Across the Stream

Across the Stream  (1919) 
by Edward Frederic Benson


Across the Stream.djvu

ACROSS THE STREAM


ACROSS THE STREAM


BY E. F. BENSON.


LONDON

JOHN MURRAY, ALBEMARLE STREET, W.

1919


All rights Reserved


INTRODUCTION

There is a very large class of persons alive to-day who believe that not only is communication with the dead possible, but that they themselves have had actual experience of it. Many of these are eminent in scientific research, and on any other subject the world in general would accept their evidence.

There is possibly a larger class of persons who hold that all such communications, if genuine, come not from the dead but from the devil. This is the taught opinion of the Roman Catholic Church.

A third class, far more numerous than both of these, is sure that any one who holds either of these beliefs is a dupe of conjurers, or the victim of his own disordered brain. This type of robust intellect has, during the last ten decades, affirmed that hypnotism, aviation in machines heavier than air, telepathy, wireless telegraphy, and other non-proved phenomena, are superstitious and unscientific balderdash. In an earlier century it was equally certain that the earth did not go round the sun. It is, happily, never disconcerted by the frequency with which the superstitions and impossibilities of one generation become the science of the next.

The first part of this book may be accepted by the first of these three classes, the second by the second, and none of it by the third. Its aim is to state rather than solve the subject with which it deals, and to suggest that the dead and the devil alike may be able to communicate with the living.

E. F. Benson.



This work is in the public domain in the United States because it was published before January 1, 1927.


The author died in 1940, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.