ii. 329b; 719a; Philh. Soc., ii. 699b; Violin-playing, iv. 289; Grégoir (E.), iv. 655b.
Milchmeyer; Klengel, ii. 64a.
Mildner; Violin-playing, iv. 289; Wiener, iv. 455a.
Military Drum ii. 331a. (See Drum, i. 465b.)
Military Music; Neithardt (A.), ii. 451a; Oboe, ii. 486a; Saxhorn, iii. 233b; Wind-band, iv. 470a; Gilmore, iv. 647a.
Millar, T.; Addison (J.), i. 30b.
Millard, Mrs.; Song, iii. 607a.
Millaut; Reicha, iii. 98b.
Miller, Ed., ii. 331a; Linley (F.), ii. 143b.
Milleville, A.; Frescobaldi, i. 563a.
Millico, G., ii. 331a; Soprano, iii. 636a.
Millot; David (F.), i. 432a.
Mills, S.; Leipzig, ii. 115b.
Milton, J., ii. 331b; Hawkins, i. 700b Leighton, ii. 114b; Oriana, ii. 611a; Burney, iv. 570b; Psalter, iv. 763a.
Minacciando, ii. 331b.
Minarti; Saggio di Contrappunto, iii. 212a.
Mingotti, Regina, ii. 331b; Gizziello, i. 597b; Hasse, i. 694b; Soprano, iii. 635b.
Mini; Verdi, iv. 252b.
Minim, ii. 332b; Hemiolia, i. 727b; Notation, ii. 471a.
Miniscalchi; Mus. Lab., iv. 726a.
Minkous; Delibes, iv. 610b.
Minnesinger; Madrigal, ii. 187b; Song, iii. 615a; Volkslied, iv. 336b.
Minor, ii. 333a; iv. 719a;
Ascending Scales, i. 97a;
Helmholtz, i. 727a;
Interval, ii. 11b;
Key, ii. 51b;
Moll and Dur, ii. 352a;
Notation, ii. 476a;
Relation, iii. 105a;
Scale, iii. 236a;
Third, iv. 102b.
Minor Canons, ii. 333a; Vicars Choral, iv. 260b.
Minoret; Lalande, iv. 695a.
Minstrels; Musicians' Comp., London, ii. 432b; Song, iii. 600b, etc.
Minuet, ii. 333a;
Branle, i. 271b;
Form, i. 544a, etc.;
Overture, ii. 621a;
Passepied, ii. 662b;
Redoute, iii. 89a;
Sonata, iii. 555a, etc.;
Subject, iii. 751b;
Suite, iii. 756a, etc.;
Symphony, iv. 13a;
Trio, iv. 172b, etc.;
Vigano, iv. 264a.
Mioduszewski, M.; Song, iv. 795a.
Mireçcki, F.; Clari (G.). i. 360b; Song, iv. 795a.
Mireille, ii. 335a; Gounod, i. 614a.
Miremont; Klotz, ii. 65b.
Miserere, ii. 335b; iv. 719a;
Allegri, i. 54a;
Bai, i. 125a;
Baini, i. 288b;
Leo, ii. 121a;
Lotti, ii. 167b;
Mendelssohn, ii. 268a;
Mozart, ii. 383a;
Sistine Choir, iii. 523a;
Tenebræ, iv. 86a.
Misonne, V.; Sistine Chapel, iv. 794a.
Missa Brevis, ii. 338a.
Missa de Angelis, iv. 719a.
Missa sine Nomine, ii. 338b.
Missa super voces Musicales, ii 338b.
Mistichanza. (See Quodlibet, iii. 62a.)
Mitchell, J., ii. 338b.
Mittag, J. G.; Filtsch (O.), i. 523a; Rappoldi (E.), iii. 7b; Thalberg, iv. 95a; Hist. of Mus., iv. 676a.
Mitterwurzer, A.; Wagner, iv. 354a, etc.
Mixed Cadence, ii. 338b.
Mixed Modes, ii. 338b; Maneria, ii. 206a; Modes Eccles., ii. 343a; Maneria, iv. 709b.
Mixed Voices, ii. 339a; Voices, iv. 334a.
Mixolydian Mode, ii. 339a; Modes Eccles., ii. 343a.
Mixture, ii. 339b; Organ, ii. 583b.
Mizler, L. C., ii. 339b; iv. 719b; Bach, i. 116b; Bellermann (C.), i. 211b; Pianoforte, ii. 712a.
Mochini; Schools of Comp., iii. 273a, note.
Mock Doctor, The, ii. 339b; Gounod, i. 614a.
Mocsonyi; Magyar Mus., ii. 198b.
Mode, ii. 340a;
Imperfect, i. 766b;
Large, ii. 92a;
Long, ii. 165b;
Notation, ii. 471b;
Prolation, iii. 40b;
Proportion, iii. 42a;
Rest, iii. 119b;
Time, iv. 117b;
Time Signature, iv. 126b;
Zacconi, iv. 497a;
Franco (of Cologne), iv. 641b.
Moderato, ii. 340b; Tempo, iv. 83a.
Moderne, J.; Part-books, iv. 741a.
Modes Ecclesiastical, ii. 340b; iv. 719b;
Æolian Mode, i. 39b;
Alphabet, i. 56b;
Ambrosian, i. 59b;
Authentic, i. 105a;
Bach (J. C.), i, 111a;
Bach (J. S.), i. 116b, etc.;
Dominant, i. 452b;
Dorian, i. 454b;
Glareanus, i. 598a;
Gregorian Modes, i. 627a;
Harmony, i. 669b;
Hexachord, i. 734a, etc.;
Hyper, i. 764b;
Imperfect, i. 767a;
Initials, Absolute, ii. 3b;
Ionian Mode, ii. 17b;
Locrian Mode, ii. 158b;
Luther, ii. 178a;
Lydian Mode, ii. 181b;
Madrigal, ii. 187b;
Maneria, ii. 20b;
Mass, ii. 226a;
Medial Cadence, ii. 243a, etc.;
Mediant, ii. 244a;
Micrologus, ii. 327b;
Mixolydian Mode, ii. 339a;
Modulation, ii. 347b;
Modulations, Regular and Conceded, ii. 351b;
Monodia, ii. 354b;
Motet, ii. 376a;
Mus. Ficta, ii. 413b;
Notation, ii. 474a;
Okeghem, ii. 495b;
Participant, ii. 655b;
Phrygian Mode, ii. 708b;
Plagal Modes, ii. 760b, etc.;
Plain Song, ii. 763b, etc.;
Real Fugue, iii. 80a;
Reciting Note, iii. 86b;
Schools of Comp., iii. 259b;
Score, iii. 429a;
Solmisation, iii. 551a;
Song, iii. 618a;
Subject, iii. 748b;
Tones, Gregorian, iv. 144a;
Transposition of Modes, iv. 161b;
Voices, iv. 333b;
Zarlino, iv. 502a;
Dodecachordon, iv. 615a;
Hucbaldus, iv. 680b;
Part-writing, iv. 741a;
Psalter, iv. 756b, etc.;
Vallotti, iv. 806b.
Modinha; Song, iii. 600b.
Modulation, ii. 343b; Beethoven, i. 203a; Change, i. 332b; Chromatic, i. 355b; Diminished Intervals, i. 448a; Form, i. 548a; Harmony, i. 675b, etc.; Passaggio, ii. 662a; Resolution, iii. 115a; Romantic, iii. 150b, etc.; Schubert, iii. 366a; Sequence, iii.
