rank that found their way to Lochlee. Neither should it be forgotten that his songs became, even in his own day, as they still continue, the favourite ditties of his neighbourhood, and that the poet's ears were gratified by hearing his own verses chanted on the hill-sides in summer, and by the cottage ingle in winter. This is the incense to his genius prized by the poet beyond other earthly rewards, and which cheers him even when stricken by the poverty which is "the badge of all his tribe." Ross left eight volumes of unpublished works, of which an account has been preserved in Campbell's Introduction to the History of Poetry in Scotland, (p. 272 to 284.) The chief of these is a tale in the same measure with the Fortunate Shepherdess, entitled, "The Fortunato Shepherd, or the Orphan." The specimens which are given are too unsatisfactory to permit us to judge if we ought to regret its suppression, which we are informed was owing to the advice of Dr Beattie. "A Dream, in imitation of the Cherry and Slae," and composed in 1753, seems to possess some stanzas of considerable merit. "Religious Dialogues," written in 1754, are characterized by Beattie as unfit for publication ; and Mr Campbell, certainly a favourable critic, can find no word of commendation for the six pieces which bear the following titles: "A Paraphrase on the Song of Solomon;" "A View of king David's Afflictions;" "The Shunamite, from 2 Kings iv.;" "Moses exposed in the Ark of Bulrushes;" "An incitement to Temperance, from a thought of the nice construction of the Human Body;" and "Moses' story continued." This long catalogue seems to have been the origin of
Beattie's comparison of Ross with Sir Richard Blackmore. In addition to these there are in the same strain, "The Book of Job rendered into English verse," 1751, and " A Description of the Flood of Noah." A translation of Andrew Ramsay's beautiful poem on the creation seems to possess more merit; and from the specimens given is at least fully equal to that of the notorious Lander, whose attack on Milton had the effect of attracting attention to Ramsay's works. The list of Ross's unpublished works is closed by a dramatic piece, called "The Shaver," founded on an incident which occurred in Montrose, and by a prose composition, "A Dialogue of the Right of Government among the Scots, the persons George Buchanan and Thomas Maitland." "There are ninety sections in this tract," says Campbell, "and from the slight look I have taken through it I am of opinion it might be rendered a very valuable performance." The specimen given does not indicate the direction of Ross's political sentiments, nor does Campbell supply that information; his grandson tells us that "he was best pleased with such religious discourses as were strictly Calvinistic."
From the information thus preserved regarding Ross's unpublished writings, there seems little reason to regret their loss. His reputation must be founded on his Fortunate Shepherdess, and the songs which were published along with it. With all its faults, this poem is possessed of a high degree of merit; and, in addition to its local fame, will continue to be esteemed by the student of Scottish poetry. Burns has written of him, "Our true brother, Ross of Lochlee, was a wild warlock;" and "the celebrated Dr Blacklock," says Dr Irving, "as I have learnt from one of his pupils, regarded it as equal to the pastoral of Ramsay." This last opinion, it is to be feared, will be shared by few; nor is it any strong evidence of its soundness, to say that it was adopted by John Pinkerton, who writes:—"Some of the descriptions are exquisitely natural and fine; the language and thoughts are more truly pastoral, than any I have yet found in any poet, save Theocritus." Ross, indeed, is far inferior to Ramsay in delicacy of feeling, in taste, and in the management of his story. In reading the Fortunate Shepherdess we constantly meet with expressions and allu-
