Page:English Caricaturists and Graphic Humourists of the nineteenth century.djvu/340

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ENGLISH CARICATURISTS.

day. This peculiar production, which was known as "Jim Crow," was accompanied by a characteristic double shuffle, while every verse concluded with this intellectual chorus:—

"Turn about, and wheel about,
And do just so;
 And every time I turn about,
I jump Jim Crow."

In Jim Crow Dance and Chorus (the title of the sketch referred to), we find the leading men of all parties assembled at a ball, engaged in the new saltatory performance initiated by Mr. Rice. In the left-hand corner we notice Lord Abinger, formerly Sir James Scarlett, a Whig, who growing tired of waiting for the advent of his own party to power, changed his political opinions—that is to say "jumped Jim Crow,"—and was made Attorney General by the Duke of Wellington. Next him is Lord Stanley, who commenced life as a Whig and was a member of Lord Grey's Reform administration, but unprepared to go the lengths which his party seemed disposed' to 'take, he too "jumped Jim Crow," deserted them, and joined the ranks of the Opposition. Lord Stanley's vis-à-vis is Sir James Graham; in his early days he had distinguished himself by the strength of his radical opinions, but as a member of Lord Grey's cabinet, he suppressed these sentiments, and "jumped Jim Crow" by confining himself more strictly within Whig limits. Conspicuous amongst the performers is Lord Melbourne! When in office under Mr. Canning he had made several anti-Reform speeches, but afterwards became a member of the Government of Lord Grey by which Reform was carried;—as Prime Minister he. went far nearer to the principles of absolute democracy than either Lord Grey or Lord Althorp. Lord Melbourne's face, however, shows unmistakable repugnance at finding that his numerous "wheels about" have brought him face to face with O'Connell, and he turns in disgust from the famous agitator, who, with his thumb to his nose and his left arm stuck in his side, shows that he has no intention of permitting him to enjoy a pas all to himself. O'Connell of course shows himself complete master of the figure which he had danced so frequently