first publication was a Latin catalogue of plants growing near Cambridge, which appeared in 1660. Thereafter he made a tour of Great Britain, and pub. in 1670 his Catalogue of the Plants of England and the adjacent Isles. In 1663 he had travelled on the Continent or three years with his pupil-friend, F. Willughby, and in 1673 appeared Observations on his journeys, which extended over the Low Countries, Germany, Italy, and France, with a catalogue of plants not native to England. On the death of Willughby, R. ed. his sons, and in 1679 retired to his native village, where he continued his scientific labours until his death. These included the ed. of W.'s History of Birds and Fishes, a collection of English proverbs, Historia Plantarum Generalis (1686-1704), and Synopsis Methodica Animalium. He was for long popularly known by his treatise, The Wisdom of God manifested in the works of the Creation (1691), a precursor of Paley's Natural Theology. R. is the father of English botany, and appears to have grasped the idea of the natural classification of plants, afterwards developed by Jussieu and other later naturalists. His greatest successors, including Cuvier, highly commended his methods and acquirements.
Read, Thomas Buchanan (1822-1872).—American poet, was a portrait-painter, and lived much abroad. He wrote a prose romance, The Pilgrims of the Great St. Bernard, and several books of poetry, including The New Pastoral, The House by the Sea, Sylvia, and A Summer Story. Some of the shorter pieces included in these, e.g., "Sheridan's Ride," "Drifting," and "The Closing Scene," have great merit.
Reade, Charles (1814-1884).—Novelist, s. of a country gentleman of Oxfordshire, ed. at Oxf., and called to the Bar at Lincoln's Inn 1843. He did not, however, practise, but began his literary career with some dramas, of which the most remarkable were Masks and Faces, Gold, and Drink. He afterwards rewrote the first of these as a novel, Peg Woffington (1852), which attained great popularity. It is never too late to Mend appeared in 1856, his historical novel, The Cloister and the Hearth, generally regarded as his masterpiece (1861), Hard Cash (1863), Griffith Gaunt (1867), Foul Play (1869), Put Yourself in his Place (1870), and A Terrible Temptation (1871). Critics have differed very widely as to the merits of R. as a novelist, and have attributed to, and denied him the same qualities; but it will be generally admitted that, while very unequal, he was at his best a writer of unusual power and vivid. Nearly all are agreed as to the great excellence of The Cloister and the Hearth, Mr. Swinburne placing it "among the very greatest masterpieces of narrative." Many of his novels were written with a view to the reformation of some abuse. Thus Hard Cash exposes certain private asylums, and Foul Play, written in collaboration with Dion Boucicault, is levelled against ship-knackers.
Reed, Henry (1808-1854).—Critic, was Prof. of English Literature in the Univ. of Pennsylvania. He d. in a shipwreck. He was a sympathetic and delicate critic, and was among the first of American men of letters to appreciate the genius of Wordsworth, of whose works he brought out an ed. in 1837. His lectures on English Literature, English History, and English Poets were pub.
