Page:A biographical dictionary of eminent Scotsmen, vol 5.djvu/184

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GEORGE JAMESONE.

A curious evidence of the locality of Jamesone's residence in Aberdeen is to be found in an epigram on that city, by the painter's intimate friend Arthur Johnstone, author of the Latin version of the Psalms. It is interesting, as proving that Jamesone possessed what was then seldom to be found in Scotland, a habitation, which added to the mere protection from the inclemency of the seasons, some attempt to acquire the additions of comfort and taste. The epigram proceeds thus—

Hanc quoque Lanaris mons ornat, amœnior illis,
Hinc ferrugineis Spada colorat aquis:
Inde suburbanum Jamesoni despicis hortum
Quem domini pictum suspicior esse manu.

In "A Succinct Survey of the famous city of Aberdeen, by Philopoliteius," the passage is thus "done" into what the author is pleased to term "English:"

"The Woolman hill, which all the rest outvies
In pleasantness, this city beautifies;
There is the well of Spa, that healthful font,
Whose yrne-hewed water coloureth the mount;
Not far from thence a garden's to be seen
Which unto Jamesone did appertain:
Wherein a little pleasant house doth stand,
Painted as I guess with its master's hand."[1]

Jamesone appears to have been in Edinburgh during the visit of king Charles the First in the year 1633. To gratify the taste of that prince he was employed by the magistrates to paint portraits, as nearly resembling probable likenesses as he could devise, of some of the real or supposed early kings of Scotland. These productions had the good fortune to give satisfaction, and the unhappy king, who had soon far different matters to occupy his attention, sat for his portrait, and rewarded the artist with a diamond ring from his own finger. It is alleged that the painter was on this occasion indulged with a permission to remain covered in the presence of majesty, a circumstance which is made to account for his having always represented himself (and he was not sparing in

    is a curious evidence of Jamesone's respectability as a citizen. Paul, afterwards Sir Paul Menzies, a man of considerable note in Aberdeenshire, and provost of the city, appears to have been name-father, and Alexander Jaffrey, another of the sponsors, was himself afterwards provost. The extractor of these entries remarks, that the chief magistrate appears to have acted as sponsor only at the baptisms of the children of very influential citizens.

  1. With farther reference to this piece of pleasure ground, and an anxiety to collect every scrap of matter which concerns Jamesone, we give the following entry, regarding a petition, of date the 15th of January, 1645, given in to the town council of Aberdeen by "Mr John Alexander, advocate in Edinburgh, makand mention that where that piece of ground callit the play-field besyd ye Wolman-hill (quhilk was set to umquhiil George Jamesone, painter, burges of Edinburgh in liferent, and buildet be him in a garden) is now unprofitable, and that the said John Alexander, sone in law to the said umquhiil George Jamesone, is desirous to have the same peice of ground set to him in few heritablie to be houlden of the provest, bailzies, and of the burghe of Aberdene, for payment of a reasonable few dutie yeirlie theirfor;" praying the magistrates to set to him in feu tack the foresaid puce of ground: the request is granted by the magistrates, and farther official mention is made of the transaction of date the 10th November, 1646, where the "marches" of the garden are set forth in full. This piece of ground was the ancient "Play-field" of the burgh, which remained disused, after the Reformation had terminated the pageants and mysteries there performed. Persons connected with Aberdeen will know the spot when they are informed, that it is the piece of flat ground extending from the well of Spa to Jack's brae, bounded on the east by the Woolman hill, and the burn running at its foot; on the south by the Denburn, and the ridge of ground on which Skene street now stands; on the west by Jack's brae, and on the north by the declivity occupied by the Gilcomston brewery. The appropriation of the spot to the garden of the painter is still noted by the name of a fountain, called "The Garden Neuk Well."—Council Record of Aberdeen, liii. p. 37, 98.