a gawky boy with big red hands and patched shoes; but he could at least speak German to the mother, and he played the piano, and seemed to know a great deal about music.
Claude didn't wish to be a bore. Sometimes in the evening, when he left the Library to smoke a cigar, he walked slowly past the Erlichs' house, looking at the lighted windows of the sitting-room and wondering what was going on inside. Before he went there to call, he racked his brain for things to talk about. If there had been a football game, or a good play at the theatre, that helped, of course.
Almost without realizing what he was doing, he tried to think things out and to justify his opinions to himself, so that he would have something to say when the Erlich boys questioned him. He had grown up with the conviction that it was beneath his dignity to explain himself, just as it was to dress carefully, or to be caught taking pains about anything. Ernest was the only person he knew who tried to state clearly just why he believed this or that; and people at home thought him very conceited and foreign. It wasn't American to explain yourself; you didn't have to! On the farm you said you would or you wouldn't; that Roosevelt was all right, or that he was crazy. You weren't supposed to say more unless you were a stump speaker, if you tried to say more, it was because you liked to hear yourself talk. Since you never said anything, you didn't form the habit of thinking. If you got too much bored, you went to town and bought something new.
But all the people he met at the Erlichs' talked. If they asked him about a play or a book and he said it was "no good," they at once demanded why. The Erlichs thought him a clam, but Claude sometimes thought himself amazing. Could it really be he, who was airing his opinions in this indelicate
