But the influence of the science radiated far beyond its own special field—beyond those beautiful but highly technical problems with which we do not propose for a moment to trouble the naturally terrified reader. Biology is an extraordinarily digestive science. It throws out a number of broad experimental generalizations, and then sets out to bring into harmony or relation with these an infinitely multifarious collection of phenomena. The little streaks upon the germinating area of an egg, the nervous movements of an impatient horse, the trick of a calculating boy, the senses of a fish, the fungus at the root of a garden flower, and the slime upon a sea-wet rock—ten thousand such things bear their witness and are illuminated. And not only did these tentacular generalizations gather all the facts of natural history and comparative anatomy together, but they seemed always stretching out further and further into a world of interests that lay altogether outside their legitimate bounds.
It came to Ann Veronica one night after a long talk with Miss Miniver, as a sudden remarkable thing, as a grotesque, novel aspect, that this slowly elaborating biological scheme had something more than an academic interest for herself. And not only so, but that it was after all, a more systematic and particular method of examining just the same questions that underlay the discussions of the Fabian Society, the talk of the West Central Arts Club, the chatter of the studios and the deep, the bottomless discussions of the simple-life homes. It was the same Bios whose nature and drift and ways and methods and aspects engaged them all. And she, she in her own person too, was this eternal Bios, beginning
