Page:Cartoon portraits and biographical sketches of men of the day.djvu/34

This page has been validated.

ROBERT BROWNING.


Strong, rugged, independent; no fashioner of pretty songs modelled upon patterns designed by greater men, no warbler of sweet and soft love ditties, no dealer in unreal and exaggerated passion, no puling complainer of mock sorrow, no dreamy poet of conventional life, is Robert Browning. When, so many years ago, he set himself to make poetry the work of his life, he undertook the task in his own sturdy and independent way. Verse should be his slave, and should express his thoughts as he designed. Now, most poets are the slaves of verse, and can only get their thoughts expressed by a sort of coaxing, and in a roundabout fashion. Then, the life they describe is conventional: Browning's should be real. The motives and springs of action which they describe are simple: those of life are really complex, manifold, various, and overlapping each other. In Browning, we find the psychologist trying to show us in his analysis some of the many influences under which the soul acts. With most poets the soul is, as it were, a river. Browning recognises the fact that it is a mighty ocean. Currents flow backwards and forwards: there are depths and shallows: there are storms on the surface and stillness below, or there are whirlpools below and calm on the surface. The sun shines on it, and the clouds rain upon it: perpetual change is going on, but it remains the same. It has infinite possibilities: it contains infinite treasure. It is ever in unrest, ever flowing and ebbing: ever disturbed, uncertain, and wayward. To describe, to dissect, to observe these currents and moods is the hardest task that poet ever set himself; and it is Browning's self-imposed task. If he has failed, he has failed splendidly. It is a defeat which is a great victory.

All his works, from the earliest, have been in the same direction. The 'Dramatic Lyrics' were the natural predecessors of 'The Ring and the Book,' and 'Hohenstiel Schwangau.' The dramas themselves, so rugged and uncouth, are necessary studies before the later works could be produced.