an ally to the Greek insurgents. In July of that year he started for Greece, spent some months in Cephalonia waiting for the Greeks to form some definite plans. In January, 1824, he landed at Missolonghi, but caught a malarial fever, of which he d. on April 19, 1824.
The final position of B. in English literature is probably not yet settled. It is at present undoubtedly lower than it was in his own generation. Yet his energy, passion, and power of vivid and richly-coloured description, together with the interest attaching to his wayward and unhappy career, must always make him loom large in the assembly of English writers. He exercised a marked influence on Continental literature, and his reputation as poet is higher in some foreign countries than in his own.
Among ed. of the works of B. may be mentioned Murray's (13 vols. 1898-1904). Moore's Life (1830), Lady Blessington's Conversations with Lord Byron (1834, new, 1894).
Summary.—B. 1788, spent childhood in Aberdeen, ed. Harrow and Camb., pub. English Bards etc., 1809, Childe Harold first two cantos 1812, married 1815, separated 1816, owing to this and financial difficulties leaves England, meets Shelley, pub. third canto of Childe Harold 1816, fourth canto 1817, writes Don Juan cantos 1-4 1818-20, lives at various places in Italy 1816-24 with Countess Guiccioli, finished Don Juan 1822, goes to Greece 1823 to assist insurgents, d. 1824.
Byron, Henry James (1834-1884).—Dramatist, b. at Manchester, entered the Middle Temple, but soon took to writing for the stage, and produced many popular burlesques and extravaganzas. He also wrote for periodicals, and was the first editor of Fun. Among his best dramatic pieces are Cyril's Success (1868), Our Boys (1875), and The Upper Crust.
Cædmon (d. 1680).—The first English poet of whom we have any knowledge. Originally employed as cowherd at the Abbey of Whitby, he became a singer when somewhat advanced in life. The story of how the gift of song came to him is given by Bede, how having fallen asleep in the stable he dreamed that one came to him desiring a song, and on his asking "What shall I sing?" replied "Sing to me of the beginning of created things." Therefore he began to sing and, on awaking, remembered his song and added to it. Thereafter he told what had befallen him to the bailiff who was over him, who repeated the tale to the Abbess Hilda. She having called together certain learned and pious persons, C. was brought before them, told his story, and recited his verses. A part of Scripture was read to him, which he was asked to turn into verse; and this being done he was received into the Abbey where, for the rest of his life, he lived as a monk, and continued to make his holy songs. Much that was formerly attributed to C. is now held to be of later date. All that is known to be his is a Northumbrian version of Bede's Latin paraphrases of C.'s first song: although by some the authorship of "The Dream of the Holy Rood," and of a fragment on "The Temptation and Fall of Man" is claimed for him.
English Literature from Beginning to Norman Conquest, Stopford Brooke (1898), and History of Early English Literature, by the same (1892).
