Lyra," over 150 poets are represented, of whom the majority are still alive. Many of these are quite young, some even in their early twenties, but their verse is already marked by a vigour and sense of melody which augur well for the future. Numerous examples of their work will be found among these translations.
The greatest Czech poetess is Eliška Krásnohorská (b. 1847), a fervent lover of her native country. Patriotism is the key-note of her poetry. She has shown her sympathy with the Slavonic cause in a practical manner by learning Russian and Polish, and producing admirable translations of Puschkin's poems and of the "Master Thaddeus" of Mickiewicz. She has also translated Byron's "Childe Harold."
Other women verse-writers are Irma Geisslová (b. 1855), Pavla Maternová (b. 1858), and Růžena Jesenská (b. 1863), whose poems are filled with a curious wistful mysticism.
Such is, in its broadest outlines, the Czech poetry of recent years. It is the poetry of a nation that has been labouring under a heavy yoke, but whose bonds have at length been shattered. And in its verse is heard the exultant cry of freedom, the vigorous utterance of young and lusty spirits. The poetry of the Czechs has won for itself a place among the poetry of more favoured nations, whose languages are widely spoken and who are able to look back upon a glorious literary past.
