times met with as a separate volume, entitled (10) ‘The Beginning of the Reign of Queen Elizabeth.’ This is a fragment of a larger work found in Harl. MS. 6021, art. iii., which gives annals of Elizabeth's reign as far as the close of 1562. The whole was printed for the first time by the Camden Society in 1840, and was edited by John Bruce. Hayward also edited with a preface Sir Roger Williams's ‘Actions of the Lowe Countries,’ London, 1618, 4to.
Portraits of Hayward, engraved by W. Hole, Payne, and T. Cecill, appear respectively in the 1616, 1623, and 1632 editions of his ‘Sanctuarie.’ An engraving by William Pass is on the back of the last page of the preface of ‘Edward VI.’
[Bruce's Introduction (where Hayward's will is printed) to his edition of Hayward's Annals of Queen Elizabeth (Camd. Soc.), 1840; Camden's Annals, sub ann. 1601; Bacon's Life and Works, ed. Spedding, vii. 133; Edwards's Life and Letters of Ralegh, i. 294, ii. 164 sq.; Wood's Fasti Oxon. ed. Bliss, i. 363; Hayward's Works in British Museum.]
HAYWARD, THOMAS (d. 1779?), editor of the ‘British Muse,’ was an attorney-at-law of Hungerford, Berkshire. In 1738 he published, in three 12mo volumes, ‘The British Muse, or a Collection of Thoughts, Moral, Natural, and Sublime, of our English Poets who flourished in the Sixteenth and Seventeenth Centuries.’ His friend Oldys was much interested in the work, and wrote the preface and the dedication to Lady Mary Wortley Montagu. Oldys complained, however, that the publisher employed Dr. John Campbell to cut out one-third of his preface before sending it to press. Hayward's anthology, described by Warton as the best he knew, consists of extracts of varying lengths, arranged alphabetically according to their subject. To each extract the author's name is appended, and a list of ‘the author's poems and plays cited’ is prefixed to vol. ii. A few of the works quoted by Hayward are now lost, and only survive in his quotations. A new edition, entitled ‘The Quintessence of English Poetry,’ appeared in 1740, 3 vols. Hayward also compiled, in thirty-four manuscript quarto volumes, with seven volumes of index, a collection of epitaphs from printed books and his own notes. Thirty-two of these volumes (vols. xxviii. and xxix. are missing) and six volumes of the index (vol. i. is missing) were presented to the British Museum in 1842, and are numbered Addit. MSS. 13916–53. Hayward was elected F.S.A. 24 June 1756, but disappears from the list of fellows, probably through death, in 1779.
Two contemporaries belonging to the Gloucestershire family of Hayward bore the same christian name. Thomas Hayward (1702–1781), a barrister of Lincoln's Inn, was M.P. for Ludgershall, Wiltshire, 1741–7 and 1754–61; and died at Quedgeley, Gloucestershire, 14 March 1781 (Foster, Alumni Oxon.; Gent. Mag. 1781, p. 148). Sir Thomas Hayward (1743–1799), clerk of the cheque to the corps of gentlemen pensioners, was knighted on retiring from that office in May 1799; succeeded to the estate of Carswell, Berkshire, on the death of his maternal uncle, Henry Southby, in 1797, and died there 7 Oct. 1799 (Gent. Mag. 1799, ii. 908).
[Oldys's Diary, ed. Yeowell; Phillipps's Theatrum Poeticum, ed. Brydges, 1800; Cat. of Fellows of Soc. of Antiquaries; Cat. of Addit. MSS. in Brit. Mus.; Warton's Hist. of English Poetry.]
HAYWOOD, Mrs. ELIZA (1693?–1756), authoress, daughter of a London tradesman named Fowler, is said to have contracted at an early age a marriage, which proved unhappy, with a man named Haywood. Literary enemies represented that her character was bad, and that she had two illegitimate children, one by a peer, and the other by a bookseller (Curll, Key to the Dunciad, p. 12). Her friends asserted, on the other hand, that her husband, Haywood, was the father of her two children, and that, when he abandoned her and them, she was driven to the stage, and ultimately to literature, in order to support them. She seems to admit ‘little inadvertencies’ in her own life (cf. Female Dunciad, p. 18), but her novels hardly suggest that their author was personally immoral. She owed her evil reputation to the freedom with which she followed the example of Mrs. Manley in introducing into her romances scandals about the leaders of contemporary society, whose names she very thinly veiled.
Mrs. Haywood first appeared in public as an actress at Dublin in 1715 or earlier, but soon came to London. Steele, to whom she dedicated a collection of her novels in 1725, described, in the ‘Tatler’ for 23 April 1709, a visit which he paid to ‘Sappho, a fine lady who writes, sings, dances, and can say and do whatever she pleases without the imputation of anything that can injure her character.’ Again, in the ‘Tatler’ for 12 July 1709, Steele refers to his intimacy with Sappho, and writes more respectfully of her. The editors of the ‘Tatler’ identify Steele's Sappho with Mrs. Haywood, but the dates scarcely admit of the identification (cf. Tatler, ed. Nichols, 1786, i. 54, ii. 50; ib. ed. Chalmers, 1806, i. 54, 427). On settling in London Mrs. Haywood was employed in 1721 by
