Page:A history of Japanese colour-prints by Woldemar von Seidlitz.djvu/217

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DEVELOPMENT OF COLOUR-PRINTING

95

a two-colour print by him dated as early as 1746: two children in a saké-bowl with a sail (Hayashi Catalogue, No. 290). According to the Hayashi Catalogue, on the other hand, he is said to have probably been a pupil of Shigenobu, and later to have followed Shigenaga and Harunobu. He also called himself Sanseido. The Hayashi Catalogue gives specimens of his work (Nos. 291, 289). In Bing's Catalogue (No. 33), under the date 1760, is mentioned a theatre scene by Torii Kiyotsume. According to the Hayashi Catalogue he was a pupil of Kiyonobu II.; for reproductions see the Catalogue (Nos. 249, 252). He reminds one of Harunobu. Works illustrated by him appeared in Yedo in 1777.

Other artists of the period are: Torii Kiyoharu (illustration in the Hayashi Catalogue, No. 223); Torii Kiyosato, probably a pupil of Kiyomitsu (Tokio Catalogue, No. 86; illustration in Hayashi Catalogue, No. 263 bis). The Hayashi Catalogue further mentions: illustrated books by Torii Kiyohide, 1772 and 1775, and by Torii Kiyomoto, about 1786-94.

3. The Polychrome Print.—Without doubt, we owe to the amiable and cheerful genius of Harunobu the invention of prints entirely unlimited in the number of blocks and choice of colours. As, twenty-two years earlier, Shigenaga had dated the first two-colour print, so also Harunobu placed the date 1765 on several of his delicate and richly coloured prints, square and of medium size approximating to that of the later surimonos, evidently intending thereby, in just exultation over the final success of his invention, to fix its date for all succeeding ages. Before, however, he succeeded in this great step, he had spent half a decade endeavouring to produce new effects by means of the three-colour blocks then in use, which gradually led up to his invention. Indeed, his activity extends back into the time of the two-colour print, although only into its closing years.