Born Winifred Ashton, English novelist and playwright who wrote under the name Clemence Dane
Clemence Dane
Works edit
- Regiment of Women (1917)
- First the Blade: A Comedy of Growth (1918) (transcription project)
- Legend (1919) (transcription project)
- A Bill of Divorcement (1921) (transcription project)
- Will Shakespeare: An Invention in Four Acts (1921) (transcription project)
- Shivering Shocks or The Hiding Place (published in The Graphic Christmas Number, 1922) - a play for boys sometimes misattributed to Agatha Christie
- Naboth's Vineyard: A Piece in Three Acts (1925)
- Granite (1926)
- The Women's Side (1926)
- The Babyons (1927)
- The Dearly Beloved of Benjamin Cobb (1927) - short story
- Mariners (1927)
- Adam’s Opera: The Text of a Play (1928)
- Enter Sir John (1928) (with Helen Simpson)
- Third Person Singular (1928)
- The King Waits (1929)
- Printer's Devil, published in US as Author Unknown (1930) (with Helen Simpson)
- Broome Stages (1931)
- Theater Royale (1931)
- Re-enter Sir John (1932) (with Helen Simpson)
- Julia Newberry's Diary (1933)
- Come of Age: The Text of a Play in Music and Words (1934) (with Richard Addinsell)
- Moonlight is Silver: A Play in Three Acts (1934)
- Wild Decembers: A Play in Three Acts (1932)
- Edmond Rostand's L'aiglon (1934)
- The Amateur Gentleman: From the Novel By Jeffery Farnol (1936)
- The Moon Is Feminine (1938)
- Hebbel's Herod and Mariamne (1938)
- The Arrogant History of White Ben (1939)
- The Lion and the Unicorn. A Play in Three Acts (1943)
- He Brings Great News (1946)
- Bonny Prince Charlie (1948) (with Dorothy Middleton)
- The Flower Girls (1954)
- Eighty in the Shade (1959)
- The Godson: A Fantasy (1964)
Some or all works by this author are in the public domain in the United States because they were published before January 1, 1929.
This author died in 1965, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 58 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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