Anna (Daley poem)
The pale discrowned stacks of maize,
Like spectres in the sun,
Stand shivering nigh Avonaise,
Where all is dead and gone.
The sere leaves make a music vain,
With melancholy chords;
Like cries from some old battle-plain,
Like clash of phantom swords.
But when the maize was lush and green
With musical green waves,
She went, its plumed ranks between,
Unto the hill of graves.
There you may see sweet flowers set
O'er damsels and o'er dames —
Rose, Ellen, Mary, Margaret —
The sweet old quiet names.
The gravestones show in long array,
Though white or green with moss,
How linked in Life and Death are they —
The Shamrock and the Cross.
The gravestones face the Golden East,
And in the morn they take
The blessing of the Great High Priest,
Before the living wake.
Who was she? Never ask her name,
Her beauty and her grace
Have passed, with her poor little shame,
Into the Silent Place.
In Avonaise, in Avonaise,
Where all is dead and done,
The folk who rest there all their days
Care not for moon or sun.
They care not, when the living pass,
Whether they sigh or smile;
They hear above their graves the grass
That sighs — "A little while!"
A white stone marks her small green bed
With "Anna" and "Adieu".
Madonna Mary, rest her head
On your dear lap of blue!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
- published non-government works whose author died before January 1, 1955,
- anonymous or pseudonymous works and photographs published before January 1, 1955, and
- government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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