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EDGAR ALLAN POE

the mirror which their lustre formed upon the roundtable of ebony at which we sat, each of us there assembled beheld the pallor of his own countenance, and the unquiet glare in the downcast eyes of his companions. Yet we laughed and were merry in our proper way,—which was hysterical,—and sang the songs of Anacreon,—which are madness,—and drank deeply, although the purple wine reminded us of blood. For there was yet another tenant of our chamber in the person of young Zoilus. Dead and at full length he lay, enshrouded, the genius and the demon of the scene. Alas! he bore no portion in our mirth, save that his countenance, distorted with the plague, and his eyes, in which Death had but half extinguished the fire of the pestilence, seemed to take such interest in our merriment as the dead may haply take in the merriment of those who are to die. But although I, Oinos, felt that the eyes of the departed were upon me, still I forced myself not to perceive the bitterness of their expression, and, gazing down steadily into the depths of the ebony mirror, sang with a loud and sonorous voice the songs of the son of Teios. But gradually my songs they ceased, and their echoes, rolling afar off among the sable draperies of the chamber, became weak and undistinguishable, and so faded away. And, lo! from among those sable draperies where the sounds of the song departed, there came forth a dark and undefined shadow,—a shadow such as the moon, when low in heaven, might fashion from the figure of a man; but it was the shadow neither of man nor of God, nor of any familiar thing. And, quivering awhile among the draperies of the room, it at length rested in full view upon the surface of the