wife, who died in 1763, Henry Lintot had no children.
[Pope's Works, ed. Elwin and Courthope; Nichols's Literary Anecdotes, i. 13, 28, 61, 77–8, 81, 93, 109, 110, 118, 138, 187, 196–7, 241, 368, ii. 165, viii. 161–76, 293–304; Nichols's Lit. Illustr. ii. 707; Swift's Works; Spence's Anecdotes; Lower's Worthies of Sussex, p. 276; Sussex Archæological Collections, viii. 275–7; Notes and Queries, 2nd ser. iv. 149, 6th ser. i. 475, ii. 76, 293.]
LINWOOD, MARY (1755–1845), musical composer and artist in needlework, was born in 1755 at Birmingham, where she was still living in 1776. She afterwards removed to Leicester. She obtained a considerable reputation for her clever imitation of pictures in worsted embroidery, two or three of which were worked before she was twenty. In both 1776 and 1778 she exhibited a specimen of her needlework at the exhibitions of the Society of Artists, and a Mrs. Hannah Linwood, probably her mother, exhibited a piece of needlework in the former year. In 1798 she opened at the Hanover Square Rooms an exhibition of her work, which she afterwards removed to Leicester Square, to Edinburgh, Dublin, and the chief provincial towns. It contained one hundred copies of pictures by the old and modern masters, and a portrait of herself after Russell, taken in her nineteenth year. The Countess of Wilton, writing in 1841, speaks of the exhibition as still open in London, and in terms of great admiration. ‘Miss Linwood's exhibition,’ she writes, ‘used to be one of the lions of London, and deserves to be so now.’ She worked with stitches of different lengths on a fabric made specially for her, and she superintended the dyeing of her wools. ‘Salvator Mundi,’ after Carlo Dolci, was regarded as her masterpiece. Her last work, ‘The Judgment of Cain,’ occupied her ten years, and was finished in her seventy-fifth year. After this the failure of her sight prevented her from using her needle. A good example of her work, a portrait of Napoleon, is in the South Kensington Museum. Among her musical compositions were ‘David's First Victory,’ an oratorio, some songs, and other vocal music. She died at Leicester on 2 March 1845. She published ‘Leicestershire Tales,’ 4 vols. London, 1808, 12mo.
[Brown's Dict. of Musicians; Redgrave's Dict.; Descriptive Cat. of Tapestry and Embroidery at South Kensington Museum; Countess of Wilton's Art of Needlework; Cat. of Miss Linwood's Exhibition; Algernon Graves's Dict.]
LINWOOD, WILLIAM (1817–1878), classical scholar, born in 1817, was the only son of William Linwood of Birmingham. He was educated at Birmingham grammar school under Dr. Cooke and Dr. Jeune (Academy, 5 Oct. 1878, p. 337), and at Christ Church, Oxford, where he matriculated 10 Dec. 1835, and graduated B.A. 22 May 1839, M.A. 26 May 1842 (Cat. Oxf. Grad.) He was student of his college from 1837 to 1851. In 1836 he gained the Hertford, Ireland, and Craven scholarships, and in 1839 obtained a first-class in classics and the Boden Sanskrit scholarship. He took orders, and was for some time assistant-master at Shrewsbury School. In 1850–1 he was public examiner at Oxford. He died on 7 Sept. 1878. Linwood is described as using ancient Greek like a vernacular tongue, and as being able to compose any number of Euripidean verses impromptu. His scholarship hardly found full scope in his publications, which are more or less intended for elementary students. The best known are his ‘Lexicon to Æschylus,’ ‘a clearly arranged and serviceable work, containing some emendations of his own very modestly proposed,’ and his edition of Sophocles, which was long used in English schools. Blaydes and Paley (in Sophocles, in ‘Bibliotheca Class.’ i. p. xxxiv; ii. p. vi) speak of the notes to Linwood's ‘Sophocles’ as being hurriedly compiled. Linwood published: 1. ‘A Lexicon to Æschylus,’ London, 1843, 8vo; 2nd ed. 1847, 8vo. 2. ‘Suggestions for the Improvement of Greek and Latin Prose Composition,’ Oxford, 1845, 8vo. 3. ‘Remarks on the Present State of Classical Scholarship … in the University of Oxford,’ 1845, 8vo. 4. ‘Anthologia Oxoniensis, decerpsit G. L.,’ London, 1846, 8vo. 5. ‘Sophoclis Tragœdiæ’ (with Latin notes), 1846, 8vo; 1852, 8vo; 4th ed. 1877, 8vo. 6. ‘A Treatise on Greek Tragic Metres, with the choric parts of Sophocles metrically arranged,’ London, 1855, 8vo. 7. ‘Remarks and Emendations on some Passages in Thucydides,’ 2 pts., London, 1860, 8vo (2nd issue). 8. ‘Observata quædam in nonnulla Novi Testamenti loca,’ London [1865], 8vo. 9. ‘De Conjecturæ ope in Novi Testamenti emendatione admittenda,’ London, 1867, 8vo. 10. ‘Remarks on Conjectural Emendation [of the] New Testament,’ London, 1873, 8vo. 11. ‘The Theban Trilogy of Sophocles’ (with notes), 1878, 8vo. 12. Various sermons.
[Academy, 28 Sept. 1878, p. 315; Athenæum, 21 Sept. 1878, p. 371; Foster's Alumni Oxon.; Martin's Handbook of Contemp. Biog.; Brit. Mus. Cat.]
LIONEL of Antwerp, Earl of Antwerp and Duke of Clarence (1338–1368), third son of Edward III and his wife Philippa of
