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THE CRITIC
137

is also sadly neglected, to no purpose, in "Barnaby Rudge."

That Rudge should so long and so deeply feel the sting of conscience is inconsistent with his brutality.

On page 15, the interval elapsing between the murder and Rudge's return, is variously stated at twenty-two and twenty-four years. It may be asked why the inmates of The Warren failed to hear the alarm-bell which was heard by Solomon Daisy.

The idea of persecution by being tracked, as by bloodhounds, from one spot of quietude to another, is a favourite one with Mr. Dickens. Its effect cannot be denied.

The stain upon Barnaby's wrist, caused by fright in the mother at so late a period of gestation as one day before mature parturition, is shockingly at war with all medical experience.

When Rudge, escaped from prison, unshackled, with money at command, is in agony at his wife's refusal to perjure herself for his salvation—is it not queer that he should demand any other salvation than lay in his heels ?

Some of the conclusions of chapters—see pages 40 and 100—seem to have been written for the mere purpose of illustrating tail-pieces.

The leading idiosyncrasy of Mr. Dickens' remarkable humour, is to be found in his translating the language of gesture, or action, or tone. For example—

"The cronies nodded to each other, and Mr. Parkes remarked in an undertone, shaking his head meanwhile, as who should say 'let no man contradict me, for I won't believe him,' that Willet was in amazing force to-night."