picturesque custom, is entirely fanciful, though its scenes and manners are strictly historical." This story was named after the picture it celebrated, and, "with other poems," formed an elegant volume, which was published in the autumn of 1835, by Messrs. Saunders and Ottley. It is worthy of being associated in recollection with the painter's genius. Independent of the tenderness, the passion, and deep interest of the leading subject, the volume was recommended by its shorter pieces, consisting of a few classical sketches, a short series of tales, and some fugitive poems, of which the "Factory," the "Three Brothers," the "First Grave," the "Middle Temple Gardens," &c., are marked with great and various beauty. To this volume was prefixed an engraved portrait (the first ever published, we believe) of L. E. L., from a picture by the distinguished painter of the subject that had given birth to the poem. Though imperfect as a likeness from its minuteness, it conveyed much of the character of her face, her general air and style, the simple and pretty turn of the head, and the easy fashion of her dress, as she might be seen some summer morning walking in the little garden of the house in Hans-place.
The publication of a lady's portrait must, in gallantry, be regarded as an "event" in her life; and to L. E. L.'s face, thus rendered visible to her readers for the first time, hundreds of curious eyes must have been turned in eagerness for the solution of the mystery that so long lay under the popular initials, now almost as well known as L. S. D. A string of "light fantastic" verses, expressive of this supposed feeling of interest and surprise at finding the literary enigma solved at last in the appearance of an elegant young lady, had the good
