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A DAUGHTER OF THE SAMURAI

ence between the soft organ tones of an old melody and the careless, lilting song of a happy child.

At New Year’s time, above every doorway in our crowded streets was stretched a rope of ragged rice-straw with pine trees growing on either side, and the air resounded with children’s laughter and the tinkle of tiny hidden bells in running shoes; with the gay tap-tap of flying shuttlecocks and the cheerful greetings of bowing friends. In every home were thick rounded cakes of mochi; every babe had another birthday, every maiden had a new sash, and poetry cards were played by boys and girls together. Oh, it was gay in Japan at New Year’s time! There was no thought of solemnity anywhere, for the chrysalis of the past was broken, the butterfly had burst forth, and the world had begun again.

My first Christmas Day in America was a disappointment. We were all invited by a lady friend to attend Christmas services and afterward to go home with her to dinner and to see her tree. She had children, and I had pictured the scene as being gay, pretty, and pleasant, but with an undercurrent of dignity and reverence. I had idealized too much the wide influence of the symbolism of the day; and everything seemed such a strange combination of the spiritual and the material that I was lost. The star on the tree and the thought of unselfish giving were beautiful, but little was said of either—except in church; and just beneath the star were festoons of popcorn and cranberries—things we eat. Indeed, except for the gaiety of giving and receiving gifts, most things especially belonging to the day seemed to be only the serving of certain kinds of food and the very inartistic and peculiar custom of hanging in a prominent place the garments of the lowest part of the body for the purpose of holding gifts of toys and jewellery—even candy and