Page:A Dictionary of Music and Musicians vol 4.djvu/885

Dinorah, i. 448b; Meyerbeer, ii. 324b; Pardon de Ploermel, ii. 648b.

Direct, i. 448b; Slide, iii. 535a.

Direct; Tractulus, iv. 800a.

Direct Motion, i. 448b.

Diruta; Mus. Antiqua, ii. 411a.

Dirzka, T.; Pauer, ii. 674b.

Dis, i. 448b; Tablature, iv. 47b.

Discant, i. 448b; Contrapuntal, i. 396a; Faux-Bourdon, i. 509a; Hymn, i. 760b; Morley (T.). ii. 368a; Notation, ii. 469b; Ochetto, ii. 491a; Organ, ii. 582a; Organum, ii. 608b, etc.; Polyphonia, iii. 12a; Prick Song, iii. 30a; Schools of Comp., iii. 259b; Subject, iii. 748a; Treble, iv. 165b; Diaphonia, iv. 612b; Franco (of Cologne), iv. 641a.

Discantus. (See Discant.)

Discord, i. 448b; Mass, ii. 231a; Monteverde, ii. 357b; Ninth, ii. 459a; Preparation, iii. 29a; Resolution, iii. 113b; Root, iii. 158a; Psalter, iv. 758a, note.

Disjunct; Motion, ii. 377a.

Disjunct System; Organ, ii. 579a.

Dissoluto Punito, Il, i. 449a; Don Giovanni, i. 452b.

Dissonance, i. 449a; Harmonics, i. 663b, etc.

Distler; Haydn, i. 716a.

Dital Harp, i. 449a; Harp Lute, iv. 668a.

Ditson, iv. 614b, and 810a.

Dittenhofer; Rawlings, iii. 79a.

Dittersdorf, i. 449b; Haydn, i. 704b; Lessel, ii. 123b; Mozart, ii. 391a, etc.; Oratorio, ii. 553a; Pichel, ii. 751b; Programme-Mus., iii. 37a; Singspiel, iii. 517a; Storace (S.), iii. 719b; Symphony, iv. 14b; Violin-playing, iv. 297a; Wanhal, iv. 382a; Müller (Wenzel). iv. 722a.

Ditty; Ballad, i. 129a; Song, iii. 605b.

Divertimento, i. 450b; Cassation, i. 319a; Minuet, ii. 334b; Serenata, iii. 468a.

Divertissement, i. 451a; Entr'acte, iv. 628a.

Diving; Mus. Lib., ii. 422b.

Division Violin, The, i. 451a; Playford, iii. 2a; Violin-playing, iv. 290b.

Division Violist; Ground Bass, i, 634b; Playford, iii. 2a; Sympson, iv. 43b; Violin, iv. 278b.

Divisions, i. 451a; Prick Song, iii. 30a; Rosalia, iii. 160b; Variations, iv. 219b; Burney, iv. 571a.

Divitts, A., i. 451a; Attaignant, i. 100b; Sistine Chapel, iv. 794a.

Dizi; Parish-Alvars, ii. 649a.

Dlabacz, G. J., 451b; Dussek, i. 473a.

Dmitrief; Song, iii. 614a.

Do, i. 451b; Solfeggio, iii. 546a; Solmisation, iii. 551b.

Dobrinsky, F.; PF. Mus., ii. 729b; Song, iv. 795a.

Doche; Vaudeville, iv. 232a.

Doctor of Music, i. 451b; iv. 615a; Bac. of Music, i. 120b; Cambridge, i. 300a; Degree, i. 439a; Hamboys, i. 647b; London, ii. 163a; Oxford, ii. 624b.

Dodd; Tubbs (J.), iv. 184a.

Dodecachordon, iv. 615a; Glareanus, i. 598a; Obrecht, ii. 489 b, note; Plagal Modes, ii. 761a; Schools of Comp., iii. 261a; Strict Counterpoint, iii. 740b; Te Deum, iv. 67b; Zacconi, iv. 497a; Maneria, iv. 710a. Part-books, iv. 740b.

Döhler, T., i. 452a; Czerny, i. 425b; Mendelssohn, ii. 285a; Philh. Soc., ii. 699b; PF. Mus., ii. 731b; PF.-playing, ii. 739a, note, etc.; Sechter, iii. 456a; Weyrauch, iv. 450a; PF-playing, iv. 748b; Vianesi, iv. 812a.

Dörffel, A., iv. 616b; Bach (J. S.), i. 117b.

Döring, G.; Hist. of Mus., iv. 675a.

Dolby, C. (See Sainton, Mme., iii. 217a; iv. 779a.)

Dolcan; Organ, ii. 584a.

Dolce, i. 452b.

Dolcino; Reed, iii. 90a.

Doles, J. F., iv. 616b; Barthel, i. 145a; Gassman, i. 584a; Gewandhaus Concerts, i. 593a; Leipzig, ii. 115a; Mozart, ii. 392b, etc.; Rochlitz, iii. 141a; Song, iii. 621b.

Dolezalek; Beethoven, i. 200a.

Dolive; Song, iii. 595b.

Domarto; Sistine Chapel, iv. 794a.

Dominant, i. 452b; Authentic, i. 105b; Form, i. 542b, etc.; Gregorian Modes, i. 626a; Harmonics, i. 664b; Harmony, i. 674b, etc.; Imperfect, i. 767b; Interrupted Cadence, ii. 10a, etc.; Modes Eccles., ii. 342a; Monteverde, ii. 359b; Ninth, ii. 460a; Pedal Point, ii. 679b, etc.; Reciting Note, iii. 86a; Relation, iii. 104b, etc.; Resolution, iii. 113b, etc.; Sonata, iii. 563a, etc.; Song,. iii. 618a.

Domino noir, Le, i. 452b; Auber, i. 102b.

Dommer, A. von, iv. 617a; Jahrbücher, etc., ii. 30b; Händel Gesellschaft, iv. 665b; Koch, iv. 692a.

Domnich; Conservatoire,i. 392a.

Don Carlos, i. 4526; iv. 617b; Verdi, iv. 250b.

Don Giovanni, i. 452b; Dissoluto punito, Il, i. 449a; Minuet, ii. 333b; Mozart, ii. 391b, etc.

Don Juan; Prince de la Moskowa, iii. 31a.

Don Pasquale, i. 452b; Donizetti, i. 454a.

Don Quixote; Purcell (H.), iii. 49b.

Don Quixote, i. 452b; Macfarren (G.), ii. 186a.

Donadio, Mlle.; Strakosch, iii. 734b.

Donaldson, J.; Edinburgh, i. 483a; Reid Concerts, iii. 101a; Ellis (A. J.), iv. 626b.

Donato, B.; Part Mus., ii. 656b; Burney, iv. 571a; Mus. Lib., iv. 726b.

Donelli, B.; Golinelli, iv. 651a.

Doni, A. F.; Hist of Mus., iv. 675b, etc.

Doni, G. B.; Accademia, i. 11a; Bardi, i. 139a; Casini, i. 318b; Do, i. 451a; Mersennus, ii. 314a; Opera, ii. 499b; Schools of Comp., iii. 278b; Mus. Lib., iv. 726a.

Donizetti, G.,i. 453a; iv. 617b; Acad. de Mus., i. 9b; Anna Bolena, i. 69b; Bassoon, i. 154a; Belisario, i. 210b; Catarina Cornaro, i. 322a; Catelani (A.), i. 323b; Don Pasquale, i. 452b; Favorita, La, i. 510a; Grand Opera, i. 617a; Grisi, i. 633a; Hurdy Gurdy, i. 759b; Laporte, ii. 91b; Lucia di Lammermoor, ii. 171b; Lucrezia Borgia, ii. 171b; Maria di Rohan, ii. 216b; Marino Faliero, ii. 216b; Martyrs, Les, ii. 223a; Mattei, ii. 239a; Mayer