish disposition. He was loyal to his friends to the verge of self-sacrifice, as is shown by bis leaving Delia to accompany Messalla to Asia, and constant to his mistresses with a constancy but ill deserved. His tenderness towards them is enhanced by a refinement and delicacy which are rare among the ancients. Horace and the rest taunt the cruel fair with the retribution which is coming with the years. If Tibullus refers to such a fate, he does it by way of warning and not in any petty spirit of triumph or~ revenge. Cruelly though he may have been treated by his love, he does not invoke curses upon her head. He goes to her little sister's grave, hung so often with his garlands and wet with his tears, and bemoans his fate to the dumb ashes there. Tibullus has no leanings to an active life: his ideal is a quiet retirement in the country with the loved one at his side. He has no ambition and not even the poet's yearning for immortality. As Tibullus loved the country life so he clung to its faiths, and in an age of crude materialism and the grossest superstition, he was religious in the old Roman way. As a poet he reminds us of Collins and Longfellow. His clear, finished and yet unaffected style made him a great favourite with his countrymen and placed him, in the judgment of Quintilian, at the head of their elegiac writers. And certainly within his own range be has no Roman rival. For natural grace and tenderness, for exquisiteness of feeling and expression, he stands alone. He has far fewer faults than Propertius, and in particular he rarely overloads his lines with Alexandrian learning. But, for all that, his range is limited; and in power and compass of imagination, in vigour and originality of conception, in richness and variety of poetical treatment, he is much his rival's inferior. The same differences are perceptible in the way the two poets handle their metre. Tibullus is smoother and more musical, but liable to become monotonous; Propertius, with occasional harshnesses, is more vigorous and varied. It may be added that in many of Tibullus's poems a symmetrical composition can be traced, although the symmetry must never be forced into a fixed and unelastic scheme.
first and second books can claim his authorship. The first book consists of poems written at various times between 30 and 26. About the second book we can only say that in all likelihood it was published before the poet's death in 19. It is very short, containing only 428 verses, and apparently incomplete. In both books occur poems which give evidence of internal disorder; but scholars cannot agree upon the remedies to be applied.
The third book, which contains 290 verses, is by a much inferior hand. The writer calls himself Lygdamus and the fair that he sings of Neaera. He was born in the same year as Ovid, but there is nothing Ovidian about his work. He has little poetical power, and his style is meagre and jejune. He has a good many reminis- cences and imitations of Tibullus and Propertius; and they are not always happy. The separation of the fourth book from the third has no ancient authority. It dates from the revival of letters, and is due to the Italian scholars of the 15th century. The fourth book consists of poems of very different quality. The first is a composition in 211 hexameters on the achievements of Messalla, and is very poor. The author is unknown; but he was certainly not Tibullus. The poem itself was written in 31, the year of Messalla's consulship. The next eleven poems relate to the loves of Sulpicia and Cerinthus. Sulpicia was a Roman lady of high station and, according to Haupt's probable conjecture, the daughter of Valeria, Messalla's sister. She had fallen violently in love with Cerinthus, about whom we know nothing but what the poet tells us, and he soon reciprocated her feelings. The Sulpicia elegies divide into two groups. The first comprises iv. 2-6, containing ninety-four lines, in which the theme of the attachment is worked up into five graceful poems. The second, iv. 8-12 (to which 7 should be added), consists of Sulpicia's own letters. They are very short, only forty lines in all; but they have a unique interest as being the only love poems by a Roman woman that have escaped the ravages of time. Their frank and passionate outpourings remind us of Catullus. The style and metrical handling betray a novice in poetical writing. The thirteenth poem (twenty-four lines) claims to be by Tibullus ; but it is hardly more than a cento from Tibullus and Propertius. The fourteenth is a little epigram of four lines with nothing to determine its authorship. Last of all comes the epigram or fragment of Domitius Marsus already referred to. To sum up: the third and fourth books appear in the oldest tradition as a single book, and they comprise pieces by different authors in different styles, none of which can be assigned to Tibullus with any certainty. The natural conclusion is that we have here a collection of scattered compositions, relating to Messalla and the members of his circle, which has been added as an appendix to the genuine relics of Tibullus. When this " Messalla collection " was made cannot be exactly determined ; but it was not till after the death of Tibullus, 19 B.C., and probably between 15 and 2 B.C. Besides the foregoing, two pieces in the coljectioa called Priapea (one an epigram and the other a Jonger piece in iambics) have been attributed to Tibullus; but there is little external and no internal evidence of his authorship (see Hiller in Hermes, xviii. 343-349).The value of the short Vita Tibulli, found at the end of the Ambrosian, Vatican and inferior MSS., has been much discussed. There is little in it that we could not at once infer from Tibullus himself and from what Horace says about Albius, though it is
quoque eius, quamquam breves, omnino utiles sunt (the "letters" are the Sulpicia elegies). Obiit adulescens, ut_ indicat epigramma supersenptum" (i.e. the one ascribed to Domitius Marsus. These words seem to be_ a later addition to the Life). It is another moot question of some importance whether our poet should be identified with the Albius of Horace (Od. i. 33; Epist. i. 4), asis done by the Horatian commentator Porphyrio (A.D. 200-250) in his Scholia. Porphyrio's view has been most recently examined by Postgate (Selections from Tibullus, appendix A). If it is rejected, the authority of the Life is considerably impaired.
Ovid, Trist, iv. 10, 53 seq., "successor fuit hie [Tibullus] tibi, Galle, Propertius illi, quartus ab his serie temporis ipse fui. ' In the preceding couplet he had said, " Vergilium vidi tantum nee amara Tibullo tempus amicitiae fata dedere meae." Ovid, who was born in 43, would be only twenty-four at Tibullus's death if it occurred in 19. The loss of Tibullus s landed property is attested by himself (i. I, 19 seq.), " Felicis quondam, nunc pauperis agri custodes " (cf. 41, 42). Its cause is only an inference, though a very probable one. That he was allowed to retain a portion of his estate with the family mansion is clear from ii. 4, 53. Tibullus may have been Messalla's contubernalis in the Aquitanian War (Vita Tib. and Tib. i. 7, 9 seq., a poem composed for Messalla's triumph), and may have received militaria dona (Vita).
Delia's name (from δήλος) is a translation of Plania. As regards her station, it should be noticed that she was not entitled to wear the stola, the dress of Roman matrons (i. 6, 68). Her husband is mentioned as absent (i. 2, 67 seq.). She eludes the custodes placed over her (i. 2, 15 and 6, 7). Tibullus's suit was favoured by Delia's mother, of whom he speaks in very affectionate terms (i. 6, 57 seq.). For Tibullus's illness at Corcyra, see i. 3, 1 seq., 55 seq. The fifth elegy was written during estrangement (discidium), and the sixth after the return of the husband and during Delia's double infidelity.
Ovid, writing at the time of Tibullus's death (Am. iii. 9, 31), says: "Sic Nemesis longum, sic Delia, nomen habebunt, altera cura recens, altera primus amor." Nemesis is the subject of book ii. 3, 4, 6. The mention of a lena (ii. 6) settles her position. The con- nexion had lasted a year when ii. 5 was written (see ver. 109). It is worth noticing that Martial selects Nemesis as the source of Tibullus's reputation (viii. 73, 7; cf. xiv. 193).
Specimens of Tibullus at his best may be found in i. 1, 3, 89-94; 5, 19-36; 9, 45-68; ii. 6. Quintilian says (Inst. x. 1, 93), "Elegia quoque Graecos provocamus, cuius mihi tersus atque elegans maxime videtur auctor Tibullus; sunt qui Propertium malint; Ovidius utroque- lascivior, sicut durior Gallus."
Charisius (pp. 66 and 105) quotes part of a hexameter which is not found in the extant poems of Tibullus.
Lygdamus is probably the real name of the author of the first six elegies in book iii., but little further is known about him. His elegies and the other poems in the third book ("third" and "fourth" books) appear to have been known to Ovid. There are agreements between iii. 5, 15-20, and three passages of Ovid, Ars. am. ii. 669 seq.; Tr. iv. 10, 6: "cum cecidit fato consul uterque pari" (Lygdamus and Ovid using word for word the_ same expression for the year of their birth, the consulship of Hirtius and Pansa) and Am. xi. 14, 23 seq., much too close to be accidental. We do not know when they were added to the genuine poems of Tibullus.
Most scholars since Lachmann have condemned the "Panegyric on Messalla." It is an inflated and at the same time tasteless declamation, entirely devoid of poetical merit. The language is often absurdly exaggerated, e.g. 190 seq. The author himself seems to be conscious of his own deficiencies (1 seq., 177 seq.). Like so many of his contemporaries, he had been reduced to poverty by the loss of his estates (181 seq.). If we could set the question of poetical merit aside, it would not be impossible to identify him with Propertius as in fact is done by N6methy (op. cited below). The date is fixed by 121 seq. Sulpicia was the daughter of Servius Sulpicius (iii. 16 = iv. 10, 4), and she seems to have been under the tutelage of Messalla, her uncle by marriage (Haupt, Opuscula, iii. 502 seq.).
Some scholars attribute iii. 8-l2 = iv. 2-6 to Tibullus himself; but the style is different, and it is best to answer the question, as Bahrens does, with a non liquet.
The direct ascription of iii. 19 = iv. 13 (verse 13, "nunc licet e caelo mittatur arnica Tibullo") to Tibullus probably led to its inclusion in the collection and later on to the addition^ of the third book to the two genuine ones. For the evidence against the ascription, see Postgate, Selections, app. C.
Manuscripts.—The two best MSS. of Tibullus are the Ambrosianus (A), of date about 1374, and the Vaticanus (V), of the 15th century. Besides these we have a number of extracts from Tibullus in Florilegium Parisinum, an anthology from various Latin writers which probably goes back to the 11th century, and the Excerpta frisingensia, preserved in an 11th-century MS. now at Munich, unfortunately very few in number. Also excerpts from the lost Fraementum cuiacianum, made by Scaliger, and now in the library at Leiden. It only contained the part from iii. 4, 65 to the end. The Codex cuiacianus, a late MS. containing Catullus, Tibullus and Propertius, is still extant.
Editions.—Tibullus was first printed with Catullus, Propertius, and the Silvae of Statius by Vindelinus de Spira (Venice, 1472), and separately by Florentius de Argentina, probably in the same year. Amongst other editions we may mention' those by Scaliger (with Catullus and Propertius, 1577, &c), Broukhusius (1708), Vulpius (1749), Heyne (1817, 4th ed. by Wunderlich, with supple- ment by Dissen, 1819), Huschke (1819), Lachmann (1829), Dissen (1835). Among more recent texts Bahrens (1878, the first of the modern critical editions), L. Miiller (1880, with a useful intro- duction), Hiller (1885, with index verborum), Postgate (1905). Of the commentaries Heyne's, Huschke's and Dissen's are stillof value. The most recent (with Latin notes) is Nemethy's (1905-1906). The greater part of the poems are included in Postgate's Selections (with English notes, 1903). For further information see the accounts in Teuffel's History of Roman Literature (translated by Warr), Schanz's Geschichte der rdmischen Litteratur, and Marx's article s.v. "Albius," in Pauly-Wissowa's Realencyclopddie. A history of recent contributions is given in A. Cartault's A propos du corpus Tibullianum (1906; not quite complete); see also his Tibulle et les auteurs du Corpus Tibullianum (Paris, 1909). The following translations into English verse are known—by Dart (London, 1720), Grainger (1739, with Latin text and notes), Cranstoun (1872). An Essay towards a New Edition of the Elegies of Tibullus, with a Translation and Notes (London, 1792), contains only i. I and 7, 29-48. C. A. Elton's Specimens of the Classic Poets (London, 1814; xii. 141-171) contains 1. 1; ii. 4; iii. 2-4; 6, 33 to end; iv. 2, 3. To these should probably be added Tibullus, with other Translations from Ovid, Horace, &c, by Richard Whiffin (London, 1829). Cranstoun's is the only complete version of merit; but it is far inferior to the translations by Elton.
(J. P. P.)