Bells and Pomegranates, Second Series/Pictor Ignotus

562211Bells and Pomegranates, Second Series — Pictor IgnotusRobert Browning


Florence, 15—.

I could have painted pictures like that youth's
Ye praise so. How my soul springs up! No bar
Stayed me—ah, thought which saddens while it soothes!
—Never did fate forbid me, star by star,
To outburst on your night with all my gift
Of fires from God: nor would my flesh have shrunk
From seconding my soul, with eyes uplift
And wide to Heaven, or, straight like thunder, sunk
To the centre of an instant; or around
Turned calmly and inquisitive to scan
The license and the limit, space and bound,
Allowed to Truth made visible in Man.
And, like that youth ye praise so, all I saw,
Over the canvas could my hand have flung,
Each face obedient to its passion's law,
Each passion clear proclaimed without a tongue;
Whether Hope rose at once in all the blood,
A-tiptoe for the blessing of embrace,
Or Rapture drooped the eyes as when her brood
Pull down the nesting dove's heart to its place,
Or Confidence lit swift the forehead up,
And locked the mouth fast, like a castle braved,—
Men, women, children, hath it spilt, my cup?
What did ye give me that I have not saved?
Nor will I say I have not dreamed (how well!)
Of going—I, in each new picture,—forth,
And making new hearts beat and bosoms swell,
As still to Pope and Kaiser, South, and North,
Bound for the calmly satisfied great State,
Or glad aspiring little burgh, it went,
Flowers cast upon the car which bore the freight
Through old streets named afresh from the event,
—Of reaching thus my home, where Age should greet
My face, and Youth, the star as yet distinct
Above his hair, lie learning at my feet,—
Oh, thus to live, I and my pictures, linked
With love about, and praise, till life should end,
And then not go to Heaven but linger here,
Here on my earth, it's every man my friend,—
Oh, that grows frightful, 'tis so wildly dear!
But a voice changed it. Glimpses of such sights
Have scared me, like the revels thro' a door
Of some strange House of Idols at its rites;
This world seemed not the world it was before!
Mixed with my loving ones there trooped—for what?
Who summoned those cold faces which begun
To press on me and judge me? As asquat
And shrinking from the soldiery a nun,
They drew me forth, and spite of me . . enough!
These buy and sell our pictures, take and give,
Count them for garniture and household-stuff,
And where they live needs must our pictures live,
And see their faces, listen to their prate,
Partakers of their daily pettiness,
Discussed of,—"This I love or this I hate,
This likes me more and this affects me less!"
Wherefore I choose my portion. If at whiles
My heart sinks as monotonous I paint
These endless cloisters and eternal aisles
With the same series, Virgin, Babe, and Saint,
With the same cold, calm, beautiful regard,
At least no merchant traffics in my heart;
The sanctuary's gloom at least shall ward
Vain tongues from where my pictures stand apart;
Only prayer breaks the silence of the shrine
While, blackening in the daily candle smoke,
They moulder on the damp wall's travertine,
'Mid echoes the light footstep never woke.
So, die, my pictures; surely, gently die!
Oh youth men praise so, holds their praise its worth?
Blown harshly, keeps the trump its golden cry?
Tastes sweet the water with such specks of earth?