Page:A Dictionary of Music and Musicians vol 4.djvu/842

Additional Accompaniments, i. 30b; Æolian Mode, i. 40b; Anthem, i. 71a; Arpeggio, i. 87a; Baccusi, i. 108a; Cavalieri, i. 327b; Figure, i. 521a; Figured Bass, i. 522a; Jommelli, ii. 38a; Motet, ii. 376a; Nanini (G. B.), ii. 443b; Recitative, iii. 85a; Schubert, iii. 366b; Schumann, iii. 412a; Song, iii. 621a, etc.

Accordion, i. 25b; Æolina, i. 40b; Instrument, ii. 6a.

Ach Gott vom Himmel, iv. 517b; Zauberflöte, iv. 503b.

Acis and Galatea, i. 26a; Handel, i. 649b; Mendelssohn, ii. 261b.

Ackers; Orpheus, ii. 613b.

Acoustics; Airy (Sir G.), i. 47b; Analysis, i. 63b; Chladni, i. 348a; Diesis, i. 446b; Drum, i. 465b; Kircher (A.), ii. 61a; Metronome, ii. 318b; Mus. Assoc., The, ii. 417a; Partial Tones, ii. 654b; Pitch, ii. 757a; Sarti (G.), iii. 229a; Savart (F.), iii. 231a; Sechter, iii. 456a; Siren, iii. 517b; Tartini, iv. 62b; Temperament, iv. 70b, etc.; Tiersch, iv. 114b; Timbre, iv. 116b; Tone, iv. 141b; Tromba marina, iv. 175b; Mahillon (V.), iv. 708a; Weber (G.), iv. 816a.

Act, i. 26a.

Act-tune (see Tune, iv. 187a).

Action, i. 26a.

Acuteness, i. 26a; Arsis and Thesis, i. 95b; Bass, i. 147b; Pitch, ii. 757a.

Adagietto, i. 27a.

Adagio, i. 27a; Abel (F. K.), i. 5a; Langsam, ii. 90a; Tempo, iv, 83a.

Adam, A. C., i. 27b; iv. 518a; Auber, i. 102b; Ballet, i. 132b; Boieldieu, i. 257a; Cecilia, i. 329b; Chalet, Le, i. 332a; Conservatoire de Mus., i. 392b; Giselle ou les Wilis, i. 597a; Hérold, i. 732b; Lefébure-Wély, ii. 112a; Opera, ii. 523a; Orphéon, ii. 612a; Pedals, ii. 682b; Poise (F.), iii. 7a; Postillon de Longjumeau, iii. 22a; Pougin (A.), iii. 23b; Prince de la Moskowa, iii. 31a; Puget (Loisa), iii. 45b; St. Georges (Marquis de), iii. 213b; Scribe, iii. 453a; Song, iii. 621a; Zemire et Azor, iv. 505b; Delibes, iv. 610b; Garcin, iv. 645b; Saxophone, iv. 780b.

Adam, C. F.; Orpheus, ii. 613a.

Adam; Lamoureux (C.), iv. 696a.

Adam, L., i. 29a; iv. 518b; Chaulieu (C.), i. 340b; Conservatoire de Mus., i. 392a, etc.; Hérold, i. 731a; PF.-music, ii. 725a; PF.-playing, ii. 744; Ranz des Vaches, iii. 76a; Benoist (F.), iv. 543b.

Adamberger, V., i. 29a; iv. 518b; Curioso indiscreto, Il, i. 424a.

Adami da Bolsena, i. 29b; Milan, ii. 329a; Palestrina, ii. 635a; Sistine Choir, iii. 522a.

Adams, C. R.; Strakosch, iii. 735a.

Adams, T., i. 29b; Apollonicon, i. 75a; Interlude, ii. 7b; May (E. C.), ii. 240a; Mendelssohn, ii. 274a; Peace, ii. 677b, note; Voluntary, iv. 339b; Lambeth, iv. 695b.

Adaptations; Cooke (T. S.), i. 398a; Lachnith, ii. 82b; Lacy (M. R.), ii. 83a.

Adcock, J., i. 30a.

Addison, J., i. 30a.

Addison; London Violin Makers, ii. 163b.

Additional Accompaniments, i. 30b; Accompt., i. 25b; Franz, i. 560b; Handel, i. 653b; Hiller (F.), i. 738a; Messiah, ii. 315b; Oratorio, ii. 545b; Orchestra, ii. 563a; Orchestration, ii. 570a; Perry, ii. 693b; Schools of Comp., iii. 291a, note.

Adenez; Chanson, i. 336a.

A deux Mains, i. 37b.

Adler, V.; PF.-playing, ii. 745a.

Adlgasser, A. C., i. 37b; Haydn (Mich.), i. 702a, note.

Ad Libitum, i. 37b; Accompaniment, i. 20a; A tempo, i. 100a; Piacere, A, ii. 709a; Tempo, iv. 85a.

Adlung, J., i. 37b; Agricola (J. F.), i. 44b; Cembal d'amore, i. 330a; Walther (J. G.), iv. 381b.

Adolfati, A., i. 37b; Quintuple Time, iii. 61a.

Adriano; Ricercare, iii. 127a.

Adrien, F., i. 38a.

Adrien, M., i. 38a; Conservatoire de Mus., i. 392a.

Adson; Este (T.), i. 496a.

A Due, i. 38a.

Aelsters, G. J., i. 38a.

Aengstlich, i. 38a; Mass, ii. 234b; Timidamente, iv. 127b; Tramidamente, iv. 159a.

Æol-harmonica; Seraphine, iii. 466b.

Æolian Harp, i. 38a; Instrument, ii. 7a; Musurgia universalis, ii. 439a.

Æolian Mode, i. 39b; Gregorian Modes, i. 626b; Modes Eccles., ii. 341a; Tetrachord, iv. 94b.

Æolina, i. 40b; Accordion, i. 25b; Harmonium, i. 667a.

Æolsklavier; Æolodion, i. 40b.

Æolodion, i. 40b; Harmonium, i. 667a.

Æolopantolon; Æolodion, i. 41a.

Ærschodt; Carillon, i. 311a.

Aerts, E., i. 41a.

Aevia, iv. 518b.

Affettuoso, i. 41a.

Affilard, M. L., i. 41a.

Afranio, i. 41a; Bassoon, i. 151b.

Africaine, L', iv. 518b; Meyerbeer, ii. 323b.

Afzelius, A. A., i. 41b; Arwidsson, i. 96b; Song, iii. 610b, etc.

Agazzari, A., i. 41b; Bodenschatz, i. 253b; Mus. Divina, ii. 411b, etc.

Agitato, i. 41b; iv. 518b.

Agincourt; Song, iii. 601a; Mus. Lib., iv. 723a.

Agnesi, L. F. L., iv. 518b; Philh. Soc., ii. 700a; Rossini, iii. 176a.

Agnesi, Maria T., i. 41b.

Agnus Dei; Mass, ii. 226b; Plain song, ii. 767a; Requiem, iii. 109a.

Agostini, L., i. 42a.

Agostini, P., i. 42a; iv. 519a; Agostini (P. S.), i. 42a, note; Baini, i. 288b; Foggia (F.), i. 539a; Mus. Divina, ii. 411b; Saggio di Contrappunto, iii. 212a; Mus. Lib., iv. 726a; Rome, iv. 774a.

Agrell, J., i. 42b.

Agrémens, i. 42b; Couperin, i. 409b; Grace-notes, i. 615a; Manier, ii. 206a; Mordent, ii. 362b; Nachschlag, ii. 442a; Notation, ii. 477b; Portamento, iii. 18b; Battery, iv. 532b.

Agricola, A., i. 44a; iv. 519a; Josquin Desprès, ii. 40b, etc.; Lamentations, ii. 88a; Madrigal, 188a; Motet, ii. 373b;