need to magnify his genius, for it was great and valuable by its own right. He was, primarily, an observer of nature, and he copied natural facts with straightforward veracity;
Fig. 62.—The Frightened Mother. From Bewick’s “British Quadrupeds.”
he delineated animal life with marvellous spirit; he knew the value of the texture of a bird’s feather (Fig. 61) as no one before ever realized it. He was open also to the influence which nature exerts over the emotions, and he rendered the sentiment of the landscape as few engravers have been able to do. His hearty spirit responded to country sights (Fig. 62), and he portrayed the humorous with zest and pleasure, as well as the cheerful and the melancholy
Fig. 63.—The Solitary Cormorant. From Bewick’s “British Birds.”
