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APPENDIX I


Some Dramas in the Modern Vernaculars.

Amānat. Indarsabhā, Neuindisches Singspiel in lithographischem Originaltext, mit Übersetzung und Erklärungen, sowie einer Einleitung über das hindustanische Drama, von F. Rosen. Leipzig, 1892, pp. 102 + 64.

Kégl, A. Amánat és a hindusztáni drama. In Egyetemes philologiai közlöny, 1894, pp. 38–51. [On the Indarsabhā of Amānat.]

Aryotkarṣaka vyāyoga. The regenerator of the Aryas. 1° ed., Surat, 1873, pp. 68; 2° ed., 1888, pp. 68. [In Gujarati.]

Baldeo, K. Bhartṛhari Rāj Tyāj Nāṭak. The drama of Bhartrihari's abdication of the throne. In English (?). Lucknow, 1898.

Bhadranjan. A Hindu drama by a native. No place or date.

Candrahāsa, or, the Lord of the Fair Forger. A Hindu Drama. Mangalore, 1882, pp. 6 + 80.

Dalpatram Dahyabhai. Kavitavilāsa. Ahmedabad, 1870. [In Gujarati.]

Gupta, G. C. Kirti Bilāsa. Bengali drama in five acts. Calcutta, no date, pp. 70.

Hariścandra nāṭakaya, edited by W. G. M. J. de Silva, Colombo, 1901, pp. 104.

Manamohana. Sātī nāṭaka. Benares, 1886, pp. 182.

Rāmabhadra. Lalitakuvalayāśva naṭaka (composed in 1665). Kat. d. Bibl. d. Deutschen Morg. Gesell. 2. p. 6.

Rāmabhadraśarman. Hariścandranṛtya. Kat. d. Bibl. d. Deutschen Morg. Gesell. 2. p. 5.

Rāmabhadraśarman. Das Hariçcandranṛityam. Ein altnepalesisches Tanzspiel. Mit einer grammatischen Einleitung herausgegeben von August Conrady. Leipzig, 1891, pp. 12 + 45.

Rāmacandra. The Satya Harischandra Nāṭaka. Edited by B. R. Arte and S. V. Puranik. Bombay, 1898, pp.61.

Rāmākṛṣṇa Varman. Padmāvatī nāṭaka. Benares, 1886, pp. 107.

Rāmākṛṣṇa Varman. Kṛṣṇakumārī nāṭaka. Benares, 1899, pp. 156.

Śrīmadgītādarśana, or, a Dramatized Version of the Bhagvatgītā (sic). Edited by A. V. Barve. Bombay, 1903, pp. 48. [In Marathi.]

Tarkālaṃkar, R. C. Kantuk Garbasva Nāṭak. Bengali drama. Calcutta, 1830.

Udayran, R. Premrāyane Cārumati. Bombay, 1876. [In Gujarati.]

Umedcand, C. Okha Haran Natak, or, the drama of the elopement of Okha or Usha. Ahmedabad, 1883, pp. 66. [In Gujarati.]

Vaṃśamaṇi (wrote in Nepal in 1628). Kuvalayāśvamadālasa. Kat. d. Bibl. d. Deutschen Morg. Gesell. 2. p. 7.


Criticism.

Chattopādhyāya, N. The Yātrās, or the popular dramas of Bengal. London, 1882.

Chattopādhyāya, N. Die Yātrās, oder die Volksschauspiele Bengalens. In his Indische Essays, Zürich, 1883, pp. 1–56.

Dennath, G. Bengali Language. In Calcutta Review, 98 (1893), pp. 104–131. [Contains an account of dramas in Bengali.]

Dhruva, H. H. The Rise of the Drama in Modern India. With an Appendix. In Transactions of the 9. Intern. Congr. of Orientalists, London, 1893, vol. 1, pp. 297–314.

Estrey, Count Meyners de. L'Art dramatique dans l'Inde. In Annales de l'extrême Orient, 8 (1885–1886), pp. 289–293.

Haberlandt, M. Das moderne indische Drama. In Öm, 18, pp. 118–121.

Minayev, I. Narodnyya dramatičeskiya predstavleniya v prazdnik Kholi v Almorě. In Zapiski Vostočnago Otděleniya Imp. Russkago Arkheologičeskago Obščestva, 5 (1891), pp. 290–291.

Oman, J. C. At the Play: The New Indian Theatre. In his Indian Life, London, 1889, pp. 183–199.

Roberts, Sydney. The Kama mystery; a study in comparative dramatics. In Contemporary Review, 115 (1902), pp. 1–9.

Vallet de Viriville, A. Études sur le théatre indien: Stékiare Vassapou. 1845.