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Charles Reade.
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The Judge stopped this sham rancontre, by asking the witness whether her father had been wrecked. She said, 'Yes.'

'And that is how the money was lost,' persisted Saunders.

'Possibly,' said the Judge.

'I'm darned if it was,' said Joshua Fullalove composedly.

Instantly, all heads were turned in amazement at this audacious interruption to the soporific decorum of an English court. The transatlantic citizen received this battery of eyes with complete imperturbability.

Fertile situations are the true cream of fiction; these once supplied, any professional writer can find words.

Now, the fertile situation in 'Felix Holt' was supplied by Charles Reade. The true literary patent is in him. His is the witness with the clear mellow voice who gives her evidence as if before God—and that witness a young lady who loves the man for whom she gives evidence, he being present. To be sure, George Eliot's witness shows a disposition to argue the case; but that is no improvement on the original.

We will now call attention to another instance of George Eliot's imitation of Charles Reade.

In his little story, 'Clouds and Sunshine,' Charles Reade uses this expression—'the thunder of the horses' feet drawing the wagon into the barn.'

His unlucky imitator pounces on his 'thunder' and his 'wagon' and deals with them thus: 'The thunder of the wagon coming up the hill.' Now the iron shoes of a team going over the wooden floor of a barn do come the nearest to thunder of anything we ever heard; but a wagon coming up a hill does not thunder; the most prominent sound is the creaking of the slow wheels. This, then, is unintelligent imitation on a smaller scale.

In 1860 Mr. Reade produced a mediæval novel with an idea-ed title, 'The Cloister and the Hearth.'

His faithful imitator soon followed suit with a medieval novel, whose title was unidea-ed—'Romola.'

Here the two writers met on an arena that tests the highest quality they both pretend to—Imagination.

What is the result? In 'The Cloister and the Hearth' you have the middle ages, long and broad. The story begins in Holland, and the quaint