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BLOWITZ—BLOWPIPE
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6 to 7 ft. long and made of ironwood. The bore, of 1/2 in., is made with a long pointed piece of iron. At the muzzle a small iron hook is affixed, to serve as a sight, as well as a spear-head like a bayonet and for the same purpose. The arrows used with the sumpitan are about 10 in. long, pointed with fish-teeth, and feathered with pith. They are also envenomed with poison.

Poisoned arrows are also used by the natives of the Philippine island of Mindanao, whose blow-pipes, from 3 to 4 ft. long and made of bamboo, are often richly ornamented and even jewelled.

The principle of the blow-gun is, of course, the same as that of the common “pea-shooter.”

See Sport with Rod and Gun in American Woods and Waters, by A. M. Mayer, vol. ii. (Edinburgh, 1884); Wanderings in South America, &c., by Charles Waterton (London, 1828); The Head Hunters of Borneo, by Carl Bock (London, 1881).


BLOWITZ, HENRI GEORGES STEPHAN ADOLPHE DE (1825–1903), Anglo-French journalist, was born, according to the account given in his memoirs, at his father’s château in Bohemia on the 28th of December 1825. At the age of fifteen he left home, and travelled over Europe for some years in company with a young professor of philology, acquiring a thorough knowledge of French, German and Italian and a mixed general education. The finances of his family becoming straitened, young Blowitz was on the point of starting to seek his fortune in America, when he became acquainted in Paris with M. de Falloux, minister of public instruction, who appointed him professor of foreign languages at the Tours Lycée, whence, after some years, he was transferred to the Marseilles Lycée. After marrying in 1859 he resigned his professorship, but remained at Marseilles, devoting himself to literature and politics. In 1869 information which he supplied to a legitimist newspaper at Marseilles with regard to the candidature of M. de Lesseps as deputy for that city led to a demand for his expulsion from France. He was, however, allowed to remain, but had to retire to the country. In 1870 his predictions of the approaching fall of the Empire caused the demand for his expulsion to be renewed. While his case was under discussion the battle of Sedan was fought, and Blowitz effectually ingratiated himself with the authorities by applying for naturalization as a French subject. Once naturalized, he returned to Marseilles, where he was fortunately able to render considerable service to Thiers, who subsequently employed him in collecting information at Versailles, and when this work was finished offered him the French consulship at Riga. Blowitz was on the point of accepting this post when Laurence Oliphant, then Paris correspondent of The Times, for which Blowitz had already done some occasional work, asked him to act as his regular assistant for a time, Frederick Hardman, the other Paris correspondent of The Times, being absent. Blowitz accepted the offer, and when, later on, Oliphant was succeeded by Hardman he remained as assistant correspondent. In 1873 Hardman died, and Blowitz became chief Paris correspondent to The Times. In this capacity he soon became famous in the world of journalism and diplomacy. In 1875 the duc de Decazes, then French foreign minister, showed Blowitz a confidential despatch from the French ambassador in Berlin (in which the latter warned his government that Germany was contemplating an attack on France), and requested the correspondent to expose the German designs in The Times. The publication of the facts effectually aroused European public opinion, and any such intention was immediately thwarted. Blowitz’s most sensational journalistic feat was achieved in 1878, when his enterprise enabled The Times to publish the whole text of the treaty of Berlin at the actual moment that the treaty was being signed in Germany. In 1877 and again in 1888 Blowitz rendered considerable service to the French government by his exposure of internal designs upon the Republic. He died on the 18th of January 1903.

My Memoirs, by H. S. de Blowitz, was published in 1903.


BLOWPIPE, in the arts and chemistry, a tube for directing a jet of air into a fire or into the flame of a lamp or gas jet, for the purpose of producing a high temperature by accelerating the combustion. The blowpipe has been in common use from the earliest times for soldering metals and working glass, but its introduction into systematic chemical analysis is to be ascribed to A. F. Cronstedt, and not to Anton Swab, as has been maintained (see J. Landauer, Ber. 26, p. 898). The first work on this application of the blowpipe was by G. v. Engeström, and was published in 1770 as an appendix to a treatise on mineralogy. Its application has been variously improved at the hands of T. O. Bergman, J. G. Gahn, J. J. Berzelius, C. F. Plattner and others, but more especially by the two last-named chemists.

The simplest and oldest form of blowpipe is a conical brass tube, about 7 in. in length, curved at the small end into a right angle, and terminating in a small round orifice, which is applied to the flame, while the larger end is applied to the mouth. Where the blast has to be kept up for only a few seconds, this instrument is quite serviceable, but in longer chemical operations inconvenience arises from the condensation of moisture exhaled by the lungs in the tube. Hence most blowpipes are now made with a cavity for retaining the moisture. Cronstedt placed a bulb in the centre of his blowpipe. Dr Joseph Black’s instrument consists of a conical tube of tin plate, with a small brass tube, supporting the nozzle, inserted near the wider end, and a mouth-piece at the narrow end.

The sizes of orifice recommended by Plattner are 0.4 and 0.5 mm. A trumpet mouth-piece is recommended from the support it gives to the cheeks when inflated. The mode of blowing is peculiar, and requires some practice; an uninterrupted blast is kept up by the muscular action of the cheeks, while the ordinary respiration goes on through the nostrils.

If the flame of a candle or lamp be closely examined, it will be seen to consist of four parts—(a) a deep blue ring at the base, (b) a dark cone in the centre, (c) a luminous portion round this, and (d) an exterior pale blue envelope (see Flame). In blowpipe work only two of these four parts are made use of, viz. the pale envelope, for oxidation, and the luminous portion, for reduction. To obtain a good oxidizing flame, the blowpipe is held with its nozzle inserted in the edge of the flame close over the level of the wick, and blown into gently and evenly. A conical jet is thus produced, consisting of an inner cone, with an outer one commencing near its apex—the former, corresponding to (a) in the free flame, blue and well defined; the latter corresponding to (d), pale blue and vague. The heat is greatest just beyond the point of the inner cone, combustion being there most complete. Oxidation is better effected (if a very high temperature be not required) the farther the substance is from the apex of the inner cone, for the air has thus freer access. To obtain a good reducing flame (in which the combustible matter, very hot, but not yet burned, is disposed to take oxygen from any compound containing it), the nozzle, with smaller orifice, should just touch the flame at a point higher above the wick, and a somewhat weaker current of air should be blown. The flame then appears as a long, narrow, luminous cone, the end being enveloped by a dimly visible portion of flame corresponding to that which surrounds the free flame, while there is also a dark nucleus about the wick. The substance to be reduced is brought into the luminous portion, where the reducing power is strongest.

Various materials are used as supports for substances in the blowpipe flame; the principal are charcoal, platinum and glass or porcelain. Charcoal is valuable for its infusibility and low conductivity for heat (allowing substances to be strongly heated upon it), and for its powerful reducing properties; so that it is chiefly employed in testing the fusibility of minerals and in reduction. The best kind of charcoal is that of close-grained pine or alder; it is cut in short prisms, having a flat smooth surface at right angles to the rings of growth. In this a shallow hole is made for receiving the substance to be held in the flame. Gas-carbon is sometimes used, since it is more permanent in the flame than wood charcoal. Platinum is employed in oxidizing processes, and in the fusion of substances with fluxes; also in observing the colouring effect of substances on the blowpipe flame (which effect is apt to be somewhat masked by charcoal). Most commonly it is used in the form of wire, with a small bend or loop at the end.