Cliff Castles and Cave Dwellings of Europe/Chapter VII
SUBTERRANEAN CHURCHES
When the periods of persecution of the early Christians had come to an end, and they were able in security to assemble for worship, two distinct types of Church contested for the supremacy—the Basilican and the Catacumbal.
Even during the times before Constantine, when persecution was in abeyance, Christians had been accustomed to gather together for the Divine mysteries in private houses. But after that Christianity was recognised and favoured, the wealthy and noble citizens of Rome, Italy, and Africa, who had become Christians, made over their stately reception halls, or basilicas, to be converted into churches. These basilicas, attached to most palaces, were halls comprising usually a nave with side aisles separated from the nave by ranges of columns, and an apse at the extremity of the nave in which the master of the house was wont to sit to receive his clients and his guests. This is the type upon which cathedral and parish churches in east and west are modelled. But the early Christians had become accustomed in times of danger to resort to the subterranean chapels in the Catacombs. The poorer members doubtless preferred these dingy meeting-places to the lordly halls of the nobles, and the slaves could not feel their equality with their masters under the same roof where they had served, and been whipped, as in the Catacombs, where all were one in fear of their lives and in the darkness that, buried distinction. Moreover, the cult of the martyrs had grown to a passion, and it had become customary to commemorate their nativities as it was called, i.e. the anniversaries of their deaths, at their tombs in the Catacombs. It was there that the faithful habitually prayed, it was near the bones of the Saints that it was believed special sanctity dwelt, and that prayers were most effectually answered through their intercession; and it was there, ad martyres, that they themselves purposed to be laid in expectation of the Resurrection.
In Rome, the tombs of the martyrs continued to enjoy popular favour, and to attract crowds, till the incursion of the Lombards, when, to save the relics of the Saints from profanation, they were transferred to the basilicas within the walls, whereupon the Catacombs ceased to interest the faithful, that were neglected and allowed to fall into oblivion. Gaul rejoiced in having had its soil watered with the blood of many witnesses to the Faith, consequently it had numerous hypogee chapels, and when, to the Martyrs were added hermits, abbots, bishops, devout women, and confessors of all descriptions, their underground tombs became extraordinarily numerous, and were resorted to with great devotion. Such was the origin of the crypts found in profusion in France, not under cathedrals only, but under parish and monastic churches as well. The whole population having become Christian, the resort to these subterranean chapels became so great as to cause inconvenience, and the bishops proceeded to "elevate" "illate" and "translate" the bones of the saints from their original resting-places to the basilicas above ground. Thereupon the crypts lost most of their attraction, and the worshippers gathered about the altars in the upper churches to which the bones had been transferred.
In Britain, where there were no early martyrs save Alban at Verulam, and Julius and Aaron at Caerleon, the type of church from the beginning was basilican, as we may see by that unearthed at Silchester, and that of S. Martin at Canterbury.
It was the same in Germany and throughout Northern Europe.
John and Paul were chamberlains to the Princess Constantia. They had in some way incurred the anger of the Emperor Julian, and he sent orders for their despatch in their own house on the Coelian hill. They were accordingly executed in their bath, and were buried in the cellar under their mansion. At once a rush of the devout of Rome took place to the Coelian to invoke the aid of these new martyrs. The visitors picked off the plaster, scribbled their names on the walls, applied kerchiefs to the tomb, and collected the dust, stained with the blood of the chamberlains. Pope Hadrian IV., 1158, built a basilica on top of the house, driving the foundations through it, and transferred to this upper church the bones of SS. John and Paul. At once the stream of devotion was deflected from the substructure to the superstructure, and the former was filled up with earth and totally abandoned.
Herbert Spencer has established in his "Principles of Sociology" that the mausoleum was the egg out of which the temple was evolved. The first cave-dwellers buried their dead in the grottoes in which they had lived, and themselves moved into others. They periodically revisited the sepulchres to bring offerings to the dead. In time the deceased ancestor became invested by the imagination of his descendants with supernatural powers, and ascended from stage to stage till he was exalted into a deity. Thenceforth his cave became a temple. Ferguson, writing of the Chaldæan temples, and indicating their resemblance to tombs says, "The most celebrated example of this form is as often called (by ancient writers) the tomb or the temple of Belus, and among a Turanian people the tomb and the temple may be considered as one and the same thing."[1]
In the primitive Church there were, as we have seen, churches which had no connection whatever with sepulchres, and chapels underground that contained tombs. The current of popular feeling set so strongly towards the latter that the Popes yielded to it, as did also the Bishops, and converted every basilica into a mausoleum by the transfer to it of the bones of a saint.
But that was not all. The Holy Mysteries had been celebrated in private houses and basilicas on wooden tables, sometimes square, but often round, and with three legs. An illustration is in the cemetery of S. Calixtus, of the latter half of the second century, where a priest is represented celebrating at what looks like a modern tea-table. According to William of Malmesbury, S. Wulstan, Bishop of Worcester (1062-1095), destroyed the wooden altars in his diocese, which had been universal in England, altarea lignea jam inde a priscis diebus in Anglia. But with the transformation of the basilica into a mausoleum, the altar was also transformed into a sepulchre. If it did not contain the entire body of a saint, it had a hole cut in it to receive a box containing relics; and the Roman pontifical and liturgy were altered in accordance with this. The Bishop on consecrating an altar was to exact that it should contain relics, and the priest on approaching it was required to invoke the saints whose bones were stored in it.[2] The cavity in the slab to contain the relics was liturgically entitled sepulchrum. The change from a table to a tomb involved a change of material from wood to stone.
The dedication of a church to a saint in the Latin Church implies the presence in the sepulchre of the altar of the relics of that saint. From the Roman point of view, a dedication without the relic is unmeaning. Among the Celts this was unknown, with them a church took its name after its founder, and the founder of a church dedicated it by a partial fast of forty days, and prayer and vigil on the spot. The early basilicas of Rome also took their titles from the families that surrendered their halls for Christian worship. The introduction of dedication to deceased saints marks unmistakably the transformation of a church from a basilica to a mausoleum.
It is certainly remarkable that whereas in Paganism the identification of the tomb with the temple passed away, and the temple acquired independence of such association, in the Latin Church the reverse took place; there the church unassociated with a tomb—a basilica in fact— was converted into a sepulchral monument.
The reverence of the early pontiffs shrank from dismembering the bodies of the saints. To Queen Theodelinda Pope Gregory I. would accord only oil that had burnt in the lamps at their tombs, or ribbons that had touched them. Gregory V., in 594, wrote to Constantia Augusta, who had built a church in honour of S. Paul, and craved a portion of his body: "Dear lady, know that the Romans when they give relics of the saints are not accustomed to parcel up their bodies, they send no more than a veil that has touched them."[3]
But when the Latin Church was constrained by the force of popular prejudice to transform all her sacred temples into sepulchral churches, there was no help for it; the bodies of the saints had to be torn in pieces for distribution. A toe, a finger was taken off, legs and arms were amputated, the vertebræ of the spine were dispersed over Christendom, the teeth were wrenched out of the jaws, the hair plucked from head and chin, moisture exuding from the body was carefully cherished, and bones were rasped to furnish a little sacred phosphate of lime to some church clamorous to be consecrated.
A plateau to the south of Poitiers had long borne the name of Chiron Martyrs. Chiron means a heap of stones, but why the epithet of Martyrs attached to the heaps of stones there nobody knew. The old Roman road leading to and athwart it was named La Route des Martyrs, also for no known reason. But in October 1878 the plateau was being levelled by the military authorities, when it was discovered that the stones were actually broken tombs, and that they were clearing a pagan Necropolis. Soon they came on a portion where were sarcophagi orientated and crowded thickly about a subterranean building. The distinguished antiquary, Le Père de la Croix, now undertook the investigation, and discovered that these latter were the tombs of Christians, and that they surrounded a hypogee Martyrium. This was excavated and proved to be a chapel erected over the bodies of certain martyrs of Poitiers, of whom no records had been preserved, or at all events remained, whose very existence was unknown; also, that it had been constructed by an abbot Mellebaudes at the end of the sixth or beginning of the seventh century. It contained an altar built up of stone, plastered over and painted, measuring at the base 2 feet 8-1/2 inches by 2 feet 2 inches and 3 feet 7 inches high. Also sarcophagi for the bodies of the martyrs there found, also one that Mellebaudes had prepared for himself. In the floor were many graves, possibly of his kinsfolk. Numerous inscriptions in barbarous Latin, some paintings and carvings, were also found. Among the latter a rude sculpture represented two of the martyrs, Hilarius and Sosthenes, who had been crucified. A bracelet of amber and coloured glass beads, amber ear-rings, and bronze ornaments were also discovered.
Mellebaudes certainly built his mausoleum where there had been one earlier, that had become completely ruinous, for he complains that he had not been able to recover all the bones of the martyrs that had been laid in it. This destruction had probably been effected by the Visigoths, and the building by Mellebaudes took place some time after the defeat and expulsion of these Arians in 507. The final ruin of the Martyrium he raised may have been the work of the Saracens in 732.[4]
The hypogee was sunk nine feet in the rock, but the roof must have shown above ground. A window was to the east. S. Avitus in the sixth century speaks of the wondrous skill of architects in his day, who contrived to introduce daylight into the crypts. It is evident that no glass was inserted in the window, although the use of glass for windows was becoming general in the sixth century; and Fortunatus, Bishop of Poitiers, died 609, and Gregory, Bishop of Tours, died 595, both speak in terms of admiration of the glazing of windows for churches. It may well be understood that in the mind of the people long after the stream of public devotion had been directed to the churches above ground, a liking for those that are excavated underground should remain. Indeed, it is not extinct yet, as any one may see who visits the church of Ste. Croix at Poitiers, or S. Eutrope at Saintes, or S. Martin at Tours, to mention but three out of many. In all these are mere empty tombs, yet they are the resort of numerous devotees. The darkness, the mystery of these subterranean sanctuaries, impressed the imagination. Accordingly we find, especially in France, many cave-churches. Indeed they are so numerous that I can afford space to describe but a couple of the largest. Many are small, mere chapels, and shall be dealt with under the heading of hermitages.
Few scenes of quiet landscape can surpass that of the valley of the Dordogne from the road between Sauveterre and Libourne. It broke on me upon a breezy spring morning. The Dordogne, broad and blue, swept through the wide valley between banks dense with poplar and osier. The whole country wore a smiling aspect; the houses, built of freestone, looked fresh and comfortable, and were surrounded by their gardens. The maize-fields were as a rippling green sea. The flax-fields in bloom were sheets of the tenderest blue, and those of the Trifolium incarnatum red as blood, and the road was like a white ribbon binding together a variegated wreath. To the north of the Dordogne rose a grey cluster of buildings, the old town of S. Emilion, famous for its wine. It occupies the edge of a plateau. The only business pursued therein is the making of wine and of macaroons.
The entrance to S. Emilion is not striking. None of its buildings, except the keep of its castle are visible. The road dives into a grove of acacias, and then enters the town by a narrow street. The acacias were a mass of pink and white blossom, exhaling a sweet fragrance.
In the middle of the eighth century lived a hermit named Emilian, born of obscure parents at Vannes in Brittany. He became known to the Count of that place, who took him into his service, where he showed himself profusely charitable to the poor with his master's substance. This led to his ignominious dismissal, and he wandered into the Saintonge, entered the Benedictine Order, and became baker to the monastery. But he proved so objectionable there that he was turned out. So he wandered further south, and finding a rock in the forest above the Dordogne, wherein was a small cave, out of which flowed a spring, he took up his abode therein. His fame soon brought disciples to him, and gathered admirers about him; and after his death in 767, a monastery of Benedictine monks was settled there, and a town sprang up about it.
The cave of S. Emilion still remains. In face of it rises a mass of rock with abrupt scarp towards the west and the market-place. Thence a street slopes up to the platform on the top of the rock. The front of the rock has an ambulatory before it pierced with windows and doors, and through these latter access is obtained to the interior of the rock, which is hollowed out into a stately church, dedicated to the three kings, Caspar, Melchior, and Balthazar.
This monolithic church has for its base a parallelogram measuring 120 feet by 60 feet. It is composed of two portions of unequal height. The anterior portion is a vestibule, narthex, or ambulatory to the church, and is only 21 feet high. The windows in this are of the flamboyant order, and the principal doorway is richly sculptured. The body of the church into which this vestibule opens is 95 feet long and 60 feet high. The body consists of a nave and side aisles, all excavated out of the living rock. Six windows light the interior, the three in the flamboyant style already mentioned, and above, set back the whole length of the narthex under circular-headed arches, are three plain, round-headed windows, like a clerestory, opening into the nave and aisles, one window in each.
Looking from the market-place at the church the spectators would suppose that the nave ran parallel with the vestibule, but this is not the case, it is at right angles to it.
The small upper windows cast but a chill and feeble light into the vast cavern, so that the choir and chapels are buried in perpetual twilight. The windows in the vestibule do very little towards the illumination of the interior. At the extremity of the nave, which is raised on steps to form a choir, anciently stood the high altar, but this has been removed. Above, where it was can be discerned faintly through the obscurity, a bas-relief rudely sculptured, but very curious. It occupies the entire width of the choir; on the right is an angel playing upon a stringed instrument, with outspread wings, as if in the attitude of soaring, and on the left, perched on a rock, is a monstrous animal with gaping jaws, bristling mane, and raised paws. In the midst of the group is a little old man armed with a stick, apparently repelling this monster. It has been conjectured that this is intended as a representation of the saint himself ready to deliver his votaries from the jaws of Hell. But it is more probable that the whole subject is allegorical of Death, armed with his scythe between the powers of Light and of Darkness. The choir arch is one of the boldest and most original conceptions in this marvellous temple. It consists of two gigantic angels carved out of the sandstone, with their feet upon the piers on each side, and their heads nearly meeting at the crown of the vault. Each has four wings, the two smaller wings are raised about their heads, forming a nimbus to each. The other two wings are depressed. These mighty angels were formerly whitened and partially gilt, and the effect of the great figures looming out of the dark vault is most impressive.
On the right side of the nave, at the spring of the arches, between two of the piers, is a centaur armed with a bow, cut in the stone, and on the opposite spandril are two goats, disposed back to back, also cut in the rock. On one of the piers is an inscription graven regarding the dedication of the church, but unfortunately the date is illegible. The exterior of the church is adorned with a noble portal, richly sculptured, of much later date than the church within.
On entering the church through this rich portal a feeling of astonishment comes over one. The exterior in no way corresponds with the interior, which is void of ornament. The piers are massive parallelograms without mouldings, the arches between them semicircular, stilted, perfectly plain; a string alone marks the rise of the arch from the pier.
In the floor of one of the aisles is a hole through which a descent was anciently made into the crypt below the church; this crypt also is hewn in the solid rock, and has a funnel-shaped dome, a spiral flight of steps was cut in the rock round it descending from the church into the crypt. The descent must have been hazardous in the extreme unless the stairs were provided with a balustrade, of which at present no trace remains.
Admittance into the crypt is also obtained through a door cut in the face of the rock, but this was made in 1793 when the soil and the bones of the old canons of the Church of the Three Kings were required for saltpetre to make gunpowder for the armies of the Republic. Over the door is a mask carved in the stone and a little window; above the monolithic church, standing on the platform of rock, is the exquisite flamboyant spire, not communicating with the church beneath, also a modern salle de danse.
Another subterranean church as interesting but not as well preserved is that of Aubeterre in Charente, on the Dronne. By the valley of the Dronne all movement of troops from the Limousin and Perigord into the Saintonge took place, and the rock of Aubeterre was considered of so great military importance that a strong castle was constructed on the summit, and its possession was contested repeatedly during the Hundred Years' War and the wars of religion. Its position was peculiar in this also, that it was in the seneschauté of the Angoumois, in the diocese of Périgueux, and for the purpose of taxation in the Limousin.
The town is built in the form of an amphitheatre on a chalk hill that commands the Dronne. The hill is precipitous in parts, and is everywhere so steep that the roofs of the houses are below the gardens of those above them, and the saying there is, "Mind that your cattle be not found in your neighbour's stable by tumbling through the roof." The castle occupied a height cut off from the town by a deep cleft, that has its sides pierced with caverns, and its store chambers and cellars are dug out of the rock. But the most curious feature of Aubeterre is the monolithic church of S. John beneath the castle. The doorway admitting into it is on the level of the street, and gives access to a charnel-house with what would be termed arcosolia in the catacombs, on each side, and the floor is humpy with graves. This is 70 feet long by 16 feet wide. On the right hand it gives admission through a doorway cut in the rock to the church itself, consisting of a nave and side aisle divided from it by massive monolithic piers, very much decayed at the top. It is lighted by three round-headed windows like a clerestory without glass. At the further end is an arch admitting to an apse, in the midst of which is an octagonal monolithic tomb of Renaissance style, with columns at the angles, and surmounted by the statue of Francois d'Esparbes de Lussac, Marshal of Aubeterre, and the much mutilated figure of his wife in Carrara marble.
A gallery excavated in the rock above the arch into the apse is continued the whole length of the aisle, and turns to admit into the seigneural gallery or pew high up over the entrance whence he and his family could hear Divine Service.
On the right-hand side of the nave opens a second charnel-house, called by the people "the Old Church," also with its arcosolia; there is also a door by which exit is obtained into a small cemetery overgrown with briars and thorns, and with the head-crosses reeling in all directions, and utterly neglected. For centuries not this yard only, nor the two charnel-houses but also the floor of the church, have served as the burial-place of the citizens of Aubeterre, and the floor is raised four feet above that of the apse though frequent interments. The last head cross I noted within the church bore the date 1860.
The height of the church is said to be fifty feet. The castle above was sold about sixty years ago to a small tradesman of the town, who straightway pulled it down and disposed of the stones for building purposes, and out of the lead of the gutters, conduits, and windows made sufficient to pay the purchase-money.
Then he converted the site into a cabbage garden and vineyard. Not content with this he brought a stream of water in to nourish his cabbages. This leaks through and is rapidly disintegrating and ruining the church beneath, that was protected so long as the castle stood above it. Seven years ago the arched gallery in the aisle was perfect, now it has crumbled away. The piers were also intact, now they are corroded at the top. A stream pours down through the vault continuously by the monument of the Marshal. The church is classed as a monument historique, nevertheless nothing was done to prevent the damage effected by the destruction of the covering castle, and nothing is done now to preserve it from utter disintegration.
In my opinion the apse was excavated to receive the monument, which consists of a mass of chalk in position, with a hole on one side to receive the coffins let down into the seigneural vault; and this could not have been there with a high altar behind it. In a lateral chapel is a hole in the vault, through which the ropes passed to pull the bells that were hung in a tower above, but which has been destroyed.
In 1450 Aubeterre was in the possession of the English, and they sold it to the Count of Perigord. When the Huguenot troubles began, the Lord of Aubeterre threw himself into the movement and appropriated the lands and revenues of the ecclesiastical foundations in the town. François d'Aubeterre was involved in the conspiracy of Amboise, and was sentenced to death, but pardoned. He deemed it expedient, however, to go to Geneva, where, as Brantôme informs us, he turned button-maker. In 1561 he was back again in Aubeterre, and converted the monolithic church into a preaching "temple," sweeping away all Catholic symbols, and it remains bare of them to this day. His brother, Guy Bonchard, Bishop of Périgueux, was also an ardent Calvinist, and used his position for introducing preachers of the sect into the churches. Although disbelieving in Episcopacy, he did not see his way to surrendering the emoluments of his see. He was deposed in 1561, and Peter Fournier elected, whom the Huguenots murdered in his bed 14th July 1575.
In 1568 Jeanne d'Albret issued orders to the gangs of men she sent through the country to lay hold of the royal revenues, to sequestrate and appropriate all ecclesiastical property, to raise taxes to pay themselves, and to require all municipalities to furnish from four to five soldiers apiece to replenish their corps.
Jeanne's power extended over Lower Navarre, Béarn, the land of Albret, Foix, Armagnac, and other great seigneuries. Through her husband, Antoine de Bourbon, she could rule and torture Perigord, the Bourbonais, and the Vendomois. She had good cause to be offended with the Pope, for in 1563, with incredible folly, he threatened her with deposition from her throne, a threat he could not possibly execute. By enrolling and sending forth over the south to ravage and confiscate, she was a second Pandora letting loose the hurricane, slaughter, fire, famine, and pestilence, leaving Hope locked up behind.
Aubeterre played a conspicuous part in the wars of religion, and the Catholics in vain essayed to take it. The seigneur could always draw from the bands of Calvinist soldiery to hold it, and it remained in their power till the peace of La Rochelle.
I might include Rocamadour in the Department of Lot among the interesting rock churches. It consists of a cluster of chapels clinging to the rock or dug out of it, and looking like a range of swallows' nests plastered against the face of the cliff. The people of the place fondly hold that Zaccheus, who climbed up a sycamore tree to see Our Lord pass by, came into Quercy, and having a natural propensity for climbing, scrambled up the face of the precipice to a hole he perceived in it, and there spent the remainder of his days, and changed his name to Amator. No trace of such an identification occurs before 1427, when Pope Martin V. affirmed it in a bull, although in the local breviary there was no such identification. It is extremely doubtful whether any saint of the name of Amator settled here, the story concerning him is an appropriation from Lucca.[5]
But I will not describe this, one of the most remarkable sites in Europe, as I have done so already in my "Deserts of Southern France," and as of late years it has been visited by a good many English tourists, and the French railway stations exhibit highly coloured views of it, turning Rocamadour into a national show place.
At Lirac, in Gard, is La Sainte Baume, a small church or chapel, excavated out of the rock, 60 feet long, 45 feet wide, and 30 feet high. It is lighted by an aperture in the vault. Three other caves behind the choir are almost as large.
At Mimet, in Bouches-du-Rhône, is the church of Our Lady of the Angels, hewn out of limestone rock, with stalactites depending from the roof.
At Peyre, near Millau, in Tarn, is the church of S. Christophe, scooped out of the living rock, with above it an old crenellated bell tower.
At Caudon, on the Dordogne, now in the parish of Domme, the old parish church is monolithic, entirely excavated in the rock, but with a structural bell-cot above it. As already mentioned, Caudon was a parish, but as owing to the devastations of the Companies, all the inhabitants had deserted it and fled to Spain, it was annexed to Domme. What is curious is that before it had been carved out of the limestone as a church there had been cave-dwellers in or about it, that have left their traces in the sides of the church. The Marquis de Maleville, who has his château near, has put the church in thorough repair, and it is still occasionally used.
Natural caves have been employed as churches or places of worship. Thus the Grotte des Fées, near Nimes, was used by the Calvinists for their religious assemblies before 1567, when they obtained the mastery of the town, sacked the bishop's palace, and filled up the well with the Catholics, whom they precipitated into it, some dead and others half alive.
The Grotte de Jouclas, near Rocamadour, served the villagers of La Cave till the parish church was rebuilt. At Gurat, in Charente, the church of S. George is hollowed out of the rock; it dates from the tenth century, it is believed, and preceded the present parish church, which was erected in the eleventh century, and is Romanesque. In the valley of the Borrèze, near Souillac (Lot), is a cave in which bones of the ursus spelus have been found. It is used as a chapel to Notre Dame de Ste. Esperance.
At Lanmeur, in Brittany, is the very early crypt of S. Melor, a Breton prince put to death about the year 544. The legend concerning him is rich in mythical particulars. His uncle, so as to incapacitate him from attaining the crown of Léon, cut off his right hand and left foot. The boy was then provided with a silver hand and a brazen foot. One day he was seen to use his silver hand in plucking filberts off a tree, whereupon his uncle had him murdered. The crypt is the most ancient monument of Christian architecture in Brittany. It measures 25 feet by 15 feet 6 inches, and is divided into a nave and side aisles by two ranges of columns hardly 4 feet high, sustaining depressed arches not rising above 3 feet 6 inches, and decorated with rudely sculptured trailing branches.
A still more curious subterranean chapel is near Plouaret, in Côtes-du- Nord. It is, in fact, a prehistoric dolmen under a tumulus, on top of which a chapel was erected in 1702-4. The descent into the crypt is by a flight of steps. The primitive monument consisted of two huge capstones of granite supported by four or five vertically planted uprights, but one, if not two of the latter have been removed. At the east end is an altar to the Seven Sleepers, and the comical dolls representing them stand in a niche above the altar.
In the north-west of Spain, at Cangas-de-Ones, near Oviedo, is a little church of probably the tenth or eleventh century, built on top of a cairn that covers a dolmen. This latter consists of a circular chamber into which leads a gallery composed of fifteen upright slabs, covered by four others. The dolmen served as a crypt to the church, and from it have been recovered objects in stone and copper of a prehistoric period. A writer in the seventeenth century says that in his time devotees regarded the dolmen as the tomb of a saint, and scrabbled up the soil, and carried it away as a remedy against sundry maladies.[6]
The Bretons have a ballad, Gwerz, concerning the former monument. It is a miraculous structure dating from the Creation of the World: "Who will doubt that it was built by the hand of the Almighty? You ask me when and how it was constructed. I reply that I believe that when the heavens and the earth, the sea, and all were created, then was this also made."
Although the dolmen is no longer underground, I must refer to that of Confolens near S. Germain-sur-Vienne, because it was originally under a tumulus. It is a dolmen, of which only the cover, a huge mass of granite remains intact, in an island of the Vienne. Underneath the slab are sculptured a stone axe with handle, and one without, also a cross. The capstone rests on four pillars of the twelfth century. Mr. Ferguson erroneously claimed the dolmen as evidence that rude stone monuments continued to be erected till late in the Middle Ages. But, in fact, the pillars are not of equal length, their capitals are not in line, nor are their bases. What is obvious is that the rude stone supports were removed one by one, and the Gothic pillars inserted in their place were cut exactly to the length required. Thus altered, the dolmen served as a baldachin or canopy over the stone Christian altar that is still in place beneath it. About this monument a chapel had been erected with apse to the east, measuring 36 feet by 15 feet. This has been destroyed, but the foundations remained till recently. The cross on the capstone was cut when the prehistoric monument was converted to use by Christians. To descend to the floor of the chapel a flight of steps had been constructed. The chapel was dedicated to S. Mary Magdalen.
In Egypt, in the Levant, cave-churches are common. The chapel of Agios Niketos, in Crete, is now merely a smoke begrimed grotto beneath a huge mass of rock on the mountain side. The roof is elaborately ornamented with paintings representing incidents in the Gospel story, and the legend of S. Nicolas. Though it is no longer employed as a church, an event that is said to have happened some centuries ago invests it with special regard by the natives. The church was crowded with worshippers on the eve of the feast of the patron, when the fires which the villagers who had assembled there had lighted near the entrance, where they were bivouacking for the night, attracted the attention of a Barbary corsair, then cruising off the island, and guided him to the spot unobserved. Suddenly and unexpectedly he and his crew, having stolen up the hill, burst upon the crowd of frightened Cretans. The Corsairs thereupon built up the entrance, and waited for day, the better to secure their captives for embarkation. But happily there was another exit from the cavern behind the altar, and by this the whole congregation escaped into another cave, and thence by a passage to a further opening, through which they stole out unobserved by the pirates.
The rock-hewn church of Dayn Aboo Hannes, "the convent of Father John," in Egypt, near Antinoe, has its walls painted with subjects from the New Testament; the church is thought to date back to the time of Constantine.
The passion for associating grottoes with sacred themes is shown in the location of the site of the Nativity at Bethlehem. There is nothing in the Gospel to lead us to suppose that the event took place in a cave, though it is not improbable that it did so. The scene of the Annunciation was also a rock-hewn cave, now occupied by a half- underground church, out of which flows the Virgin's Fountain.
In Gethsemane, "the chapel of the Tomb of the Virgin, over the traditional spot where the Mother of our Lord was buried by the Apostles, is mostly underground. Three flights of steps lead down to the space in front of it, so that nothing is seen above ground but the porch. But even after you have gone down the three flights of steps you are only at the entrance to the church, amidst marble pillars, flying buttresses, and pointed arches. Forty-seven additional marble steps, descending in a broad flight nineteen feet wide, lead down a further depth of thirty-five feet, and here you are surrounded by monkish sites and sacred spots. The whole place is, in fact, two distinct natural caves, enlarged and turned to their present uses with infinite care. Far below the ground you find a church thirty-one yards long and nearly seven wide, lighted by many lamps, and are shown the tomb of the father and mother of the Virgin, and that of Joseph and the Virgin herself. And as if this were not enough, a long subterranean gallery leads down six steps more to a cave eighteen yards long, half as broad, and about twelve feet wide, which you are told is the Cavern of the Agony."[7]
Stanley says:[8] "The moment that the religion of Palestine fell into the hands of Europeans, it is hardly too much to say that as far as sacred traditions are concerned, it became 'a religion of caves,' of those very caves which in earlier times had been unhallowed by any religious influence whatever. Wherever a sacred association had to be fixed, a cave was immediately selected or found as its home. First in antiquity is the grotto of Bethlehem, already in the second century regarded by popular belief as the scene of the Nativity. Next comes the grotto on Mount Olivet, selected as the scene of our Lord's last conversation before the Ascension. These two caves, Eusebius emphatically asserts, were the first seats of the worship established by the Empress Helena, to which was shortly afterwards added a third—the sacred cave of the Sepulchre. To these were rapidly added the cave of the Invention of the Cross, the cave of the Annunciation at Nazareth, the cave of the Agony at Gethsemane, the cave of the Baptism in the Wilderness of S. John, the cave of the Shepherds of Bethlehem. And then again, partly perhaps the cause, partly the effect of the consecration of grottoes, began the caves of the hermits. There were the cave of S. Pelagia on Mount Olivet, the caves of S. Jerome, S. Paula, and S. Eustochium at Bethlehem, the cave of S. Saba in the ravine of Kedron, the remarkable cells hewn or found in the precipices of the Quarrantania or Mount of the Temptation above Jericho. In some few instances this selection of grottoes would coincide with the events thus intended to be perpetuated, as for example, the hiding-place of the prophets on Carmel, and the sepulchres of the patriarchs and of Our Lord. But in most instances the choice is made without the sanction, in some instances in defiance of, the sacred narrative."
It is questionable whether Dean Stanley is right in attributing the identification of caves with sacred sites to Europeans, it is probable enough that the local Christians had already fixed upon some if not all of them. After the pilgrims or the Crusaders had come in their thousands and visited the holy sites, they returned to their native lands deeply impressed with the association of caves with everything that was held sacred, and this, added to the dormant sense of reverence for places underground consecrated to holy purposes that had come to them from their parents, must have tended to the multiplication of subterranean churches.
In some venerated caves and in certain crypts are springs of water that are held to be invested with miraculous properties. The crypts of S. Peter in the Vatican, S. Ponziana and S. Alessandro, have such flowing springs. In the crypt of the church of Gorlitz is a well, and from that of the cathedral of Paderborn issues one of the sources of the river Pader. The Kilian spring rises in the crypt of the New Minster in Würzburg. Out of the cave of the monastery of Brantôme, to be described in another chapter, streams a magnificent source. Most of the water is employed for the town and for the washerwomen, but one little rill from it is conducted to an ornate fountain, that bears the name of S. Sicarius (Little Cut-throat), one of the Innocents of Bethlehem slain by order of Herod. It is explained that by some means or other Charlemagne obtained his bones, but how the infant of a Hebrew mother acquired a Latin name has not been attempted to be explained.
Footnotes edit
- ↑ Clement of Alexandria (Exhort. to the Heathen) had already said, "Temples were originally Tombs." Cf. also Eusebius (Præp. Evangelica ii. 6) heads the chapter, "The Temples of the Gods that are none other than Tombs."
- ↑ Pontifex accepta mitra, intigit policem dextræ manus in sanctum Chrisma et cum eo signat confessionem, id est sepulchrum altaris, in quo reliquiæ deponendæ. Pont. Roman. The priest on ascending to the altar kisses it, and refers to the relics contained in it. "Oramus te, Domine, per merita sanctorum tuorum quorum reliquiæ hic sunt—ut indulgere digneris omnia peccata mea."
- ↑ Baronius, Hiérothonie de J. C., Paris, 1630, p. 173.
- ↑ For full account with plates see P. Camille de la Croix, S. J. Hypogée Martyrium de Poitiers, Paris, 1883.
- ↑ Analecta Bollandiana, T. xxviii., pp. 57 et seq.
- ↑ Revue mensuelle de l'ecole d'Anthropologie, Paris, 1897.
- ↑ Geikie (C.), "The Holy Land and the Bible," Lond. 1887, ii.p.8.
- ↑ "Sinai and Palestine," Lond. 1856, p.150.