Page:Dictionary of National Biography volume 52.djvu/402

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Smart
391
Smart
works, compiled from the Brit. Mus. Cat., is in Dr. Spark's Life of Henry Smart, 1881; Quart. Mus. Mag. and Review, iii. 303, and v. 561; Georgian Era, iv.; Dict. of Music, 1824; Burial Reg. Hampstead Cemetery.]

R. H. L.

SMART, HENRY HAWLEY (1833–1893), novelist, son of Major George Smart, of an old Kentish family, by Katherine, daughter of Sir Joseph Henry Hawley [q. v.], the well-known sportsman, was born at Dover on 3 June 1833. His grandfather, Colonel Henry Smart, had been governor of Dover Castle early in the century. After education by a private tutor, he received a commission from Lord Raglan, and was gazetted ensign in the 1st regiment of foot (royal Scots) on 20 Oct. 1849, being promoted lieutenant on 6 July 1852, and captain on 15 May 1855. He served through the Crimean war, saw the fall of Sebastapol (medal and clasp and Turkish medal), returned to England in 1856, and sailed next year for India, where he served during the mutiny. In 1858 he exchanged into the 17th (Leicestershire) regiment, and went out to Canada. He left Quebec in 1864, sold out of the army, and, after experiencing some losses on the turf, devoted himself to novel-writing as a profession. His models were Lever and Whyte-Melville, and his first novel, ‘Breezie Langton: a Story of Fifty-two to Fifty-five’ (London, 1869, several editions), gave a promise of surpassing them which was not altogether fulfilled. Thenceforth he produced with great regularity two or even more novels a year, including ‘Bitter is the Rind,’ 1870; ‘A Race for a Wife,’ 1870; ‘Cecile, or Modern Idolaters,’ 1871; ‘False Cards,’ 1873; ‘Broken Bonds,’ 1874; ‘Two Kisses,’ 1875; ‘Courtship in 1720, in 1860,’ 1876; ‘Bound to Win,’ 1877; ‘Play or Pay,’ 1878; ‘Sunshine and Snow,’ 1878; ‘Social Sinners,’ 1880; ‘Belles and Ringers,’ 1880; ‘The Great Tontine,’ 1881; ‘At Fault,’ 1883; ‘Hard Lines,’ 1883; ‘From Post to Finish,’ 1884; ‘Salvage,’ 1884; ‘Tie and Trick,’ 1885; ‘Lightly Lost,’ 1885; ‘Struck Down,’ 1886; ‘Plucked: a Tale of a Trap,’ 1886; ‘Bad to Beat,’ 1886; ‘The Outsider,’ 1886; ‘A False Start,’ 1887; ‘Cleverly Won: a Romance of the Grand National,’ 1887; ‘The Pride of the Paddock,’ 1888; ‘The Master of Rathkelly,’ 1888; ‘Saddle and Sabre,’ 1888; ‘The Last Coup,’ 1889; ‘Long Odds,’ 1889; ‘A Black Business,’ 1890; ‘Thrice Past the Post,’ 1891; ‘Beatrice and Benedick,’ 1891; ‘The Plunger,’ 1891; ‘A Member of Tattersall's,’ 1892; ‘Struck Down,’ 1893; ‘Vanity's Daughter,’ 1893; ‘A Racing Rubber’ (posthumous), 1895. The plots are sometimes weak and the dialogue shallow, but there are force and truth in the racing and hunting sketches, while the military incidents are often graphically drawn from the writer's own experience. Smart died at Budleigh Salterton in Devonshire on 8 Jan. 1893, and was buried in Budleigh churchyard. He married, in 1883, Alice Ellen, daughter of John Smart, esq., of Budleigh Salterton, who survives him.

[Times, 10 Jan. 1893; Illustrated London News, 14 Jan. (with portrait); Athenæum, 14 Jan. 1893; Saturday Review, 20 Feb. 1869; Our Celebrities, No. 38, August 1891; Army Lists, 1850–64.]

T. S.

SMART, JOHN (1741–1811), miniature-painter, was born near Norwich on 1 May 1741, and obtained a premium from the Society of Arts for a chalk drawing in 1755. He became a pupil of Daniel Dodd [q. v.], and also studied at Shipley's academy in St. Martin's Lane. One of his best friends was Richard Cosway [q. v.], whose studio Smart seems at one time to have frequented. Cosway alludes to him often in his letters as ‘little John,’ ‘faithful John,’ or ‘good little John,’ and he is one of the few painters whom Cosway commends, though he found him ‘slow and a bit washy.’ Smart was an early member of the Incorporated Society of Artists, to the exhibitions of which he contributed from 1762 to 1783; in 1773, and again in 1783, he was a director of the society, and in 1778 was elected vice-president. Smart exhibited at the Royal Academy for the first time in 1784, and soon after went to India, where he practised for some years with great success in Madras and other cities. He returned to England before 1797, in which year he reappeared at the academy, sending a portrait of the nabob of Arcot; he continued to exhibit regularly until his death, which took place at his residence in Russell Place, Fitzroy Square, London, on 1 May 1811. Smart's miniatures are of extremely fine quality, unsurpassed for beauty of colour and delicacy of finish; he usually signed them with his initials, J. S., adding the letter I to those executed in India. His portraits of the Prince of Wales, Lord Amherst, Sir Henry Clinton, Sir Henry Boyd, Sir John Taylor, bart., and others, were engraved. Smart had a son John, who also practised as a miniaturist, and was an occasional exhibitor at the Royal Academy up to 1808; in that year he went to India, and he died at Madras on 1 May 1809.

[Redgrave's Dict. of Artists; Cat. of Miniature Exhibition at Burlington Fine Arts Club, 1889; Gent. Mag. 1810, i. 593; Williamson's Eighteenth Century Miniaturists, p. 49 (and note kindly supplied by the author); Exhibition Catalogues.]

F. M. O'D.