Page:A Dictionary of Music and Musicians vol 4.djvu/941

Serpent, iii. 470a; Si, iii. 490b; Sounds and Signals, iii. 644b; Spinet, iii. 653a; Tuning, iv. 187b; Virginal, iv. 305a; Zarlino, iv. 502a; Hist. of Mus., iv. 674a.

Merula, Tarquinio; Violin-playing, iv. 288b.

Merulo, C., ii. 314b; Bodenschatz, i. 253b; Catelani, i. 323b; Opera, ii. 499a; Ricercare, iii. 126b; Toccata, iv. 130a; Trésor des Pianistes, iv. 168b; Zarlino, iv. 502b; Burney, iv. 571a; Dance-Rhythm, iv. 607b; Mus. Lib., iv. 726a; Porta, iv. 750b.

Meslanges; Le Jeune, ii. 119b.

Mesotonic. (See Mean Tone.)

Messanza. (See Quodlibet, iii. 62a.)

Messer, F.; Hecht, iv. 670b.

Messiah, ii. 315a; Hallelujah, i. 646b; Handel, i. 651a; Naumann, ii. 449a; Overture, ii. 621a; Pastorale, ii. 670b.

Mesto, ii. 315b.

Mestrino; Haydn, i. 706b; Kreutzer (R.), ii. 72a; Violin-playing, iv. 289.

Metamorphosis, iv. 717b.

Metastasio, P., ii. 315b; iv. 718a; Davies, i. 435a; Haydn, i. 704b; Jommelli, ii. 37a; Libretto, ii. 130a; Martines (M.), ii. 221b; Mozart, ii. 384a; Opera, ii. 505a, etc.; Traetta, iv. 157b.

Methfessel, A. G., iv. 718b; Weber, iv. 398a.

Meton, V.; Eslava, i. 495a.

Metre, ii. 316b; Accent, i. 12a; Lauda Sion, ii. 104a; Le Jeune, ii. 119a; Quantity, iii. 55b; Spondee, iii. 665a; Trochee, iv. 174b.

Metronome, ii. 318a; iv. 718b; Affilard, i. 41a; Beethoven, i. 189a; Maelzel, ii. 194b, etc.; Tempo, iv. 82b.

Metru; Lully, ii. 172a.

Mettenleiter, D.; Mus. Lib., ii. 425a; Hist. of Mus., iv. 675a.

Metzler; iv. 718b.

Metzner; Weber, iv. 402b.

Meude-Monpas; Dict. of Mus., i. 445a.

Meves, A. A. C., ii. 320b.

Meyer, G.; Dodecachordon, iv. 616a.

Meyer, L. von; Philh. Soc., ii. 699b; PF. Mus., ii. 731b; PF.-playing, ii. 743a, etc.; Queisser, iii. 60b.

Meyer, Waldemar; Violin-playing, iv. 298a.

Meyerbeer, G., ii. 320b; iv. 719a; Abbey (J.), i. 2a; Académie de Mus., i. 7a, etc.; Act, i. 26a'; Ander, i. 65b; Barmann, i. 122b; Ballabile, i. 128a; Bass Clarinet, i. 149b; Bassoon, i. 154a; Beer, i. 162a; Blaze de Bury, i. 249a; Cabel (M. J.), i. 290a; Castelli (J.), i. 319b; Chopin, i. 350b; Clarinet, i. 363b; Clementi, i. 373a; Crociato in Egitto, Il, i. 419a; Dinorah, i. 448b; Dussek, i. 476b; Ein' feste Burg, i. 484a; Ella, i. 486b; Etoile du Nord, L', i. 496b; Fackeltanz, i. 501a; Feldlager in Schlesien, i. 510b; Faure, i. 571a; Gänsbacher, i. 575a; Gong, i. 609b; Grand Opera, i. 617a; Händel-Gesellschaft, i. 659a; Harmonie, i. 666a; Hiller, i. 737a; Huguenots, Les, i. 755b; Leit-Motif, ii. 118a; Lind, ii. 140b; Lucca, ii. 171a; Mendel, ii. 252b; Mendelssohn, ii. 257b, etc.; Metastasio, ii. 316a; Mus. Lib., ii. 420a, etc.; Naudin, ii. 448b; Opera, ii. 525b; Pardon de Ploermel, ii. 648b; Pierson (H. H.), ii. 752a; Pitch, ii. 758a, note; Pollini, iii. 9b; Pougin, iii. 23b; Prophète, Le, iii. 41a; Ranz des Vaches, iii. 76a; Rataplan, iii. 78a; Robert le Diable, iii. 138a; Robinson (F.), iii. 140b; Roger, iii. 144b; Rossini, iii. 171a, etc.; Schools of Comp., iii. 301a, etc.; Schumann, iii. 406b; Score, iii. 432b; Scribe, iii. 453a; Semiramide, iii. 461a; Siciliana, iii. 491b; Spohr, iii. 657b; Spontini, iii. 681b; Strauss (J.), iii. 738b; Struensee, iii. 746b; Subject, iii. 750a; Timbales, iv. 116b; Tomaschek, iv. 133a; Ulrich (H.), iv. 201a; Urhan, iv. 209a; Velluti, iv. 236a; Véron,iv. 256a; Viardot-Garcia (Mme.), iv. 259b; Vogler, iv. 327b, etc.; Wagner (Johanna), iv. 345b; Wagner, iv. 350b, etc.; Weber, iv. 394b, etc.; Wind-band, iv. 473b; Africaine, L', iv. 518b; Levasseur, iv. 700b; Napoleon, iv. 727b.

Meyers; Square Piano, iii. 683b.

Meysenberg; Viardot-Garcia (Mme.), iv. 259a.

Mezzadri; Testore, iv. 799a.

Mezzo, ii. 326a; Singing, iii. 509a, etc.

Mi; E, i. 478a; Tonic Sol-fa, iv. 145a, note.

Michael, T., Leipzig, ii. 115a.

Michaeli; Mus. Lib. ii. 422a.

Michalesi, Aloysia; Krebs (K. A.), ii. 70b; iv. 693a.

Michel, F.; Hist. of Mus., iv. 676a.

Michelet; Mario, ii. 217a.

Micheli, B., ii. 326b; Zenobia, iv. 506a.

Micherout, De; Rudersdorff (H.), iii. 199a.

Micheroux; Novello (Clara), ii. 481b.

Michot, A; Sistine Chapel, iv. 794a.

Micksch, J.; Schroeder Devrient, iii. 317b; Weber, iv. 402b.

Mi contra Fa, ii. 326b; Locrian Mode, ii. 158a; Mixolydian Mode, ii. 339a; Mus. Ficta, ii. 414a; Mutation, ii. 439a; Quinta falsa, iii. 60b; Si contra Fa, iii. 491a.

Micrologus, ii. 326b; iv. 719a; Æolian Mode, i. 40b; Alphabet, i. 57a, note; Dowland (J.), i. 460b; Ligature, ii. 137b; Martini, ii. 222a, note; Notation, ii. 470a; Ornithoparcus (A.), ii. 611b; Pedal point, ii. 679a; Proportion, iii. 42b, note; Strict counterpoint, iii. 740b; Zacconi, iv. 497a; Guido, iv. 659b; Mus. Lib., iv. 724a; Ornithoparcus, iv. 736a.

Midsummer Night's Dream Music, ii. 328a; Bergamasca, i. 230b; Bishop, i. 245a; Mendelssohn, ii. 259a, etc.; Overture, ii. 623a.

Mierzwinski; Tenor, iv. 87b; Philh. Soc., iv. 746b.

Migliorucci; Bishop (J.), i. 246b.

Mignon, iv. 719a; Thomas (C. A.), iv. 104a.

Mikado, The, iv. 719a; Sullivan (A.), iv. 797b.

Mckay, Iver; Philh. Soc., iv. 747a.

Milan, ii. 328b; iv. 719a; Accademia, i. 11b; Lombardy School of Mus., ii. 163a; Mus. Periodicals, ii. 431b; Scala, La, iii. 234a; Vaccaj, iv. 212a; Bazzini, iv. 533a.

Milanollo, Teresa and Maria,