Page:An introduction to Indonesian linguistics, being four essays.djvu/21

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ESSAY I
9

compiled for himself complete root dictionaries in MS. of the principal IN languages.

8. A third requirement for a work like the present is that the material should not be merely raked together out of dictionaries and grammars by the wooden processes of the amateur, but be vivified by the study of texts. This will be particularly necessary in Section IV, where we deal with the functions of the word-base.[1]

9. Fourthly, it will mean a decided saving of labour if we determine from the very start which of the numerous IN languages can render us the best services in our task. Speaking generally, the guiding principle here is that a language will be the more welcome to us the more archaic it is in its phonetic system, in the characteristic type of its words (particularly as regards final sounds), and in its word-store. Therefore we shall often cite Old Jav., but seldom Modern Jav., oftener Karo than Achinese, often the written forms of Toba and Mkb., but never the spoken forms of these two languages.[2] However, in certain cases we shall be able to get help even from languages that have suffered very serious changes in their character, as for instance Kissarese.

10. The following are the languages we shall make use of in general.

In the Phihppines, Tagalog, Bisaya, and Iloko; in Sangir, Sangirese; in Northern Celebes, Tontemboan and Bulu; in Middle Celebes, Bareqe; in Southern Celebes, Bugis and Makassar; in Bali, Balinese; in Madura, Madurese; in Java, Javanese and Sundanese; in Borneo, Dayak;[3] in Sumatra, Minangkabau, Karo, Toba (these two being also commonly called Batak), Gayo, and Achinese; Mentaway in the island of that name; in the Malay Peninsula and neighbouring islands, Malay; in Madagascar, Malagasy, especially the Hova dialect,

  1. [Cf. Essay III, §§ 1-7.]
  2. Of course it frequentl}- happens that in these two languages the written and spoken forms agree. — Similarly Old and Modern Jav. are often identical.
  3. [I.e., Hardeland's Olo-Ngaju Dayak.]