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fallen off, he opened a bookshop and printing-office at Shrewsbury, where he published the 'Salopian Magazine' (1815-17), and printed many small books, most of them written by himself. In 1827 he built a house at Hadnall, near Shrewsbury, which he called 'Providence Grove,' and here he continued to print and publish his writings. His house was burnt down, and his large library destroyed, on 7 Jan. 1839; but he was enabled, by a public subscription and a grant from the Royal Literary Fund, to rebuild his residence and to purchase an annuity. He died there on 7 Oct. 1857.

His principal works are: 1. 'Candid Strictures ... on Thoughts on the Protestant Ascendency,' Shrewsbury, 1807, 8vo. 2. 'Memoir of General Lord Hill,' 1816, 8vo. 3. 'African Traveller,' 1817, 8vo. 4. 'Museum of the World,' 1822-6, 4 vols. 12mo. 5. 'Christian Memoirs,' 1832, 8vo. 6. 'Religions of Britain.' 7. 'History of Salop,' 1837, 4to. 8. 'Cheshire Antiquities,' 1838, 4to. 9. 'Manual of Shropshire Biography,' &c., 1839, 4to. 10. 'The Sunday Reader and Preacher,' 1839-42, 4to. 11. 'Biographical Sketches,' 1842. 12. 'Memoirs of Seventy Years of an Eventful Life,' 1848-52, 4to. Of this discursive but amusing and useful autobiography he published an abridgment entitled 'The Book of Providences and the Book of Joys,' 1857, 8vo.

Hulbert, Charles Augustus (1804-1888), his eldest son, born at Coleham, near Shrewsbury, on 31 Dec. 1804, was educated at Shrewsbury School and Sidney Sussex College, Cambridge. He graduated B.A. in 1834, and M.A. in 1837; was curate of St. Mary's, Islington, 1834 to 1839, perpetual curate of Slaithwaite, Yorkshire, 1839 to 1867, and vicar of Almondbury, near Huddersfield, from 1867 to 1888. He was mainly instrumental in the restoration of Almondbury Church. In 1866 he was collated honorary canon of Ripon. He died in March 1888. Among other works he published: 1. 'Poetical Recreations,' Shrewsbury, 1828. 2. 'Theotokos, or the Song of the Virgin,' 1842. 3. 'The Gospel revealed to Job, 1853. 4. 'Annals of the Church in Slaithwaite,' 1864. 5. 'Extracts from the Diary of the Rev. Robert Meeke,' 1875. 6. 'Annals of the Church and Parish of Almondbury, Yorkshire,' 1882, 8vo. 7. 'Supplementary Annals,' 1885.

[Memoirs mentioned above; Obituary of C. Hulbert, by C. A. Hulbert, 2nd edit. 1860; Manchester Guardian, 7 March 1888; Brit. Mus. Cat,]

C. W. S.

HULET, CHARLES (1701–1736), actor, an apprentice to Edmund Curll [q. v.], the bookseller, found his way on to the stage and acted one season in Dublin and several in London. No list of his performances appears in Genest. He played at Lincoln's Inn Fields,13 June 1722, the First Tribune in the 'History and Fall of Domitian,' an alteration of Massinger's 'Roman Actor,' and on 3 May 1723 Achilles in 'Troilus and Cressida.' At Lincoln's Inn Fields he remained until 1732, enacting, among many other parts, Kent in 'Lear,' Metaphrastus in the 'Mistake,' Salisbury in 'Sir Walter Raleigh,' Sotmore in Fielding's 'Coffee-house Politician,' Cassander in the 'Rival Queens,' Oronooko, Cacofogo in 'Rule a Wife and have a Wife,' and Flip in the 'Fair Quaker.' He was the original Downright in an alteration of 'Every Man in his Humour,' produced 11 Jan. 1725, Theron in Philip Frowde's 'Fall of Saguntum' and Craterus in his 'Philotas,' Magician in Theobald's 'Orestes,' Doubtful in Hippisley's 'Honest Welshman,' Zeno in Tracy's 'Periander,' and Momus in 'Momus turned Fabulist,' On 2 Oct. 1732 he appeared at Goodman's Fields as Falstaff in 'King Henry IV.' He remained at this house until his death, playing Gloucester in 'King Lear,' Henry VIII in 'Virtue Betrayed,' Serjeant Sly in the 'Mad Captain,' Clytus, Othello, Cassius, King in the 'Mourning Bride,' Timophanes in 'Timoleon,' Lord Rake in 'Britannia,' Macheath, Falstaff in 'Merry Wives of Windsor,' Montezuma in 'Indian Emperor,' Freehold in 'Country Lasses,' and for his benefit Richard III. Freehold, played 3 Dec. 1734, is his last recorded character. He probably played in the following season (1735-1736) at Goodman's Fields and at Lincoln's Inn Fields, to which the company migrated. He seems to have been in Dublin in 1727-8.

Hulet was endowed with great abilities, was 'happy in a strong, clear, melodious voice, and was an excellent Macheath,' in which he sang better than Walker, the original representative. Davies considers his Clytus equal to that of Quin. His figure was grossly corpulent, he lacked application, and was irregular and crapulous in life and sordid in person, but facetious, good-natured, and an admirable mimic. His Henry VIII was much praised. Davies speaks of him as an eminent actor (Dramatic Miscellanies, iii. 100). His death was caused by a practical joke. He was fond of crying 'Hem' in a sonorous voice in the ears of non-observant neighbours for the purpose of startling them. Practising this trick in the theatre at rehearsal in 1736, he broke a blood-vessel, was taken home, and died. At the charge of Henry Giffard, his manager, he was buried in St. Mary's Church, Whitechapel.