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The Trail of the Serpent.

five minutes, he utters expressions which in Slopperton are thought very wicked, and consigns that good city, with its virtuous citizens, to a very bad neighbourhood.

He talks to himself between his struggles with the cigar. "Foot-sore and weary, hungry and thirsty, cold and ill; it is not a very hopeful way for the only son of a rich man to come back to his native place after seven years' absence. I wonder what star presides over my vagabond existence; if I knew, I'd shake my fist at it," he muttered, as he looked up at two or three feeble luminaries glimmering through the rain and fog. "Another mile to the Black Mill—and then what will she say to me? What can she say to me but to curse me? What have I earned by such a life as mine except a mother's curse?" His cigar chose this very moment of all others to go out. If the bad three-halfpenny Havannah had been a sentient thing with reasoning powers, it might have known better. He threw it aside into a ditch with an oath. He slouched his hat over his eyes, thrust one hand into the breast of his coat—(he had a stick cut from some hedgerow in the other)—and walked with a determined though a weary air onward through slush and mire towards the Black Mill, from which already the lighted windows shone through the darkness like so many beacons.

On through slush and mire, with a weary and slouching step. No matter. It is the step for which his mother has waited for seven long years; it is the step whose ghostly echo on the garden-walk has smitten so often on her heart and trodden out the light of hope. But surely the step comes on now—full surely, and for good or ill. Whether for good or ill comes this long-watched-for step, this bad November night, who shall say?

In a quarter of an hour the wanderer stands in the little garden of the Black Mill. He has not courage to knock at the door; it might be opened by a stranger; he might hear something he dare not whisper to his own heart—he might hear something which would strike him down dead upon the threshold.

He sees the light in the drawing-room windows. He approaches, and hears his mother's voice.

It is a long time since he has uttered a prayer: but he falls on his knees by the long French window and breathes a thanksgiving.

That voice is not still!

What shall he do? What can he hope from his mother, so cruelly abandoned?

At this moment Mr. Harding opens the window to look out at the dismal night. As he does so, the young man falls fainting, exhausted, into the room.