"they'll do all they can to beat us, and we shall have to do all we know to hold our own. When I say 'we,' of course I reckon you as a Conservative?"
"I—I have no political opinions. I take no interest in politics," said Joyce, absently. Mr. Creswell, from any but a domestic point of view; could not rouse an emotion in him.
"Don't you indeed,! No political opinions! Ah! I remember when I hadn't any myself! That was—dear me!" and the astute parliamentary agent made a new pattern with the olive-stones, while his thoughts went back for a quarter of a century, to a time when he was under articles in Gray's Inn, used to frequent the Cyder Cellars, and was desperately in love with the Columbine of the Adelphi.
They went to the drawing-room soon afterwards. There was some instrumental music of the most approved firework style, and then Captain Frampton growled away at "Il Balen" with great success, and Joyce was just making up his mind to slip away, when Lady Caroline Mansergh sat down to the piano, and began to sing one of Moore's melodies to her own accompaniment. Ah! surely it is not laying oneself open to the charge of fogeyism to grieve over the relegation to the "Canterbury" of those charming ballads, wherein the brightest fancies were wedded to the sweetest sounds? If the "makers of the people's ballads" possess the power ascribed to them, there is, indeed, but little cause to wonder at the want of tone prevalent in a society which, for its drawing-room music, alternates between mawkish sentimentality and pot-house slang! When the first note of Lady Caroline's rich contralto voice rippled round the room, the guests standing about in small knots, coffee cup in hand, gradually sidled towards the piano, and ere she had sung the first stanza even Colonel Tapp's ventriloquial grumbling—he was discussing army estimates and the infernal attempts at cheeseparing of the Manchester school—was hushed. No one in the room was uninfluenced by the singer's spell, on no one had it so much effect as on Walter Joyce, who sat far away in the shadow of a curtain, an open photograph-book unheeded on his knee, drinking in the melody, and surrendering himself entirely to its potent charms. His eyes were fixed on the singer, now on her expressive face, now on her delicate little hands as they went softly wandering over the keys, but his thoughts were very, very far away. Far away in the old school garden, with its broad grass-plots, its ruddy wall, its high elm-trees, frame-like bordering the sweet domestic picture. Far away with Marian, the one love which his soul had ever known. Ah, how visibly he saw her then, the trim figure noiselessly moving about on its domestic errands, the bright beryl eyes upturned in eager questioning towards his own, the delicate hand with its long thin fingers laid in such trusting confidence on his arm. What ages it seemed since he had seen her! what a tremendous gulf seemed ever to separate them! And what prospect was there of that union for which they had so fervently prayed? The position he was to gain—where was that? What progress had he made in—"friends once linked together, I've seen around me fall, like leaves in wintry weather!" Ay, ay, the poor old dominie, at rest—better there than anywhere else, better to be out of the strife and the worry, and—good Heavens! was this what he had promised her; was this the courage on which he had prided himself, and which was to carry him through the world! "Brava! brava! Oh, thank you so very much, Lady Caroline. Mayn't we hope for another? Thanks, so much!" The song was over; the singer had left the piano. He caught one glance as he bowed and murmured his thanks. He could not stand it any longer, his thoughts had completely unmanned him, and he longed for solitude. If it were rude to leave the party he must brave even Lady Hetherington's wrath, but he would try and get away unobserved. Now, while the hum of admiration was still going on, and while people were gathering round Lady Caroline, was the opportunity. He availed himself of it, slipped away unperceived, and hurried to his own room.
He closed the door behind him, turned the key, and flung himself on to the bed, in the dark. He felt that he could contain himself no longer, and now that he was alone and unseen, there was no further reason to restrain the tears which had been welling into his eyes, and now flowed unchecked down his cheeks. He was a man of nervous temperament, highly-wrought susceptibilities, and acute sympathies, which had been over-excited during the evening by the story of Tom Creswell's death, his own recollections of his past life, and the weird thought-compelling power of Lady Caroline's music. There was no special occasion for these tears; he knew nothing had happened to Marian, nothing—no, nothing had happened calculated in any way to interpose any—any barrier between them; his position was pleasant, his pro-
