plain (the Ghor). Pliny further informs us that Taricheae was at the south end of the Sea of Galilee. Sinn en-Nabreh, a ruin on a spur of the hills close to the last-mentioned site, represents the ancient Sennabris, where Vespasian (Josephus, B.J. iii. 9, 7) fixed his camp, advancing from Scythopolis (Beisen) on Taricheae and Tiberias. Sennabris was 30 stadia from Tiberias, or about the distance of the ruin now existing.
The eastern shores of the Sea of Galilee have been less fully explored than the western, and the sites are not so perfectly recovered. The site of Hippos, one of the cities of Decapolis, is fixed by Clermont-Ganneau at Khurbet Susieh. Kalat el-Hosn (“castle of the stronghold”) is a ruin on a rocky spur opposite Tiberias. Two large ruined buildings remain, with traces of an old street and fallen columns and capitals. A strong wall once surrounded the town; a narrow neck of land exists on the east where the rock has been scarped. Rugged valleys enclose the site on the north and south; broken sarcophagi and rock-cut tombs are found beneath the ruin. This site is not identified; the suggestion that it is Gamala is doubtful, and not borne out by Josephus (War, iv. 1, 1), who says Gamala was over against Taricheae. Kersa, an insignificant ruin north of the last, is thought to represent the Gerasa or Gergesa of the 4th century, situated east of the lake; and the projecting spur of hill south of this ruin is conjectured to be the place where the swine “ran violently down a steep place” (Matt. viii. 32). (C. R. C.; C. W. W.; R. A. S. M.)
GALILEO GALILEI (1564–1642), Italian astronomer and experimental philosopher, was born at Pisa on the 15th of February 1564. His father, Vincenzio, was an impoverished descendant of a noble Florentine house, which had exchanged the surname of Bonajuti for that of Galilei, on the election, in 1343, of one of its members, Tommaso de’ Bonajuti, to the college of the twelve Buonuomini. The family, which was nineteen times represented in the signoria, and in 1445 gave a gonfalonier to Florence, flourished with the republic and declined with its fall. Vincenzio Galilei was a man of better parts than fortune. He was a competent mathematician, wrote with considerable ability on the theory and practice of music, and was especially distinguished amongst his contemporaries for the grace and skill of his performance upon the lute. By his wife, Giulia Ammannati of Pescia, he had three sons and four daughters.
From his earliest childhood Galileo, the eldest of the family, was remarkable for intellectual aptitude as well as for mechanical invention. His favourite pastime was the construction of original and ingenious toy-machines; but his application to literary studies was equally conspicuous. In the monastery of Vallombrosa, near Florence, where his education was principally conducted, he not only made himself acquainted with the best Latin authors, but acquired a fair command of the Greek tongue, thus laying the foundation of his brilliant and elegant style. From one of the monks he also received instruction in logic; but the subtleties of the scholastic science were thoroughly distasteful to him. A document published by F. Selmi in 1864 proves that he was at this time so far attracted towards a religious life as to have joined the novitiate; but his father, who had other designs for him, seized the opportunity of an attack of ophthalmia to withdraw him permanently from the care of the monks. Having had personal experience of the unremunerative character both of music and of mathematics, he desired that his son should apply himself to the cultivation of medicine, and, not without some straining of his slender resources, placed him, before he had completed his eighteenth year, at the university of Pisa. He accordingly matriculated there on the 5th of November 1581, and immediately entered upon attendance at the lectures of the celebrated physician and botanist, Andrea Cesalpino.
The natural gifts of the young student seemed at this time equally ready to develop in any direction towards which choice or hazard might incline them. In musical skill and invention he already vied with the best professors of the art in Italy; his personal taste would have led him to choose painting as his profession, and one of the most eminent artists of his day, Lodovico Cigoli, owned that to his judgment and counsel he was mainly indebted for the success of his works. In 1581, while watching a lamp set swinging in the cathedral of Pisa, he observed that, whatever the range of its oscillations, they were invariably executed in equal times. The experimental verification of this fact led him to the important discovery of the isochronism of the pendulum. He at first applied the new principle to pulse-measurement, and more than fifty years later turned it to account in the construction of an astronomical clock. Up to this time he was entirely ignorant of mathematics, his father having carefully held him aloof from a study which he rightly apprehended would lead to his total alienation from that of medicine. Accident, however, frustrated this purpose. A lesson in geometry, given by Ostilio Ricci to the pages of the grand-ducal court, chanced, tradition avers, to have Galileo for an unseen listener; his attention was riveted, his dormant genius was roused, and he threw all his energies into the new pursuit thus unexpectedly presented to him. With Ricci’s assistance, he rapidly mastered the elements of the science, and eventually extorted his father’s reluctant permission to exchange Hippocrates and Galen for Euclid and Archimedes. In 1585 he was withdrawn from the university, through lack of means, before he had taken a degree, and returned to Florence, where his family habitually resided. We next hear of him as lecturing before the Florentine Academy on the site and dimensions of Dante’s Inferno; and he shortly afterwards published an essay descriptive of his invention of the hydrostatic balance, which rapidly made his name known throughout Italy. His first patron was the Marchese Guidubaldo del Monte of Pesaro, a man equally eminent in science, and influential through family connexions. At the Marchese’s request he wrote, in 1588, a treatise on the centre of gravity in solids, which obtained for him, together with the title of “the Archimedes of his time,” the honourable though not lucrative post of mathematical lecturer at the Pisan university. During the ensuing two years (1589–1591) he carried on that remarkable series of experiments by which he established the first principles of dynamics and earned the undying hostility of bigoted Aristotelians. From the leaning tower of Pisa he afforded to all the professors and students of the university ocular demonstration of the falsehood of the Peripatetic dictum that heavy bodies fall with velocities proportional to their weights, and with unanswerable logic demolished all the time-honoured maxims of the schools regarding the motion of projectiles, and elemental weight or levity. But while he convinced, he failed to conciliate his adversaries. The keen sarcasm of his polished rhetoric was not calculated to soothe the susceptibilities of men already smarting under the deprivation of their most cherished illusions. He seems, in addition, to have compromised his position with the grand-ducal family by the imprudent candour with which he condemned a machine for clearing the port of Leghorn, invented by Giovanni de’ Medici, an illegitimate son of Cosmo I. Princely favour being withdrawn, private rancour was free to show itself. He was publicly hissed at his lecture, and found it prudent to resign his professorship and withdraw to Florence in 1591. Through the death of his father in July of that year family cares and responsibilities devolved upon him, and thus his nomination to the chair of mathematics at the university of Padua, secured by the influence of the Marchese Guidubaldo with the Venetian senate, was welcome both as affording a relief from pecuniary embarrassment and as opening a field for scientific distinction.
His residence at Padua, which extended over a period of eighteen years, from 1592 to 1610, was a course of uninterrupted prosperity. His appointment was three times renewed, on each occasion with the expressions of the highest esteem on the part of the governing body, and his yearly salary was progressively raised from 180 to 1000 florins. His lectures were attended by persons of the highest distinction from all parts of Europe, and such was the charm of his demonstrations that a hall capable of containing 2000 people had eventually to be assigned for the accommodation of the overflowing audiences which they attracted. His invention of the proportional compass or sector—an implement still used in geometrical drawing—dates from 1597; and about the same time he constructed the first thermometer, consisting of a bulb
