was living at Harefield, near Uxbridge. Her family presented a masque before her in 1633, or possibly in 1634, for which Lawes composed the music and Milton the words, afterwards published as ‘Arcades.’ Milton's acquaintance with Henry Lawes [q. v.] was probably the cause of his employment, as no other connection with the Egerton family is known. John Egerton, first earl of Bridgewater [q. v.], the stepson, and also son-in-law of the Dowager-countess of Derby, had been appointed in 1631 president of the council of Wales. He went to his official residence at Ludlow Castle in 1633, and in September 1634 his family performed the masque of ‘Comus’ in the great hall of the castle, Milton and Lawes being again the composers. This noble poem was appreciated at the time. Lawes received so many applications for copies that he published it (without Milton's name) in 1634. The last of the great poems of his youthful period, ‘Lycidas,’ was written in November 1637, upon the death of Edward King (1612-1637) [q. v.], for the collection of poems published by King's friends at Cambridge in 1638. The poetry already written by Milton would by itself entitle him to the front rank in our literature, and has a charm of sweetness which is absent from the sublimer and sterner works of his later years. The famous apostrophe of St. Peter in ‘Lycidas’ shows his growing interest in the theological controversies of the day.
Milton's mother died on 3 April 1637, and was buried in the chancel of Horton Church. The elder Milton was at the same time charged by a client with misconduct in respect of funds trusted to him for investment. A lawsuit ended on 1 Feb. 1637-8 by an order of court completely exonerating him from all charges (Masson, i. 627-38, 661). Milton now obtained his father's consent to a journey abroad. His brother Christopher, who had followed him to St. Paul's School and Christ's College, was now a law student; he married about this time, and was probably resident at Horton during the elder brother's absence. Milton took a servant, and the expense of a year abroad, as calculated by Howell at the time, would be not under 300l. for a well-to-do traveller and 50l. for his servant. As Milton had no means of his own, his father must have been both able and willing to be liberal. Milton started in April 1638; he made a short stay in Paris, where, according to Wood, he disliked ‘the manners and genius’ of the place; he travelled to Nice; went by sea to Genoa and to Leghorn, and thence by Pisa to Florence, where he stayed two months, probably August and September. About the end of September he went to Rome and spent two months there. He then went to Naples and heard news of the Scottish troubles, which determined him to return, lest, as he said, he should be travelling abroad while his countrymen were fighting for liberty. He made a second stay at Rome, spent two more months in Florence (where he was present in March 1639), and thence went to Venice by Bologna and Ferrara. From Venice he sent home a collection of books and music. He left Italy by Verona, Milan, and the Pennine Alps, probably the Simplon. He spent some time at Geneva, where he was present (as appears from an autograph in an album) on 10 July 1639; and thence returned by Paris, reaching England about the end of July 1639, after fifteen months' absence. (The dates are fixed by the short account of his travels in the ‘Defensio Secunda’ and references in his ‘Occasional Poems and Epistles.’)
Milton declares his freedom from all vice during his foreign journey. His statement is confirmed by a letter of Nicholas Heinsius written from Venice 27 Feb. 1652-3, on occasion of Milton's controversy with Salmasius. Heinsius says that Milton had offended the Italians by his strict morality and by his outspoken attacks on popery (in P. Burmann's Sylloge Epistolarum). His reception by distinguished persons indicates the impression made upon his contemporaries by his lofty character, prepossessing appearance, and literary culture. Lawes had obtained a passport for him. Sir Henry Wotton, then provost of Eton, and his neighbour at Horton, sent him a friendly letter on his departure, thanking him for a gift of ‘Comus,’ and giving his favourite piece of advice, ‘I pensieri stretti ed il viso sciolto.’ Wotton added a letter of introduction; and by others he was introduced to Lord Scudamore, the English ambassador in Paris. Scudamore introduced him to Grotius, then Queen Christina's ambassador, who, according to Phillips, received him kindly. At Florence Milton was received with singular warmth. He was welcomed by the members of all the popular academies, of which he speaks with the enthusiasm of gratitude. The chief among them were Jacopo Gaddi, Carlo Date, Agostino Colsellino, Benedetto Bonmattei, and Antonio Malatesti (see extracts from the ‘pastorals’ of the Academy of the Svogliati in Stern, bk. ii. p. 499). A reference in the ‘Areopagitica’ tells how they complained to him of the tyranny over freedom of speech exercised by the Inquisition. He read Latin poems at their meetings, and was repaid by complimentary effusions given in his subsequent collections of poems (for the
