who was smoking a large cigar, was apparently suggesting that he should make use of the pen which Lakington was obligingly holding in readiness. In all respects a harmless tableau, save for one small thing—the expression on the man's face. Hugh had seen it before often—only then it had been called shell-shock. The man was dazed, semi-unconscious. Every now and then he stared round the room, as if bewildered; then he would shake his head and pass his hand wearily over his forehead. For a quarter of an hour the scene continued; then Lakington produced an instrument from his pocket. Hugh saw the man shrink back in terror, and reach for the pen. He saw the girl lie back on the sofa as if disappointed and pick up her novel again; and he saw Lakington's face set in a cold sneer. But what impressed him most in that momentary flash of action was Peterson. There was something inhuman in his complete passivity. By not the fraction of a second did he alter the rate at which he was smoking—the slow, leisurely rate of the connoisseur; by not the twitch of an eyelid did his expression change. Even as he watched the man signing his name, no trace of emotion showed on his face—whereas on Lakington's there shone a fiendish satisfaction.
The document was still lying on the table, when Hugh produced his revolver. He knew there was foul play about, and the madness of what he had suddenly made up his mind to do never struck him: being that manner of fool, he was made that way. But he breathed a pious prayer that he would shoot straight—and then he held his breath. The crack
