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Enid
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made him think of Mahailey, who had probably been out this very morning, gouging the sod with her broken butcher-knife and stuffing dandelion greens into her apron. She always went for greens with an air of secrecy, very early, and sneaked along the roadsides stooping close to the ground, as if she might be detected and driven away, or as if the dandelions were wild things and had to be caught sleeping.

Claude was thinking, as he walked, of how he used to like to come to mill with his father. The whole process of milling was mysterious to him then; and the mill house and the miller's wife were mysterious; even Enid was, a little,—until he got her down in the bright sun among the cat-tails. They used to play in the bins of clean wheat, watch the flour coming out of the hopper and get themselves covered with white dust.

Best of all he liked going in where the water-wheel hung dripping in its dark cave, and quivering streaks of sunlight came in through the cracks to play on the green slime and the spotted jewel- weed growing in the shale. The mill was a place of sharp contrasts; bright sun and deep shade, roaring sound and heavy, dripping silence. He remembered how astonished he was one day, when he found Mr. Royce in gloves and goggles, cleaning the millstones, and discovered what harmless looking things they were. The miller picked away at them with a sharp hammer until the sparks flew, and Claude still had on his hand a blue spot where a chip of flint went under the skin when he got too near.

Jason Royce must have kept his mill going out of sentiment, for there was not much money in it now. But milling had been his first business, and he had not found many things in life to be sentimental about. Sometimes one still came upon