Author:George Iles
Works
editArticles in Popular Science Monthly
edit- "Mathematics in Evolution" in Popular Science Monthly, 9 (June 1876)
- "The Constancy of Motion" in Popular Science Monthly, 10 (December 1876)
- "Initiatory Forces" in Popular Science Monthly, 11 (June 1877)
- "The Law of Continuity" in Popular Science Monthly, 12 (November 1877)
- "The Dissipation of Energy" in Popular Science Monthly, 12 (April 1878)
- "Heredity" in Popular Science Monthly, 14 (January 1879)
- "Cooperation in England" in Popular Science Monthly, 17 (October 1880)
- "Problems of Property" in Popular Science Monthly, 21 (July 1882)
- "The Railroad Problem in the United States" in Popular Science Monthly, 23 (July 1883)
- "A Chapter in Fire Insurance" in Popular Science Monthly, 26 (April 1885)
- "Religion Without Dogma" in Popular Science Monthly, 27 (May 1885)
- "A Canadian Chapter in Agrarian Agitation" in Popular Science Monthly, 29 (August 1886)
- "Competition and the Trusts" in Popular Science Monthly, 34 (March 1889)
- "Two and a Half Per Cent" in Popular Science Monthly, 36 (January 1890)
- "Sketch of Thomas Corwin Mendenhall" in Popular Science Monthly, 37 (September 1890)
- "My Class in Geometry" in Popular Science Monthly, 38 (November 1890)
- "Success with Scientific and Other Meetings" in Popular Science Monthly, 43 (August 1893)
- "Nature as Drama and Enginery" in Popular Science Monthly, 45 (August 1894)
- "Why Progress Is by Leaps" in Popular Science Monthly, 49 (June 1896)
As editor
edit- List of books for girls and women and their clubs with Augusta Harriet Leypoldt (1895) IA
- Annotated bibliography of fine art by Russell Sturgis and Henry Edward Krehbiel (1897) IA
Some or all works by this author are in the public domain in the United States because they were published before January 1, 1929.
This author died in 1942, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 81 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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