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A DAUGHTER OF THE SAMURAI

sure that some unexpected thing might not happen to my active little ones; so I always put them together in one jinrikisha just ahead of me. One day, as we were passing through a busy street, I saw Hanano looking back and waving frantically; almost standing up in her eagerness to have me see a small table and two chairs of bamboo in a shop window. Both children pleaded for me to buy them. It was nonsense to take them to our pretty home; for chair legs ruin the soft mats, and foreign furniture is wholly inartistic in a Japanese room. But the children looked at them so longingly that I made the purchase, ordering thin strips of wood to be fastened on the feet to make a flat foundation that would not injure our floor. They were to be delivered the next day.

Early the following morning I went shopping, returning home about noon. What was my astonishment when I entered the house to see the bamboo table in the centre of the parlour and on each side of it a chair, with Hanano seated on one and Chiyo on the other! They had no books, no toys. Sudzu said they had been there for an hour, occasionally changing places, but otherwise sitting still or talking in low voices.

“What are you doing, children,” I asked, “sitting here so quiet?”

“Oh, just enjoying!” replied Hanano.

After a moment Chiyo said: “Grandma’s chairs are soft, but this one has knobs on the edge. Let’s swap gain, Hanano.”

Then there was the affair of the bedclothes. The pride of a Japanese housewife is to have not only dainty and pretty, but also appropriate, bed cushions. Mother had sent with Taki enough silk and linen for both children’s beds. The pattern for Hanano’s was, for her flower-name, the “Flowers of the Four Seasons,” in which bunches of many-coloured blossoms were scattered loosely over a back-