Page:A Dictionary of Music and Musicians vol 4.djvu/953

Operetta, ii. 531b; Lecocq, ii. 111a; Mozart, ii. 382a; Offenbach, ii. 493b; Pergolesi, ii. 687a; Planquette, iii. 1a; Schools of Comp., iii. 306b, etc.; Singspiel, iii. 517a; Sullivan, iii. 762a, etc.

Ophicleide, ii. 531b; Euphonium, i. 497b; Frichot, i. 564b; Instrument, ii. 6a; Keys, ii. 55b; Serpent, iii. 470b.

Oppure. (See Ossia, ii. 615a.)

Opus, ii. 532b; Number, ii. 484b.

Oratorio, ii. 533a; iv. 735a; Accompaniment, i. 22b; Animuccia, i. 68b; Florence, i. 533b; Handel, i. 650b, etc.; Harpsichord, i. 688a; Laudi Spirituali, ii. 105a; Libretto, ii. 130a; Magnificat, ii. 197a; Mass, ii. 234a, etc.; Mendelssohn, ii. 303b, etc; Monodia, ii. 354b, etc.; Orchestra, ii. 561b, etc.; Overture, ii. 623a; Passion Mus., ii. 665b; Pastorale, ii. 670b; Recitative, iii. 83a; Relation, iii. 105b; Sacred Har. Soc.,iii. 210a; Schools of Comp., iii. 287a, etc.; Secco Recitative, iii. 454b; Zacconi, iv. 498a; Dance Rhythm, iv. 606b; Hist. of Mus., iv. 677a.

Orazii e Curiazii, Gli, ii. 560a; iv. 735a; Cimarosa, i. 358b.

Orchesographie, ii. 560a; Arbeau, i. 80b; Matassins, ii. 236b; Morris Dance, ii. 369a; Passacaglia, ii. 661a; Passamezzo, ii. 662a; Passepied, ii. 662b; Pavan, ii. 676a; Sink-a-pace, iii. 517b; Sounds and Signals, iii. 644a; Tourdion, iv. 154b; Trihoris, iv. 169b; Waltz, iv. 385a.

Orchestra, ii. 560b; iv. 735a; Additional Accompaniments, i. 30b, etc.; Band, i. 134a; Instrument, ii. 5a, etc.; Oratorio, ii. 544b, etc.; Orchestration, ii. 567a; Wind-band, iv. 464a, etc.

Orchestration, ii. 567a; Additional Accompaniments, i. 34b; Berlioz, i. 232b; Handel, i. 653a; Mendelssohn, ii. 302a; Opera, ii. 501b, etc.; Oratorio, ii. 551b; Orchestra, ii. 562b; Overture, ii. 622b; Passion Mus., ii. 667a; Rameau, iii. 71a; Registration, iii. 94b; Romantic, iii. 150b, etc.; Rossini, iii. 176a; Schubert, iii. 363a etc.; Score, arranging from, 434b; Score, playing from, iii. 437a; Symphony, iv. 13b, etc.; Tenor-violin, iv. 90a, etc,; Thibaut, iv. 102a; Thomas (C. A.), iv. 104b; Wagner, iv. 371a, etc.; Weber, iv. 416a; Wind-band, iv. 467b; Hist. of Mus., iv. 676a.

Orchestrina, iv. 735a.

Ordres, iv. 735a; Suite, iii. 756b.

Orfeo ed Euridice, ii. 573a; Gluck, i. 601b; Orphée et Euridice, ii. 611b.

Organ, ii. 573a; iv. 735a; Abbey (J.), i. 2a; Accompaniment, i. 21b; Action, i. 26b; Adams, i. 29b; Additional Accompaniments, i. 30b, etc.; Adlung, i. 37b; Albrechtsberger, i. 50b; Anthem, i. 71a; Apollonicon, i. 74a; Avery, i. 105b; Bach, i. 110b, etc.; Bach (J. S.), i. 114b, etc.; Barker, i. 139b; Barnby, i. 145a; Beckwith, i. 161b; Bedos de Celles, i. 162a; Bellows, i. 214b; Best, i. 239a; Bibl, i. 241a; Blewitt, i. 249a; Blow, i. 250a; Bombardon, i. 259b; Bull, i. 281b; Burney, i. 284a; Buxtehude, i. 286b; Cæcilia, i. 294b; Camidge, i. 300a; Cavaillé, i. 327a; Child, i. 345b; Chipp (E.), i. 346a; Choir Organ, i. 349a; Chrismann, i. 355a; Ciaja, i. 357a; Clarke (J.), i. 365a; Clarke (Whitfeld), i. 365b; Clicquot, i. 374a; Colombi, i. 378a; Combination-pedals, i. 377a; Composition-pedals, i. 382b; Cooke (B.), i. 396b; Cooper, i. 398b; Corfe, i. 402b; Cornet, i. 403b; Couplers, i. 410a; Crang and Hancock, i. 415a; Cremona, i. 416a; Croft, i. 419a; Crotch, i. 420b; Dallam, i. 427b; Daublaine and Callinet, i. 431a; Diapason, i. 442b; Double-bass, i. 458a; Doubles, i. 460a; Ducis, i. 467b; Dupuis, i. 470b; Echo, i. 482a; Egan, i. 483b; Electric Action, i. 485a; Elliot, i. 486b; Elvey (Sir G.), i. 487a; Elvey (S.), i. 487a; England, i. 488a; Faux-bourdon, i. 509a; Fifteenth, i. 520b; Flight, i. 532b; Flowers, i. 535a; Flue-work, i. 535b; Flute work, i. 538a; Forster and Andrews, i. 555b; Foundling Hospital, i. 557a; Free Reed, i. 562a; Frescobaldi, i. 563a; Froberger, i. 565a; Fux, i. 570a; Gabler, i. 571a; Gabrieli (A.), i. 571b; Gauntlett, i. 584a; Gawler, i. 586a; Gedackt-werk, i. 586b; Geigen-principal, i. 586b; Gemshorn, i. 588a; Gerber, i. 589a; Gibbons, i. 594a; Gibbons (O.), i. 594b; Glover (W.), i. 600a; Glyn and Parker, i. 604b; Goldberg, i. 607b; Goss (J.), i. 610b; Gray and Davison, i. 622b; Great Organ, i. 625a; Green (S.), i. 624a; Greene (M.), i. 624a; Griffin (T.), i. 631b; Guest, i. 638a; Guilmant, i. 639b; Gunn, i. 641a; Handel, i. 652b; Harmonic-stops, i. 665b; Harmonium, i. 666b; Harris (R.), i. 692a; Hart (P.), i. 693a; Hassler, i. 697a; Haupt (C.), i. 697b; Hawkins (Jas.), i. 699a; Haydn (M.), i. 701a; Hayes (P.), i. 722b; Hayes (W.), i. 723a; Hedgeland, i. 724a; Henstridge, i. 730a; Herschel (F.), i. 732b; Herzog, i. 733a; Hesse, i. 733b; Hewe, i. 733b; Hill, i. 736b; Hine, i. 740b; Hingston, i. 741a; Hodges (E.), i. 741a; Holder, i. 743a; Holdich, i. 743b; Homilius, i. 745b; Hopkins, i. 746b; Horsley (W.), i. 753b; Howard, i. 754b; Howgill, i. 754b; Hoyland, i. 755a; Instrument, ii. 6a; Interlude, ii. 7b; Isham, ii. 24a; Jackson, ii. 28a; Jacob, ii. 28b; James (J.), ii. 30b; Jeffries, ii. 33a; Jeux d'anches, ii. 34a; Jones (J.), ii. 39b; Keeble, ii. 48a; Kelway, ii. 50a; Kent, ii. 50b; Keraulophon, ii. 51a; Kerl, ii. 51a; Key (II.), ii. 53b, etc.; Kittel, ii. 63a; Kollmann, ii. 68b; Krebs (J. L.), ii. 70b; Krebs (J. T.), ii. 70b; Krummhorn, ii. 74a; Kuhnau, ii. 76a; Lachner, ii. 81a; Lambert, ii. 86a; Langshawe, ii. 90b; Larigot, ii. 92a; Lefébure-Wély, ii. 112a; Lemmens, ii. 120a; Lieblich Gedact, ii. 132b; Limpus, ii. 139b; Loosemore, ii. 166a; Lowe, ii. 170a; Manual, ii. 208a; Marchand,