commentary, which had been attributed to Ho Shang Kung, a writer of the second century B.C.
TS'AI YUNG (A.D. 133-192), whose tippling propen- sities earned for him the nickname of the Drunken Dragon, is chiefly remembered in connection with literature as superintending the work of engraving on stone the authorised text of the Five Classics. With red ink he wrote these out on forty-six tablets for the work- men to cut. The tablets were placed in the Hung-tu College, and fragments of them are said to be still in existence.
The most famous of the pupils who sat at the feet of Ma Jung was CHENG HSUAN (A.D. 127-200). He is one of the most voluminous of all the commentators upon the Confucian classics. He lived for learning. The very slave-girls of his household were highly educated, and interlarded their conversation with quotations from the Odes. He was nevertheless fond of wine, and is said to have been able to take three hundred cups at a sit- ting without losing his head. Perhaps it may be as well to add that a Chinese cup holds about a thimbleful. As an instance of the general respect in which he was held, it is recorded that at his request the chief of certain rebels spared the town of Kao-mi (his native place), marching forward by another route. In A.D. 200 Confucius ap- peared to him in a vision, and he knew by this token that his hour was at hand. Consequently, he was very loth to respond to a summons sent to him from Chi-chou in Chihli by the then powerful Yuan Shao. He set out indeed upon the journey, but died on the way.
It is difficult to bring the above writers, representatives of a class, individually to the notice of the reader. Though each one wandered into by-paths of his own, the common
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