N.B.— f.e. stands for from end and l.l. for last line
| Page | Col. | Line | |
| 2 | i | 22-24 | Dibdin, Charles: for It is most improbable that . . . . eighteenth child read Charles was probably the twelfth child (of fourteen) |
| 29-31 | for won notice at Winchester College . . . . the concert-rooms read won him the position of chorister at Winchester Cathedral under Fussell, the organist, and soon the Winchester concert-rooms | ||
| ii | 4 | for 1762 . . . . next season, 1763, read 1764, and twice repeated it next season. | |
| 5 | for the former year read 1762 | ||
| 12 | for next season read on 31 Jan. 1765 | ||
| 13-14 | for 'Love in a Village' read 'The Maid of the Mill' | ||
| 16 | for set the fashion of wearing read his triumph led to the wearing of | ||
| 37 | for altered speedily to read which was given in 1770 the sub-title of | ||
| 40 | for He had read According to current report he had | ||
| 44-45 | for All his children . . . . young. She read with the result that she | ||
| 14-9 f.e. | for a so-called Mrs. Davenet . . . . was born read Harriet Pitt, a dancer at Covent Garden, who played small parts Her children by Dibdin included Charles I. M. Dibdin, born | ||
| 8 f.e. | for Thomas read Thomas Dibdin and omit took | ||
| 7 f.e. | for his father's name about 1799. read Dibdin deserted Harriet Pitt about 1774, and she then returned to the stage under the name of Mrs. Davenet. | ||
| 2 f.e. | for Princess Matilda read Princess Louisa Ann | ||
| l.l. | for In 1768 read On 30 Oct. 1768 | ||
| 3 | i | 1 | for the Haymarket read Drury Lane Theatre |
| 19 f.e. | for 1771 read 1772 | ||
| 8 f.e. | after two interludes insert 'The Palace of Mirth' and 'The Brickdust man' | ||
| 7-6 f.e. | for performed in the summer of 1772.reacZ among many other pieces in 1772. | ||
| 3 f.e. | |||
| ii | 7 | for Anne Wild or Wyld read Anne Maria Wylde | |
| 23 f.e. | for the earliest read an early example | ||
| 4 | i | 3 | for on 3 Jan. 1779 'The Touchstone.' read later in the same year 'The Touchstone,' a speaking pantomime. |
| 28-29 | for Dibdin now commenced giving musical entertainments at the Royal Circus read Dibdin established the Royal Circus | ||
| 30 | after Surrey Theatre insert where musical entertainments, many of his own composition, were long given | ||
| 36-38 | for 'The Benevolent Tar' . . . . in 1782 read 'The Cestus,' 'Tom Thumb,' and 'The Benevolent Tar' were brought out respectively in 1783, 1784, and 1785 |
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