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A DAUGHTER OF THE SAMURAI

“What are you doing, Clara?” I asked.

“Oh, just cleanin’ up a bit, Mrs. Sugarmoter,” she replied.

To put something sticky on a thing to make it clean was incomprehensible. But when I examined my bureau later and found that it was dry and shiny, and clean, I was still more surprised. None of the wood of Japanese houses, outside or in, was ever varnished, oiled, or painted; and nothing was ever put on furniture except lacquer to preserve, or hot water to cleanse. Taki and Kin wiped the entire woodwork of the house every day with a cloth wrung out of hot water; and our porches were cleaned, morning and evening, by a servant, who, stooping over and pushing a steaming pad of folded cloth before her, ran quickly back and forth, from one end of the porch to the other, carefully following the line of the boards. The porches had gradually become so dark and polished that they reflected distinctly any person walking on them, and since they never were stepped on with outside shoes, they kept their satiny polish for years.

I was always interested in housework, but an exciting interest came at the time of house-cleaning. Then I wandered from room to room, watching with amazement and delight while William and Clara worked. I had never dreamed that the heavy cloth which covered the floors, fitting so neatly into each corner and around the projections, was nailed down and could be lifted up in one immense piece and carried out to be cleaned. Two men were required to do the work. Our floors in Japan were covered with mats that pushed together as tight as the pieces in a box of dominoes, but each mat was only six feet by three in size, and Jiya could easily handle them alone.

Matsuo and I had adjoining rooms, and when I went upstairs to see if the cloth had been taken from his floor