and flat merely by alluding to them. Last winter she had recited the odes of Horace about the house—it was exactly her notion of the student-like thing to do—until Claude feared he would always associate that poet with the heaviness of hurriedly prepared luncheons.
Mrs. Wheeler liked to feel that Claude was assisting this worthy pair in their struggle for an education; but he had long ago decided that since neither of the Chapins got anything out of their efforts but a kind of messy inefficiency, the struggle might better have been relinquished in the beginning. He took care of his own room; kept it bare and habitable, free from Annabelle's attentions and decorations. But the flimsy pretences of light-housekeeping were very distasteful to him. He was born with a love of order, just as he was born with red hair. It was a personal attribute.
The boy felt bitterly about the way in which he had been brought up, and about his hair and his freckles and his awkwardness. When he went to the theatre in Lincoln, he took a seat in the gallery, because he knew that he looked like a green country boy. His clothes were never right. He bought collars that were too high and neckties that were too bright, and hid them away in his trunk. His one experiment with a tailor was unsuccessful. The tailor saw at once that his stammering client didn't know what he wanted, so he persuaded him that as the season was spring he needed light checked trousers and a blue serge coat and vest. When Claude wore his new clothes to St. Paul's church on Sunday morning, the eyes of every one he met followed his smart legs down the street. For the next week he observed the legs of old men and young, and decided there wasn't another pair of checked pants in Lincoln. He hung his new clothes up in his closet and never put them on
